| Kathmandu view northeast from Thamel district from roof of Moonlight Hotel, Paknajol Marg (road). Yellow filter to increase contrast. |
Oh oh, something has happened, Kathmandu is a big city now. And as of late 2017, it looks like a construction zone. Buildings are being razed and replaced or rebuilt within their historic facades. Scaffolding, piles of brick, concrete mixers, and dust are everywhere. The 2015 earthquakes caused terrible damage to historic sites, but the Nepalis are slowly repairing their palaces and temples. I think Kathmandu is on a cusp or transition from an old Asian city into a new commercial city. We will take a short walk around town; no real theme, just a tourist exploring, smelling, watching, and enjoying.
Some families live in older-looking multi-floor buildings. I am not sure how they responded to the earthquakes. Did engineers inspect each and every house?
An old, but still maintained and active English Cemetery is near the UK Embassy. For over a century, the Empire did not have an ambassador but instead had a Resident. He consulted with the Nepali government and had some of the duties of a true ambassador. The cemetery contains graves of some of these ambassadors as well as their families and the occasional English traveler and mountaineer. And, most unusual, there are Russians here, possibly refugees from the Bolsheviks.
Workers still demolish buildings the old way, by hand. No hard hats, eye protection, or steel toe boots here.
The wiring at the Chasibari Marga area is somewhat of a mess. Well, all the wiring in Kathmandu is a mess. You see the same in Hanoi.
Whatever you may think of the state of the infrastructure, it does not deter people from shopping, trading, selling, shoving, walking, eating, yelling, and sort-of sniffing the fumes. I see crowds like this in cities like Arusha, Athens, Rangoon, Cairo, Lodz, Hanoi, or Mandalay. Why are American cities like Jackson (Mississippi) such deserted wastelands?
This is the 4th in a series on my 2017 Nepal trip. To be continued....
I took these photographs with my Leica IIIC 35mm camera with 5cm ƒ/2.0 Summitar lens on Kodak TMax 100 and 400 film, with exposure measured with a Gossen Luna Pro Digital light meter. Praus Productions in Rochester, New York, developed the film in Xtol developer.