Showing posts with label Hasselblad. Show all posts
Showing posts with label Hasselblad. Show all posts

Sunday, August 18, 2024

Into the Woods Again: Squaxin Park in the Snow (Oly 13)

Near the Squaxin Park trailhead (off Flora Vista Dr NE) 

It is summer in Olympia. The days can be hot (90º deg. F), but the nights are cool. Compared to my previous homes in Vicksburg, Houston, Athens, Karachi, and Rangoon, summer here is a delight. Still, let's cool off with some memories of the February 25 snowfall. This was the second snow of the 2023-2024 winter, and it was too good to resist. I drove to Squaxin (formerly Priest Point) Park with my tripod and Hasselblad and broke out a roll of Kodak's famous Panatomic-X. It is a slow film (EI = 25) and may not be the best choice for a gloomy afternoon under dense trees, but with a tripod, you can use as slow as shutter speed as needed. Most of these snow scenes were ½ or 1 second exposures. (Warning: no urban decay here, just "pretty" pictures.)


Looks like a furry chapeau on a stump
Heading home, time for a coffee

The Hasselblad works reasonably well in cold weather. I can use the controls with thin gloves. Loading a film back in the snow would be frustrating, so if in doubt, load a spare one in advance. For the pictures above, I used 50mm, 80mm, and 100mm Zeiss lenses, all with no filters. Praus Productions in Rochester, New York, developed the film.

I hope you all enjoyed this quick visit to winter.

Sunday, August 4, 2024

Down in the Alley* (in Olympia) (Oly 11)

View east from Colombia St. NW (40mm ƒ/4 Distagon Lens)


Some streets in downtown Olympia have alleys that run behind the commercial buildings. The alley gives access to loading doors, dumpsters, maybe the sewer. Some of the older housing neighborhoods, like Bigelow and South Capital, also have alleys. The latter are handy for utilities, trash cans, and, sometimes, access to garages. They are a bit boring, so I will concentrate on the city.

Between 4th and State Avenues, an alley runs east-west for about one km. The west end is pretty interesting with art works and some graffiti. This was too good to resist, and on an overcast April day, I took a walk with my Hasselblad and Fuji NPS 160 film. This was also a chance to use my new/old 40mm Distagon wide angle lens in tight quarters. 


Something is fishy at the rear door of Old School Pizza, 108 Franklin Street (40mm Distagon lens)

Walk east for a block, and there is more good stuff.


Loading dock of 312 4th Avenue (40mm Distagon lens). There was probably a hoist once in the apex of the overhang.

Turn 180º, and a carpentry shop has a door that leads to the alley.


Carpenter shop door with shiny new paint - already decorated (40mm Distagon lens)
Rear of 308 4th Avenue (100 mm ƒ/3.5 Planar lens)
Parking lot off State Avenue

Empty lots like this once had industrial or commercial buildings. Maybe a local reader can remember what once stood here. Some lots are empty because pollutet soil has been capped, but I do not know if that is the issue here.

View north to Billy Frank Jr. Place (318 State Avenue) (40mm Distagon lens)

I will show more alley pictures soon. 


215 Thurston Avenue (100mm ƒ/3.5 Planar lens, 1/30 ƒ/8.0)

Two blocks north is this interesting door. Some of you readers may remember it from a 35mm frame that I took with T400CN film.  


7th Avenue tunnel (100mm ƒ/3.5 Planar lens)

This is not quite an alley, but rather the grungy 7th Avenue railroad tunnel. An occasional train with petroleum tank cars trundles through here heading for an industrial area in west Tumwater. 

I took these photographs with my Hasselblad 501 CM camera using Fuji NPS 160 film. This was my last roll, and it is no longer available. Photoland at The Evergreen State College developed the film. 

* With apologies to Elvis Presley, who recorded Down in the Alley on May 25, 1966 on Spinout Records. The lyrics are not pertinent to my article, just the title. 



Saturday, July 27, 2024

Danger: GAS and a Review of the Zeiss 40mm ƒ/4 Distagon CF FLE lens for Hasselblad (Oly 10)

Zeiss 40mm ƒ/4 lens with filter holder and 93mm UV filter in place
40mm Distagon ƒ/4 lens without filter holder
40mm Distagon lens mount. The slotted circle with a red arrow is the shutter cocking screw. The contacts were for the 200 series cameras (not used by my 501CM body)


The GAS Attack


Yes, yes, I know, I utterly lack discipline. I suffered an explosive bout of GAS (Gear Acquisition Syndrome) and bought an ultra-wide lens for my Hasselblad 501CM camera. I already owned a 50mm ƒ/4 Distagon lens, but sometimes I wanted to be closer or be right inside the scene and capture it. 

My 50mm lens provides a diagonal view similar to a 27mm in the 35mm format. This new 40 provides a 22mm view (note, the frame proportions are not the same, square versus rectangle, so these are approximations only). I have already learned that this 40 is hard to use and need to take advantage of its unusually wide view. 

Zeiss made four generations of 40mm lenses to fit Hasselblad V bodies. These are the mid-20th century mechanical bodies that use 120 film, usually for the 6×6 format. It is difficult to find production years, but this is an approximate summary of the 40mm lenses: 

Distagon 40mm ƒ/4 C with Bayonet 104 filter. This is a huge optic, computed in the 1960s. It was a pioneering retrofocus lens at the time. Single coat 1967-1973, multi-coated T* 1974-1982. These C lenses are said to be front heavy and hard to focus. Zeiss also made versions of this 40 for Rollei SL66 and Rollei SLX/6006.

Distagon ƒ/4 40 mm CF (FLE). Newly computer smaller lens with floating element, 93mm drop-in filters, 1982-1998.

Distagon ƒ/4 40 mm CFE (FLE). Newer style body (see the pictures above), 1998-2003.

Distagon ƒ/4 40 mm CFE (IF FLE). Internal focus, final 40mm model (rare and expensive), designed for use with digital backs, 2003-?

Hasselblad also offered a 38mm Biogon type of lens permanently mounted in a special body, the SWC. This is said to be the least distortion super wide lens. I was tempted but wanted a lens that would mount on my 501CM body and let me frame through the viewfinder. 

My 40mm CFE model accepts 93mm unthreaded filters, which are held in place by a retaining ring. These are the same concept as traditional series filters. But the 93mm units are rare, rare, rare. My lens came with a clear UV filter. Amazingly, I saw an orange 93 for sale at KEH and grabbed it instantly. Yellow and green 93s are unobtanium. If you buy a used 40mm lens, make sure that it includes the retaining ring/shade, the items that hold a 93 filter in place. 


Upper ring adjusts the internal floating element

My lens has an internal floating element, meaning one that can be shifted separately from the other elements. A focus dial lets the user select the subject distance. This is designed to improve optical quality for close-ups. Most of my pictures are of mid- or far distance, so I have only needed to adjust this extra setting a few times. The procedure for close subjects:

  1. Focus on the intended subject.
  2. Adjust the floating element ring to see the best sharpness across the frame.
  3. Readjust the main focus ring. But it may not need to be moved at all.

Focus with ultra wide lenses can be tricky with any reflex camera. But with my Acute Matte viewfinder screen, focus pops in and out precisely. I do not know how the view would be with the older, dimmer Hasselblad screens. Minolta developed the technology for these screens, and Minolta camera viewfinders were known for being easy to use. As far as I know, new Acute Matte screens are no longer available, and used screens in good condition sell for around $500 now. Other companies offered brighter screens for the Hasselblad, (e.g., Beattie IntenScreen, BrightScreen) but the consensus is the Acute Mattes are the best. 


Fuji NPS 160


Cylinder man, Olympia Avenue, Olympia
Carpentry shop, alley between State and 4th Avenues, Olympia, Washington
Unused locomotive permanently (?) parked next to Deschutes Parkway SW near Capitol Lake

Black and White


Former Georgia Pacific Building, Capital Way, Olympia

The Seattle architectural firm of Naramore, Bain, Brady & Johanson designed this mid-Century modern building in 1952 for the Georgia Pacific plywood company. The architects made extensive use of plywood in the furnishings and construction. The Washington Department of Fish and Wildlife now occupies the building. 


West Bay dock on a gloomy afternoon


Summary


Well, I am happy with my new/old 40mm Distagon. Optically, this 40 is amazing. I see minimal light falloff at the corners of the frame, and the resolution is fine center to edge. I can focus it without hunting back and forth with both the 501's fold-up finder or the prism finder. This lens is wonderful with color film (stand by for more examples soon). 

It takes practice to use a lens this wide well. It helps to be right inside your scene. In the same way, I had to learn how to get the best effects from the ultra-wide 30mm lens on my friend's Hasselblad XPan panoramic camera. I also recently bought a 21mm Zeiss Biogon lens for the 35mm Leica - this will require a learning curve, too.

But this 40mm Hasselblad lens is a heavy chunk in my camera bag. I bought a small LowePro backpack to experiment carrying all this stuff. And I have yet to find 93mm yellow or green filters. 

More examples to follow. But no more equipment GAS. I promise.......



Friday, June 28, 2024

Dinosaurs and Toilets of Olympia (Oly 09)

Welcome to my Jaws (100 mm ƒ/3.5 Planar lens)

There are dinosaurs in Olympia! They live (and eat?) at Eastside Big Tom. Tom is a fried food emporium of the healthiest, most calorific treats one could imagine. According to Experience Olympia & Beyond,

Hungry dinosaurs, milkshakes featuring deep-fried bacon and maple, and a mouthwatering smashed burger dripping with goop sauce - Eastside Big Tom is a direct ticket straight back to the best parts of your childhood.

We could stop now and it would be enough. The dinosaurs, the ambiance that takes you back to the best parts of your childhood, the smashed-burger dripping with sauce that runs down your chin and you don’t even care who sees it. But there are delights like the Bellicose Badger shake (featuring deep-fried bacon and maple) and the Birthday Cake soft-serve ice cream cone waiting in the wings. Customers wait with baited breath for Michael to share the monthly special shake, named after an animal (not the ingredients) in alphabetical order. Prior to the Bellicose Badger he featured the Aggravated Aardvark (peanut butter and pickle juice). These shakes may sound a bit odd, but for the life of me I can’t understand why everyone isn’t putting deep fried bacon in their shakes. It’s amazing.
Bacon milkshake?? I may need to try this one. 

Form two lines and order your treats. You can also sit behind the main building. (50mm Distagon lens)
Nice decorated potties (50mm Distagon ƒ/4 lens)

This is American folk art of the best type, hand painted with care and creativity. There is much more in and around Olympia, so I want to explore and record.

I took these photographs with my Hasselblad 501CM camera using Fuji NPS160 film, tripod-mounted. This was long-expired film, but it had been frozen for 20 years.

Sunday, June 23, 2024

The Giant Duck (Crow?) of Chehalis, Washington (Abandoned Films 14)


They grow them big in Washington State. Sadly, I think this big fellow does not host visitors any more nor quack or caw. 


The Yard Birds Swap Meet was a staple of the Centralia-Chehalis community for decades. According to the Yard Birds web page, which, as of May 2024, was still online,

Welcome to the �most unique� Yard Birds Mall! Seven acres of shopping under one giant roof! Yard Birds has a rich history of being a one stop shopping destination, and this reputation holds true today. With over 60 independent merchants on both floors selling everything from antiques, toys, clothes, video games, music, furniture, jewelry, steampunk accessories, as well as services such as hair styling, auto repair, custom stone countertops, and guitar lessons. We�re more than a Mall, we�re a family of merchants. Whatever you�re looking for, chances are you�ll find it at Yard Birds!

The last tenants and businesses were evicted from Yard Birds mall in November of 2022. Since then, it is unclear what the owners of the property have been doing or renovating.

Later, I will post some black and white pictures from Chehalis. 

I took these photographs on my Hasselblad 501CM camera with the 50mm ƒ/4 Distagon lens using long-expired Fujicolor NPS160 film. It had been in my freezer for over 20 years, but certainly was not fresh. I gave it extra exposure and used EI=80. A polarizing filter emphasized the blue of the brilliant clear sky. 

 

Friday, April 12, 2024

Into the Woods Again: Squaxin Park in Monochrome (Oly 06)

Squaxin Park (formerly Priest Point Park) is a botanical wonder just north of downtown Olympia off East Bay Drive NE. I have photographed here in color with my little digital Fuji X-E1 camera. How about monochrome? (Warning, "pretty" pictures below; no urban decay.)


Ellis Cove and view west to East Bay (Fuji Acros film, Pentax Spotmatic F camera, 28mm ƒ/3.5 SMC Takumar lens)
Ellis Cove (Fuji Acros film, 28mm SMC Takumar lens)

The temperature plummeted on January 11 (2024) and some snow fell. That was too good to resist. I walked to Squaxin Park but was surprised that not much snow had made it through the dense canopy down to the ground.


Samarkand Rose Garden (Kodak Panatomic-X film, Hasselblad 501CM camera, 80mm ƒ/2.8 Planar lens, yellow-green filter)
Near Ellis Cove (Panatomic-X film, 100mm ƒ3.5 Planar lens)
Near Ellis Cove (Panatomic-X film, 100mm ƒ/3.5 Planar lens, yellow-green filter)

On East Bay Drive, a dense multi-trunk tree often catches my eye.


East Bay Drive NE (Kodak Tri-X 400 film, Hasselblad 501CM, 100 mm ƒ/3.5 Planar lens, 1/125 ƒ/4)

Another snow fell on February 14, and I returned to Squaxin Park with the Hasselblad. Maybe I will show those frames in mid-summer..... 

Thank you all for exploring Squaxin Park with me.


Monday, February 26, 2024

Moving Out: Isle de Jean Charles, Louisiana

Background


Isle de Jean Charles is a small fishing community at the south end of Island Road in Terrebonne Parish, Louisiana. It feels like the end of the world. The town was the home of the Biloxi-Chitimacha-Choctaw Indians for almost 200 years. All the houses now are elevated on piles or stilts, and there is limited dry land. One low and vulnerable road, a spur off of Louisiana 665, leads to the town. 

Because Island Road is often flooded, sometimes for days, and safety services can not be guaranteed for the residents, the community needs to move. According to a January 2024 BBC article, "This Louisiana town moved to escape climate-linked disaster," the residents of Isle Jean Charles are in the process of relocating to The New Isle Community, much further inland and safe from flooding. Building a major levee system to protect the town from hurricane surge was too expensive, and relocation was the only alternative.


Sediments of the Mississippi Delta


The title of the BBC article is somewhat deceptive. Rising sea level is making the road to Isle de Jean Charles more vulnerable to storm surges and even normal high tides. And the rising sea exacerbates other issues throughout south Louisiana such as infrastructure, drainage, pollutants, and sea water incursion further into the swamps. But at least four other major factors account for land loss in southern Louisiana:

1. The sediment is sinking. All this marshy deltaic sediment came down the Mississippi River. As the immense sediment mass of the Mississippi Delta dewaters over centuries, it compresses. 

2. Oil and gas producers dredged channels through the marshes. These channels allowed seawater to enter the marshes and kill fresh-water marsh vegetation. Without the root structures and emergent plants, storms washed away the limited soil. And the lack of plants means minimal new sediment gets trapped.

3. The path of the Mississippi River has been channelized by levees for 200 years. During floods, sediment no longer spreads out over the adjacent delta. When the US Army Corps of Engineers dredges the navigation channel, they place some of this material onto the nearby marshes. Openings in the levees also allow flood water to spread. But these two placement and diversion mechanisms still do not replicate the pre-engineered river when it flowed unconstrained.

4. Less sediment is brought down to south Louisiana. Compared to the era before the late 1800s, levees line all of the lower Mississippi River and its tributaries. The era of mass tree deforestation is over. Farming practice considers erosion control much more than it did 100 years ago. Dams on the Missouri and Ohio River systems trap sediment in their ponds. The Corps of Engineers reduces bank sloughing and erosion with concrete mats. In effect, we are retaining sediment on the continent. 

This is a complicated topic. A vast technical literature examines sediment, hydrology, climatology, and geotechnical issues in Southern Louisiana.

A March 2019 article in The New Yorker, "Louisiana's Disappearing Coast," is a readable and detailed description of the factors that cause land loss. 

John McFee's seminal 1987 article in The New Yorker, "The Control of Nature, Atchafalaya," describes the heroic efforts to prevent the Mississippi River from changing its path to debouch into the Gulf of Mexico at the Atchafalaya delta, not the present delta.  


Isle de Jean Charles in 2019


Bayou or boat canal parallel to Island Road, Isle de Jean Charles, April 28, 2019
Pedestrian bridge over boat canal

My wife and I drove out to Isle de Jean Charles in spring of 2019. We were on a trip to explore the Acadian Parishes of Louisiana and revisit some towns that we had seen before, such as Dulac and Lafayette. We had read about Isle de Jean Charles and wanted to see the town. Driving on Island Road felt like we were on a boat crossing the marshes and lakes. In many stretches, the pavement was only a foot or less above the water.

We stopped at the marina. It was a gorgeous sunny day, and the town gents were drinking beer and having a good old time out on the deck. They said they had seen the plans to move everyone to a new town and were somewhat skeptical. Some of the town residents already had homes further inland. They watched the tide predictions, and if high water or a tropical storm was predicted, they would head north to stay with relatives and wait for the weather to pass. The gents also wondered if the plan was to move the Chawtaws out and then the developers would build condominiums. 



Wood crossovers to provide access to Island Road
Boat canal almost filled with vegetation
Elevated Isle de Jean Charles house


This was a nice afternoon. The few people we met were friendly. But we were not in town long enough to get a sense of how many people lived there at that time. It felt quiet. If the BBC article is correct, Isle de Jean Charles may be much quieter soon. I am glad that my wife and I had the chance to visit when it was still possible.

I took these photographs with a Hasselblad 501CM camera on Kodak Panatomic-X film using 50mm and 80mm Zeiss lenses. Some were tripod-mounted. Praus Productions in Rochester, New York, developed the film in Xtol. I scanned the negatives with a Minolta Scan Multi film scanner. Panatomic-X is a mid-century wonder product for this type of subject matter. 
 

Saturday, May 6, 2023

Revisiting the Wards, Houston, Texas (TX 10)

Introduction


The Wards are former political subdivisions of Houston, Texas. They no longer officially exist but still represent approximate regions of the city. Their inhabitants associate with their home ward. 


Houston Wards in 1920 (from Wikipedia, in the public domain)

This 1920 map shows the Wards at that time. Note that Hermann Park is in the bottom center of the map, in the countryside then. A hospital was already at the south side of Hermann Park. Just south of this today is the huge Texas Medical Center, with world-famous hospitals including the University of Texas MD Anderson Cancer Center

The little rectangle at the lower left is West University Place. The community, first developed in 1917,  never became incorporated into the City of Houston. Today, West U is a fashionable and upper-crust community to call home. 


Fourth Ward


Shotgun house, 1410 Robin Street (Ilford Delta 100 film, Rolleiflex 3.5E camera)
Historic wood houses, 1320 Robin Street (Ilford Delta 100 film)

Much of the Fourth Ward that I remember from the early 1980s has been totally transformed with modern townhouses and condominiums. A small cluster of wood houses on Robin Street is (or was) being preserved.

These buildings are in the Heritage Freedman's Town. This was the oldest African-American part of Houston and pre-dates 1865. A local resident told us that the City was trying to preserve a small cluster of the worker shotgun cottages. She said the local residents were upset because a contractor had been chosen without local input and there had been little or no progress in a long time.

The Houston Freedman's Town Conservancy is trying to preserve the heritage and the brick streets.


Fifth Ward


Locomotive approaching Lyons Avenue (Panatomic-X film, 80mm ƒ/2.8 Planar lens)

The Fifth Ward was formerly a working class neighborhood, where many of the men worked at the Port of Houston and at associated industries. Several rail lines cross through the Ward (see my previous article on Tower 26), and I saw warehouses, workshops, and other commercial activity.

Brewster Street, view north (Panatomic-X film, 250mm ƒ/5.6 Sonnar lens)
Brewster Street cottages (250mm ƒ/5.6 Sonnar lens)
Bleker Street (250mm Sonnar lens)
Waco Street (250mm Sonnar lens)

As I wrote in my earlier article, some of the Fifth Ward is really rough. Some blocks of row houses look reasonably well-maintained, but others are horrifying. I did not feel too comfortable exploring on my own and did not take too many photographs. It reminded me of west Jackson, Mississippi.


Third Ward


Restored row houses, Holman Street (Ilford Delta 100, Rolleiflex 3.5E camera)

The Project Row Houses is an art program at 2521 Holman Street. Art exhibits are in some of the houses, while residents occupy others. According to the Row Houses web page:

Project Row Houses is a community platform that enriches lives through art with an emphasis on cultural identity and its impact on the urban landscape. We engage neighbors, artists, and enterprises in collective creative action to help materialize sustainable opportunities in marginalized communities.

Project Row Houses occupies a significant footprint in Houston’s Historic Third Ward, one of the city’s oldest African-American neighborhoods. The site encompasses five city blocks and houses 39 structures that serve as a home base to a variety of community-enriching initiatives, art programs, and neighborhood development activities.


PRH programs touch the lives of under-resourced neighbors, young single mothers with the ambition of a better life for themselves and their children, small enterprises with the drive to take their businesses to the next level, and artists interested in using their talents to understand and enrich the lives of others.

Although PRH’s African-American roots are planted deeply in Third Ward, the work of PRH extends far beyond the borders of a neighborhood in transition. The PRH model for art and social engagement applies not only to Houston, but also to diverse communities around the world.


Former local store, Holman Street at Emancipation (Fuji Acros film)
Fixer-upper house, Bastrop Street at Francis (50mm ƒ/2 Jupiter-8 lens)
No more ice cream, Ennis Street
Unity of Color, 3611½ Bennett Street
The Secret Recipe - well, not any more, 3801 MacGregor Way

The Third Ward is a mixture of light commercial and residential, partly decayed, and partly reviving. 

North of the Gulf Freeway (I-45), the area now called East Downtown has become very sophisticated with restaurants, town houses, and garden apartments. Brass Tacks is a very nice coffee bar and casual restaurant. I biked there several times on the Columbia-Tap Rail Trail.

Further south, the scene becomes a bit more earthy without as much redevelopment (yet).

This completes our short and semi-random tour around three of the Houston Wards. There is plenty more to see. Next trip. Thanks for riding along.