Kodak Technical Pan Film at the Acropolis (Abandoned Films 11)

Technical Pan film

In the 1980s, Eastman Kodak heavily advertised their Technical Pan as being an extremely fine grain and high resolution panchromatic film. The data sheets stated:

This is a black-and-white panchromatic film with extended red sensitivity. It has micro-fine or extremely fine grain (depending on the developer used), extremely high resolving power, and a wide contrast range for pictorial, scientific, technical, and reversal-processing applications. 

Kodak made this film for either copying documents or for aerial reconnaissance by the military (I have read both theories). Kodak discontinued sales in 2003 or 2004 but stated that they had been selling off stock that had been stored for years. Many astronomers used it for celestial photography. 

Most document films are very fine grain but also high contrast. Therefore, for pictorial use, the photographer or laboratory must use special low contrast developers to provide a normal tonal scale. Kodak sold a proprietary Technidol developer for pictorial use, but it has been discontinued for at least a decade.

With a degree of hyperbolae or over-enthusiastic marketing, Kodak claimed Technical Pan in a regular 35mm camera rivaled the results from normal film in a 4×5" camera. Well, maybe - sort of. I cannot find an example right now but recall seeing these advertisements in camera magazines in the 1980s.

I used Technical Pan 2415 in 35mm cameras only twice. Once was in Texas (see my 2017 post) and the second in Athens, Greece. I agree that the film was incredibly fine-grain, but it was hard to develop and was contrasty, even with the Technidol developer. It had a "soot and chalk" tonality. My ultimate conclusion was why bother? If you want high resolution and smooth continuous tones, just use a medium format or 4×5" camera.

The Acropolis, Athens

We will make this a double abandoned films treat: Technical Pan from 1985 plus a couple of 1951 comparisons with other long-discontinued films. Let's take a walk around the Acropolis on a brilliant sunny July day. Click the 1985 frames to see the amazing detail. 

Parthenon east side, July 7, 1985 (Technical Pan film, Leica M3, 50mm ƒ/2.8 Elmar-M lens)

Parthenon east side 1951 or 1952 (Kodachrome slide, Leica IIIC camera, 5cm ƒ/2 Summitar lens)

The magnificent Parthenon is under perpetual preservation and reconstruction. It is amazing to think that Aristotle himself must have visited this temple and walked among the columns. And consider modern famous visitors such as Lord Byron, Winston Churchill, Harry Truman, Dwight Eisenhower, Princess Elizabeth, Margaret Thatcher, Bill Clinton, Barack Obama, Vladimir Putin, Elizabeth Taylor, etc.

Archaeologists and marble masons have spent over a century on repair and preservation. All the stone on the ground has been catalogued, measured, and fitted using 3-dimensional CAD software. The dilemma is what to do where original stone is missing. How much reconstruction is "authentic?"

Checking the Parthenon

Summer in the city - checking out the Parthenon

The Erechtheion under restoration.

The Erechtheion or Temple of Athena Polias is an Ionic temple-telesterion on the north side of the Acropolis. It was primarily dedicated to the goddess Athena. The geometry and placement of features within the temple is unknown. It may overlie a palace of Mycenaean age.

1985 south view of Erechtheion

Erechtheion photographed in 1951 from the porch of the Parthenon (Kodak Plus-X film) 

Looking down to the Anafiotica neighborhood.

Acropolis from the Temple of the Olympian Zeus (Leica 90mm ƒ/2.8 Tele-Elmarit lens)

This scene is an extreme example of high contrast that demonstrated a soot and chalk rendition. I am glad I experimented with Technical Pan film. With the revival in film photography recently, it has become a cult favorite among some film users, and they buy remaining stock eagerly. But for me, a normal panchromatic film is fine.

Appendix A

Here are some curves for Technical Pan film from Kodak Professional Black-and-White Films book F-6 © 1984. 

Photographer Michael Elliott has been getting excellent results from Technical Pan with a 2-part developer based on metol. I am impressed with his energy.

Before the Crisis: Ciudad Acuña, Mexico, in 1982

The Texas border city of Del Rio was in the news in September of 2021 because of the thousands of Haitian refugees who were hoping to enter the United States. Del Rio is in south central Texas on the Rio Grande. Across the river in northern Coahuila estado is Ciudad Acuña. The news stories reminded me that I spent a day in Ciudad Acuña in 1982 during a long road trip to Big Bend National Park. 

Wash day in the Rio Grande, Ciudad Acuña, Mexico (Agfapan 25 film, Leica M3)

Looking back, it felt like a simpler and more innocent time. We had no issues crossing into Mexico and then returning to USA. No one checked the car or asked us to open the trunk. We had our passports, but I cannot recall if the agent looked at them. I was surprised that there were no fences on the US side of the river, and, at least in July of 1982, anyone could easily cross the river. Ciudad Acuña looked rather sleepy. 

Everyone we met was very friendly. Mexican families were washing their cars in the river, and the local kids were swimming and having a great time. I did not write down the location (my photo note-keeping was haphazard in those days), but I think this was at the Braulio Fernandez Ecological Park.

Where is the traffic? Near Alpine, Texas.

West Texas is big, lonely, and arid. You drive for hours and hours and see cacti and dry brush. Winter might be very scenic when snow drapes the terrain. It might be a bit cold, too.

Big Bend National Park, Texas

In or near Big Bend National Park

Somewhere I have more negatives or slides of west Texas. Scanning them will wait for another day. 

I took these photographs on Agfapan 25 film with a Leica M3 camera with 50mm ƒ/2.8 Elmar lens (Mexico scenes) or a Nikon F camera. Click any photo to enlarge it. I bought the M3 the year before in Buenos Aires, Argentina. It was a beater but served me for 25 years.

Pearl Street Houses, Vicksburg, Mississippi (North of Klein Street)

North portion of Pearl Street photographed from the newly-built rail embankment and track relocation. The embankment occupies the site of the former Mississippi Lumber Company (K25 film, Nikon F3, 105mm ƒ/2.8 macro-Nikkor lens) . 

This grade crossing at Klein Street is now permanently blocked.

This is the last article in my survey of Vicksburg's Pearl Street houses, covering the stretch north of Klein Street. The previous articles covered:

• South of Fairground Street
• Fairground to Klein Streets

Pearl Street east side

501 Klein Street (digital image)

501 Klein Street 

No. 501 Klein Street, at the corner of Pearl, was on the city demolition list, as shown by the spray-pained "DEMO" sign. But as of early 2021, a work crew has been painting and repairing the house.

Around 1989 or 1990, the owner of this house imported some pieces of the Berlin Wall. They were so heavy, they came in by truck. My friend at Annabelle told me that the Berlin Wall guy planned to sell pieces as souvenirs. However, the pieces looked like nasty grey chunks of concrete, and there was nothing to uniquely identify them with the Wall. They languished on the side yard for a decade or more and finally disappeared. I suspect Vicksburg is not quite the right market in which to sell Cold War nostalgia or GDR souvenirs.

2123 Pearl Street in 2003 (Kodachrome slide, 50mm ƒ/2 Summicron-DR lens)

2123 Pearl Street (Panatomic-X film, Pentax Spotmatic, 55mm ƒ/1.8 Super-Takumar lens)

2123 Pearl Street was in good condition in 2003, but then deteriorated to the stage where the city inspector placed it on the demolition list. But as of 2021, it has been painted and repaired.

Pearl Street West Side

Railroad Avenue (below Klein), view west (Panatomic-X film).

The view west down Railroad Avenue is rather bleak, especially on a rainy day. I do not remember when houses lined the street.

2014 Pearl Street (no longer extant; Kodachrome 25 slide)

2004, 2006, and 2008 Pearl Street (Kodak Ektar 25 film, Rolleiflex 3.5F Planar)

2008 Pearl Street

2006 Pearl Street

2004 Pearl Street (no longer extant)

These little cottages had their front porches at street level, while the rest of the structures were perched over the hillside, supported by wood piles. This was a common construction practice early in the 20th century in this hilly city. But today, the buildings cannot be rebuilt on these lots once they have been condemned. These steep hillside lots becomes uninhabitable. 

1804 Pearl Street (no longer extant; Kodak BW400-2 film, 5cm ƒ/3.5 Elmar lens)

The City demolished a large number of these houses in the early 2000s. I do not have more photographs. These were approximately across the street from the warehouses that were part of the Mississippi Lumber Company (1900 Mulberry Street). 

Pearl Street Heading Downtown

Pearl Street view south past Mississippi Lumber Company sheds

Pearl Street view north

Pearl Street view north towards the Harrah's Casino hotel

The hotel in this photograph, originally built by Harrah's Casino, has been closed for at least a decade. As usual around here, there appears to be no status. 

This photograph shows the new section of track built by the Kansas City Southern railroad to reduce the radius of the curve where the rails turn east and pass under Washington Street. The older track, on the right, was such a tight turn, rail cars regularly derailed.

Dear readers, this ends our short series on Pearl Street. I hope these photographs will remind former residents of what the neighborhood looked like decades ago.

Superb Alabama Folk Art: Snuffy Smith's of Wilmer

Snuffy Smith's, 1990, Kodachrome slide, Leica M3, 50mm lens

Snuffy Smith's gasoline station and antique emporium was a familiar sight on U.S. Highway 98 near the Mississippi-Alabama state line. Google gives the address as 14860 Moffett Rd, Wilmer, AL 36587, but I am not sure if that is correct. Regardless, it is an example of folk art magifique.

I found two 4×5" Fujichrome frames from 1990. The large negatives, of course, preserve a lot of detail (click the pictures to enlarge to 1600 pixels wide). There is surprisingly little information on the web about this site. A 2009-vintage blog states that "Snuffy's got its name from a previous owner, Arthur Drake Smith, who dipped snuff."

1995 Kodachrome slide, Leica M3, 50mm lens

Notice a few changes between 1990 and 1995. A new armored man is on patrol guarding the gasoline pumps. And an antique blue pump has been placed on the left of the island, replacing an overflowing trash can.

This amazing example of home-made art may be gone. I did not see it the last time I drove on U.S. 98, but maybe I simply missed it. If any readers have information, please advise.

From the archives: Country Stores, Roosters, and other Oddities

Dear Readers, I recently found in my too-many boxes a plastic slide holder with some slides that I sent as a submission to Leica Fotografie International. They never published my essay and returned my slides, but I never got around to filing them away. I decided to scan them first and show you some samples. Store fronts and home-made signs have always interested me. They demonstrate merchants advertising their wares and trying to attract customers, a form of folk-art. So here we go, in chronological order, but no specific geographical order.

Front Street, Morgan City, Louisiana (Leica IIIC, 5cm f/2.0 Summitar lens)

Front Street, Morgan City, Louisiana (Leica IIIC, 5cm ƒ/2 Summitar lens)

In the early 1980s, I worked for a marine geotechnical company. We had steamed (dieseled) in to Morgan City after a couple of weeks offshore in the Gulf of Mexico. I had never been to Morgan City before and found the floodwall a convenient viewpoint of the old downtown.

Jerry's, Corpus Christi, Texas (Rollei 35S, 40mm ƒ/2.8 Sonnar lens)

A relative lived in Corpus Christi. This pottery company offered a wealth of garden art. I should have bought that pink donkey, or maybe the leopard.

Galveston, Texas (Leica M3, 50mm ƒ/2.8 Elmar-M lens)

Hurricane Alicia was a powerful hurricane that caused major damage in coastal Texas in August of 1983. The eye passed directly over Houston. We drove to Galveston to see what had happened. Many cottages on the beaches had been damaged, but others, like this beach shop, were intact.

Bremond, Texas (Rollei 35S, 40mm ƒ/2.8 Sonnar lens)

Bremond was a typical agricultural/cattle town northwest of Houston. Even in the 1980s, many of these small towns were quiet, with closed stores along the main strips. That is when I first became interested in photographing urban decay. Bremond looked like it was doing a bit better than many other Texas towns, but I have no idea of its status now.

Mendenhall, Mississippi (Olympus OM1 camera, 35mm ƒ/2.8 shift lens)

In 1990, on my way to Mobile, I decided to stop in Mendenhall and look around. There was an old theater/cinema in reasonably sound condition near the courthouse. Do any readers know if the theater is still existent? (Update: the building burned down.)

Rooster-mobile, Mary Esther, Florida (Olympus OM1, 35mm ƒ/2.8 shift lens)

Mary Esther, Florida, had a rooster car, as well as some pig- and cow-mobiles. And the rooster was built onto an old Chevrolet El Camino. Maybe I should have offered to buy it and drive it home to Vicksburg. El Caminos now fetch serious prices (and a rooster may enhance the value).

Crossroads store, Reganton, Mississippi (Leica, 50mm ƒ/2.8 Elmar-M lens)

The venerable Crossroads store is on Old Port Gibson Road in Reganton, near the Big Black River, about 20 miles south of Vicksburg. I have visited on and off over the years, most recently in 2018.

Biloxi, Mississippi (Leica M3, 50mm lens)

Before Hurricane Katrina, US 90 along the Mississippi Gulf coast featured many beachy shops, including this pink palace. But I prefer the gorilla on Alberti's Italian Restaurant. I wonder if he swam to safety in Katrina?

Snuffy Smith's, Wilmer, Alabama (Leica M3, 50mm lens)

Snuffy Smith's antiques and gasoline was a famous landmark on Moffett Road in Wilmer, Alabama. Classic folk art - I stopped several times to photograph. But the last time I drove through Wilmer, I did not see Snuffy's. Is it gone, or did I just drive by too quickly?

Original Oyster House, Gulf Shores, Alabama (Leica 50mm lens)

The Original Oyster House, as I recall, had excellent seafood (and alligator, if you were interested), along with condiments from Greece. I assume the owners were Greek, which usually bodes well for a restaurant. Is this still existent?

Santa in Seminary (Nikon F3, 50mm ƒ/1.8 Nikkor lens)

Finally, the well-traveled Santa Claus comes to Seminary, Mississippi, via tractor. Good choice in a farming community.

Madison St. (Old Hwy 80), Bolton, Mississippi (Leica M3, Kodachrome film)

Well, Santa can relax with a brew or a Bud at Mack's Cafe in Bolton.

This is the end of our short random tour of southern stores, rooster-mobiles, and other oddities. All photographs were from Kodachrome film, mostly K25. Using Kodachrome was a bit clumsy because you needed to mail the exposed film to one of the few processing laboratories in the United States that could handle the highly specialized processing and dye chemicals. The ISO 25 emulsion was unsurpassed in grain size and resolution. Also, Kodachrome had excellent archival properties when stored in the dark in reasonable climate control. As you can see, the examples above scanned well and the colors are still vibrant.

Sadly, Kodachrome manufacture ended in 2009, after 7 (seven) decades of production. The last processing was in December of 2010 at Dwayne's Photo in Parsons, Kansas. The movie, "Kodachrome," is about this last processing and a road trip to Parsons. In the poster, you can see that Ed Harris is wearing a Leica.