More Fun in South Shreveport, Louisiana

In previous articles, we looked around Olympia, Washington. Let us take a quick diversion back to the US South. 

On our way from Vicksburg to Houston, we overnighted in Shreveport, Louisiana. I wanted to do a last documentation in a southern neighborhood that shows elements of traditional wood architecture, decay, and neglect. In the morning, we drove west on 70th street in south Shreveport and looked at some of the side streets. The light was soft and even, quite suitable for architecture. 

Click any picture to see it at 1600 pixels on the long dimension.

Quiet times on Bates Street (Fuji Acros film, Spotmatic F camera, 28mm ƒ/3.5 SMC Takumar lens)

Cottage on Bates Street (24mm ƒ/3.5 SMC Takumar lens)

Bates Street house

Bates Street was quiet, with empty lots and houses that were boarded up. I could not tell if they were going to be repaired. If they were to be demolished, no one would have bothered to secure the window with plywood, so possibly there was a plan to restore some of them. Still, it is not a pretty scene. 

Bethany Street

Bethany Street house (24mm ƒ/3.5 SMC Takumar lens)

Bethany Street had many empty lots, meaning the former houses had been razed and the lots graded. 

Time for some crawfish at 925 E. 70th Street

7020 Line Avenue - not much happening now

The Little Shanty art store on Line Avenue, also unfortunately closed

Line Avenue runs north south. It was more commercial than the side streets but was very quiet. The street just to the right of The Little Shanty was East 71st Street. It offered a bit more photographic material.

Shed on E. 71st Street

Fixer-upper shed on E. 71st Street (28mm ƒ/3.5 SMC Takumar lens)

Asphalt shingle cottage, 569 E. 71st Street

Asphalt shingles were common mid-century for inexpensive housing. We look down on it now, but it was a practical building material because it was easy to install, inexpensive, long-lasting, and repelled bugs and vermin. It did not need repainting, as do shingles or clapboard.

 

Non-cottage, E. 71st Street

Duplex under renovation, E. 71st Street

Another duplex, E. 71st Street

Some of the houses on E. 71st Street were being renovated. That is a hopeful sign.

Muscle Therapy Center, 7101 Southern Avenue

This clinic is in a rather bunker-like brick building with burglar bars over the windows. It was unfortunate pragmatic (=cheap) architecture and looked unkept.

This finishes our quick tour on October 26, 2023, of a neighborhood in south Shreveport, Louisiana. Maybe I posted too many photographs. But, I may never return to this part of the world, although one never knows. 

I took these frames with my Pentax Spotmatic F camera and 24mm or 28mm SMC Takumar (thread-mount lenses) using Fuji Acros 100 film (exposed at EI=80). These lenses were multi-coated and among the best mid-price 1970s optics for SLR cameras. Praus Productions in Rochester, NY, developed the film. I scanned it with a Plustek 7600i film scanner operated by Silverfast Ai software. I made minor contrast adjustments with Photoshop CS6.  

Heading West Through Texas, October 2023

We were in a hurry heading west. It had been stressful to escape Houston via US290, but at least we could use the HOV lanes. As dusk approached, we passed through Somerville, a town about half way between Houston and Austin. I saw a large BNSF rail yard and had to stop and take a frame or two in the gloomy dusk light. 

The view west, Somerville, Texas (Fuji Acros film, 135mm ƒ/3.5 SMC Takumar lens hand-held)

A day later, we were still driving west through Texas. Wow, what a large state. Long-term readers may remember that in November of 2022, we drove to the Rio Grande Valley. That took two days, also. 

Lockwood Street, Tahoka, Texas (55mm ƒ/1.8 SMC Takumar lens)

Drizzle was falling, and we need to take a stretch break. As I recall, there was no coffee shop in Tahoka. 

Sorry, I could not resist, a gaudy phone pic. of a former gas station with a cover to keep off the rain. 

This was a frustrating trip. I wanted to spend at least two weeks on the trip and do some creative photography, but we had to rush to Olympia to meet the moving truck. One of us should have flown to Olympia and then returned to some airport en route to continue a more leisurely drive. Texas offers a lot of interesting photo subject matter, even in small towns like the examples above. It has been fun exploring Texas. But will I ever return to the great open expanses? 

Please type "Texas" in the search box to see previous articles. 

I took the black and white frames on Fuji Acros film with my Pentax Spotmatic F camera and 55mm and 135mm lenses.

Kodak Plus-X, Another Expired Film Treasure (Abandoned Films 10)

 

Oh oh, trouble. I experimented with another famous discontinued film. I had not used Kodak Plus-X since the 1980s or maybe the 1990s. My photography friend, Jim Grey, sent me two rolls and said go forth and photograph. How could I resist! I loaded the first roll in my Pentax Spotmatic F and rated it at exposure index (EI) = 100. 

Kodak's Plus-X was a staple of black and white photography in the USA for decades during the mid-20th century (1954-2011). Kodak finally replaced it with TMax 100. Kodak claimed TMax 100 would do everything that Plus-X could and could also replace their famous Panatomic-X film. Well, maybe. But many old-time photographers mourned the loss of the traditional cubic grain films and turned to Ilford for its FP4 Plus and Pan F films. But let us drop that controversy for now.  

Here are some Plus-X examples from around Vicksburg, Mississippi. I used my new/old Pentax Spotmatic F camera (see my previous article).

Former gas station/store on Warrenton Road (28mm ƒ/3.5 SMC Takumar lens)

Monroe Street view south (135mm ƒ/3.5 lens)

Green Street (55mm ƒ/1.8 SMC lens, yellow filter)

Rough apartment on Bowmar Avenue (55mm ƒ/1.8 SMC lens, yellow filter)

Washington Street view south (55mm ƒ/1.8 SMC Takumar lens)

Furniture in the woods, Johnson Street

Unfortunately, this is a common disposal method for old furniture here. It's a shame, because River City Rescue will pick up old items and sell them at their store.

728 Johnson Street (no longer extant)

This was a basic 1950s or 1960s house clad with asbestos siding. I opened the door, and a homeless fellow was sleeping inside.

733 Johnson Street (no longer extant)

Many early 20th century houses in Vicksburg were built on steep hillsides. The roads ran along the top of the ridges, and cottages had their front doors at street level. The backs were perched over the slope, supported by wood posts. These lots can not be redeveloped once the house is condemned and torn down. This results in Vicksburg becoming less densely developed over time. But yet the city still needs to maintain roads and utilities. Therefore, maintenance remain high but is supported by fewer properties that generate property tax revenue. 

Delta, Louisiana, from the road on the main stem Mississippi River levee. 35mm ƒ/3.5 Super-Takumar lens, yellow filter.

Summary. Plus-X was a refined traditional cubic-grain film. Fuji Acros, my normal 100 film, looks different and is finer grain. But I would not hesitate to use Plus-X if I wanted a mid-speed emulsion. I wish it were still available fresh. Ilford's FP-4, which is current, is probably similar to Plus-X. I last used FP-4 in the 1980s and need to try it again.  

Appendix

This is a 1948 (I think) Kodak data chart for three of their popular 35mm black and white films. At that time, Kodak rated Plus-X with and exposure index of 50. Later (in the 1960s?), when the ASA standard became the normal method of rating film speeds, most films abruptly doubled their exposure index. This  looked convenient, but many old-time photographers continued to give their film extra exposure to ensure that there would be image information in deep shadows. 

Steel Lustron Houses in Indiana - Guest photographs by Jim Grey

My Indiana friend, Jim Grey, writes Down the Road, an interesting blog on photography and philosophical topics. He explores the byroads and historical neighborhoods of Indiana. When he saw my September article on the Lustron houses in Jackson and Albany, he said he knew of some examples in Indiana and generously took some photographs for me. The houses below are from the Broad Ripple neighborhood of Indianapolis.

Jim took these photographs on Kodak TMax 100 film using a trusty Pentax Spotmatic II camera and the 50mm ƒ/1.4 Super-Multi-Coated Takumar lens (one of the legendary lenses from the 1970s).

1908 Kessler Boulevard East Drive

2079 Broad Ripple Avenue

5638 Indianola Avenue

6466 Central Avenue

Oops, this roof looks like a major tree limb crashed down on it. Do any replacement steel roof tiles exist?

6435 Riverview Drive

6321 Central Avenue

6212 Central Avenue

Thanks for the photographs Jim! Jim wrote his own article on the Broad Ripple Lustron homes in his blog, Down the Road. 

And as a final treat, an advertising photograph from the heyday of the Lustron era.

Wow, the curtains match the easy chair!! Love the jade green chair. I recall my mom had a dress that looked like that in the late-1950s.

The Mississippi Delta 35: Belzoni

Belzoni is the county seat for Humphreys County, Mississippi. According to Wikipedia, the town was named for Giovanni Battista Belzoni, a 19th-century Italian archaeologist and explorer. How did he end up in the Mississippi Delta? In the 1970s, Belzoni was known as the Catfish Capital of the United States for having a greater percentage of acreage used for catfish production than any other county. I do not know if this is still true, but the city does play up the catfish heritage with statues of smiling catfish at various street corners.

Former catfish factory, Hwy US 49E, Belzoni (Kodak TMax 100 film, Pentax Spotmatic camera, 35mm ƒ/3.5 Super-Takumar lens)

Former catfish packing factory, US 49E (Fuji Acros film, Leica IIIC, 5 cm ƒ/2 Summitar lens, yellow filter)

Sadly, the big catfish packing plant has been closed for many years. Many jobs must have been lost when it shut.

Farmers' Grain Terminal (Panatomic-X film, Fuji GW690II camera, 90mm ƒ/3.5 lens, yellow filter)

Approaching Belzoni from the south on US 49E, the very impressive Farmers' Grain Terminal complex at 509 Silver City Road dominates the skyline. At some time, these circles were covered with a huge cloth tent and contained corn.

Silver City Rd., Belzoni (Fuji Acros film, Leica IIIC, 5cm ƒ/2 Summitar lens, yellow filter)

Silver City Rd., Belzoni (Panatomic-X film, Fuji GW690II camera, 90mm ƒ/3.5 lens, yellow filter)

Silver City Rd. (Tmax 100 film, Pentax Spotmatic, 35mm ƒ/3.5 Super-Takumar lens)

Unused gin, Silver City Road, Belzoni (Tmax 100 film, 35mm ƒ/3.5 Super-Takumar lens)

Tamale store (Fuji X-E1 digital file)

Head further into town on Silver City Road and you pass miscellaneous housing, old stores, a closed gin, and an unused silo complex.

W. Jackson St., Belzoni (Fuji Acros film, Leica IIIC, 5cm ƒ/2 Summitar lens, yellow filter)

Liquor store on W. Jackson St. (Fuji Acros film, Leica IIIC, 5cm ƒ/2 Summitar lens, yellow filter)

E. Jackson St., Belzoni (Fuji Acros film, Leica IIIC, 5cm ƒ/2 Summitar lens, yellow filter)

Jackson Street runs E-W through town and may be the traditional "main drag."

Western Auto, East Jackson Street (Moto G5 digital file)

I was pleased that many of the shops are open and conducting some sort of business. There is even a Western Auto still open. I have not seen a Western Auto in a least a decade. According to Wikipedia,

Western Auto Supply Company—known more widely as Western Auto—was a specialty retail chain of stores that supplied automobile parts and accessories. It operated approximately 1200 stores across the United States. It was started in 1909 in Kansas City, Missouri, by George Pepperdine and Don Abnor Davis. Pepperdine later founded Pepperdine University. Western Auto was bought by Beneficial Corporation in 1961; Western Auto's management led a leveraged buyout in 1985, leading three years later to a sale to Sears. Sears sold most of the company to Advance Auto Parts in 1998, and by 2003, the resulting merger had led to the end of the Western Auto brand and its product distribution network.

One of the founders also founded Pepperdine University? Impressive.

Renee's Beauty Supply, 120 E. Jackson St., Belzoni (Tmax 100 film, Pentax Spotmatic, 35mm ƒ/3.5 Super-Takumar lens)

The charming proprietor of Renee's Beauty Supply generously let me take a picture of the healthy beauties outside of her store. I was glad to see on my 2020 visit that Renee's is still open and operating, despite the slowdown from the virus.

Crescent Theater, Hayden Street, Belzoni

The Cresent Theatre on Hayden Street is closed and may be for sale. I was surprised to find a photograph in the Library of Congress archives taken in 1939 by Marion Post Wolcott of the very same side stairway on the Crescent. In the segregated era, it was common for African American patrons to be seated in the balcony. Notice the sign on the narrow door that states "White Men Only."

Segregated movie house, October 1939, by Marion Post Wolcott (Image from the United States Library of Congress Prints and photographs division, digital ID ppmsca.12888)

This has been our short tour of Belzoni, Mississippi. It is an interesting place and worth a visit if you are in the central Mississippi Delta. Thank you for coming along this short trip.