The photograph above shows the opening to Grammar street when standing on Court Street. This little house is still present but has been painted since I took the photograph in 2000.
The east part of Grammar was once a typical Southern "court," lined with identical shotgun shacks. The white house being engulfed with trees is no. 1318 and has been demolished.
Proceeding west, we come to nos. 1314 and 1312. Obviously, 1312 was a mess and ready to be demolished.
The next two were nos. 1310 and 1308. The latter is still standing.
No. 1306 had the faded green paint.
No. 1304 was already gone in the early 2000s, when I took these photographs, but 1302 was present. In the 2003 photograph, 1302 was pretty rough looking, but by 2006, it had been painted and had flowers on the front porch.
No. 1300 was the last house before you reach Stout's Bayou. I am not sure if it ever floods on this part of the street. (Update January 2021: All of these little cottages have been demolished.)
Across the street is a cottage, which may be no. 1301. All in all, this was a pretty rough street. Around the corner on First North, I met a lady who grew up on Grammar. She said she remembered when a bus would come to pick up workers to go to the cotton fields. She thought that was 30 years ago, but I think it must have been at least a decade earlier because by 1980, most cotton harvesting was mechanized.
Across the bayou to the west, the neighborhood was a bit higher grade and older, possibly late 1800s. The tall handsome house is no. 1228, and is still standing. (Update January 2021: this house is gone)
No. 1213 is more modern. Vicksburg has more hidden streets like this steeped in history.
Film note: These are all scans of Kodachrome 25 transparency film. The first photograph was taken with a Minox 35 compact camera, the rest with Leica rangefinders using Leica Summicron lenses. Kodachrome 25 was the finest-grain transparency film, and it really shone when you used the best prime focal length lenses (like Leica) to record fine details. But, its slow speed almost insured that you had to use a tripod. Some photographers disliked Kodachrome, but it had a unique color palette and rewarded deliberate workers. It also had excellent archival properties, and the colors remain vivid for decades.