Introduction
This is the first of an irregular series of posts on discontinued film types ("Films from the Dead").
Bad news, there is only one brick of 120-size Kodak Panatomic-X film left in my freezer. So it goes - all good things must eventually end. I bought several bricks in the late-1990s from an eBay seller in California. As promised, they were in perfect condition. I was unaware when Kodak discontinued the product and therefore did not buy any stock at that time. The fellow in California was a lot smarter than me.
*Note: My title needs to be qualified. Panatomic-X might have been the best
fine-grain black and white film, but the old standby, Kodak Tri-X, is superb when you need faster speed and do not need as fine grain. Plenty of film users have other favorites, such as TMax 100, Ilford Delta 100, or Fuji Acros.
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120-size box from 1961, courtesy of Pacific Rim Camera |
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1951 box for 828 size Panatomic-X, courtesy of Pacific Rim Camera |
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1937 box for 3¼×4¼" pack film, courtesy of Pacific Rim Camera |
Eastman Kodak Company introduced Panatomic in 1933 and discontinued it in 1987. The earliest version of Panatomic (not X) was on nitrate base, but the X version was on safety base, probably around 1937. Kodak reformulated the film during its five-decade existence, so my late production was different than the original. It was designed to be an extremely fine grain film, which meant it could be enlarged for large prints and still retain details. This was of value to architectural, fine-art, and aerial photographers. Some 9-inch aerial photography film was a version of Panatomic-X. The version I have in 120 size was rated at ISO 32, but I shoot it at 20 or 25 and develop it in Agfa Rodinal at 1:50 dilution. Agfa's Rodinal is a developer that retains the grain structure and therefore looks "sharp" (
i.e., it does not have solvent action to partly dissolve the edges of the grain clumps). Used with good lenses and careful technique (that means a tripod), the detail in a Panatomic-X negative is astonishing, even in this age of 36-megapixel digital cameras.
From the Archives
This is a photograph that my dad took somewhere in Burma on the Irrawaddy River. He used early Panatomic-X with his
Leica IIIC rangefinder camera (still in operation).
1980s and 1990s Examples
These are 1982 examples from a farm in Clifton, Virginia. I had just bought a
Rolleiflex 3.5E twin-lens reflex camera and was experimenting with different films. I wanted fine grain for architecture, and Panatomic-X was still in production. After experimenting, I settled on shooting it at EI (exposure index) 25 and developing it in Rodinal 1:50. I also experimented with Agfapan 25 but could never get the contrast right (but that was my error - Agfapan was a fine film).
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My new 1959-vintage Rolleiflex 3.5E with 5-element 75mm ƒ/3.5 Schneider Xenotar lens |
This is my present Rolleiflex 3.5E camera. It is similar to the one I used in the 1980s, which I should have never sold. The earlier one had a selenium light meter in the slot below the word "Rolleiflex." But my new one has better resolution; everything in its production chain worked out just right. In the 1950s and early 1960s, the factory tested
every Rolleiflex camera with film before releasing the unit for sale. If there were any issues, the camera went back for adjustment or installation of new lenses. The taking and viewing lenses were precisely matched in focal length.
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Residence room in the Junius Ward YMCA, Clay Street, Vicksburg, Mississippi, early 1990 |
Panatomic-X film was excellent for detailed photography in old buildings, but you needed a tripod to support the camera for long exposures. In this example, I found an old chair in the hall and placed the camera on it. The Rolleiflex was suited for this work because it did not have a moving mirror and was therefore vibration-free.
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Cemetery in Kalavrita, Greece, 1998, Leica M2 35mm camera. |
I occasionally used Panatomic-X in 35mm cameras. This is an example from Kalavrita, a town in the Peloponnese of southern Greece. I should have used the 135 size film more often.
2000s Examples
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Shotgun houses in Grayson Court, Jackson, Mississippi, 2004 |
Grayson Court in Jackson was an old-fashioned alley with shotgun houses facing the common road. It has been torn down although the property owner did some renovating in the early 2000s. I took this photograph with my Fuji GW690II camera (the
"Texas Leica") and its Fuji 90mm f/3.5 lens. The 6×9 negative (real size 54×82mm) scans to a 100 mbyte 16-bit TIFF file. More Fuji examples are below.
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Junius Ward YMCA on Clay Street, Vicksburg, 2004. The Old Courthouse Museum is in the distance |
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Shotgun houses on Bowmar Avenue, Vicksburg, 2005. Both have been torn down |
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The New21 Club on Hwy 61, Valley Park, Mississippi, 2016 |
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Blue Front Cafe, Bentonia, Mississippi, 2010 |
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Unused Teen Center, 407 West Green Street, Tallulah, Louisiana, December 2016. Fuji GW690II camera |
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Little Bayou Pierre, Port Gibson, Mississippi, February 2017. Rolleiflex 3.5E with 75mm Xenotar lens |
Port Gibson is the town that General Ulysses Grant did not burn during the U.S. Civil War because he admired the architecture so much.
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Crushing mill, Rte 3, Redwood, Mississippi, 2017. Rolleiflex 3.5E with 75mm Xenotar lens |
This is some sort of early 20th century crushing mill, long abandoned in the woods just off Hwy. 3 in Redwood. This is a 1 sec exposure at f/11. I resized this frame to 2400 pixels, so click the picture to see more detail.
2020s Examples
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Private cemetery within Vicksburg National military Park. Rolleiflex 3.5E, yellow-green filter |
Closing Notes
Kodak likely discontinued Panatomic-X for several reasons:
- Even by the 1980s, most photographers wanted faster film so that they would not need to use a tripod in low light.
- Newer T-grain or tabular films like Kodak T-Max or Ilford Delta 100 offered almost as fine grain but with faster speed.
- A friend from Rochester, who has worked with Kodak, said there was a toxic chemical used in the Panatomic-X production. I have read the same pertaining to Agfapan 25, so maybe slow fine grain films required some chemical technology that manufacturers cannot use today.
Readers know I like film. One reason is I used film for 50 years and am comfortable with it. Another reason is it has a familiar look that we saw in prints, magazines, exhibits, and movies for decades, and it works well for recording urban decay. The self-professed "experts" (I am trying to be polite) on forums like
Dpreview hate film because they think they are so superior with their new super digital capture devices. To each his own. Still, if you have aspirations to be a photographer, you owe it to yourself to use the traditional medium, learn how to calculate exposure manually, and contemplate each picture carefully. You need to think with film; no spray and pray that you might achieve a meaningful picture. And you cannot chimp (review the pictures on the camera's screen) as you see in tourist sites around the world. Read an interesting
interview on The Phoblogger with the Richard Photo Lab about how film is appealing to more and more photographers of all ages and skill levels. Used film cameras are cheap and many emulsions are still available - just go do it.
Update March 2019
A reader in
Photrio found this 1934 announcement from the
British Journal Photographic Almanac. Thank you for the detective work.
Update November 2019
Here are three examples of industrial machinery at the abandoned
Redstone Quarry in North Conway, New Hampshire. I used my Rolleiflex 3.5F with 5-element 75mm ƒ/3.5 Planar lens, all tripod-mounted. Click any picture to see more detail.
Update October 2020
I bought some 35mm Panatomic-X from a seller on eBay. It expired in 1991 and proved to be fine.
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Machine shop, Levee Street, Vicksburg, Mississippi (Spotmatic camera, 28mm ƒ/3.5 Super-Multi-Coated Takumar lens) |
Please click
this link for more examples of my last use of this 1991-vintage 35mm Panatomic-X inVicksburg and Louisiana.