On the Waterfront: Browns Point, Tacoma, Washington (Tac 06)

April 2004 view of Browns Point and cottages below Marine View Drive
(Hasselblad XPan camera, 45mm lens, Fuji Rala film)

Let us continue our quick September 2025 tour of Tacoma's waterfront. After exploring the commercial harbor on an overcast September day, I drove along Marine View Drive (Rte 509) to Browns Point. The bluffs rise steeply up from the road, but some new suburban developments have been carved into the hillside.

(Click any picture to enlarge details.)

Tank Farm vista and Double-brested cormorants, northeast Tacoma
(Kodak Panatomic-X film, 250mm ƒ/5.6 Sonnar lens, yellow filter)

I think I would not opt to live above a tank farm, but they do have a nice view to the west of the harbor and downtown Tacoma.

Trucking company, 1749 Rte 509 (80mm ƒ/2.8 Planar-CB lens)

Unknown chemical storage, 1749 Rte 509 (100mm ƒ/3.5 Planar lens)

Chipping machine, 1748 Rte 509

The southern part of Marine View Drive is lines with industry and material handling companies. 

Further north, the bluff rises steeply to the east, but the narrow beach has some cottages and year-round housing. Former pullouts with a view of the bay are now blocked and signed with "No Parking Any Time." I assume this was to keep off the homeless RVs and cars. 

Beach cottage, Marine View Drive

Watch kitties on patrol (100mm ƒ/3.5 Planar lens)

Hubcap heaven? Or just good stuff?

Cranes at Washington United Terminals from Marine View Drive
(250mm ƒ/5.6 Sonnar lens, yellow filter)

I took these phots on Kodak Panatomic-X film with my Hasselblad 501CM camera and various lenses. Glazer's Camera in Seattle developed the film. I scanned it with a Minolta Scan Multi medium format film scanner. 

On the Waterfront: Port of Tacoma, Washington (Tac 05)

I like Tacoma more and more. There is so much interesting photographic material there. On an overcast day in September (2025), I drove to the Port of Tacoma with my Hasselblad and Kodak Panatomic-X film (yes, the real Panatomic-X). We will start with two photographs from the Foss Waterway and move east into the more industrial part of the port. 

Foss Waterway

Foss Waterway and East 21st Street Bridge and Tacoma Dome (Rolleiflex 3.5E Xenotar lens)

The Foss Waterway is the channel closest to downtown Tacoma. Because of its proximity to the city, most people only see this waterway, not the ones in the industrial port further east. There is less industrial activity on the Thea Foss now than 20 and 30 years ago, and marinas occupy some of the channel. More photos of the Foss Waterway are in my 2024 article.

Foss Waterway and Murray Morgan Memorial Bridge
(Kodak T400CN film, Leitz 5cm ƒ/2 Summitar lens, yellow filter) 

Port of Tacoma

Heavy lift cranes, Lower Turning Basin (250mm ƒ/5.6 Sonnar lens)

Former boat yard launch rails, view looking northwest to Commencement Bay
(80mm ƒ/2.8 Planar-CB lens, yellow filter)

Alexander Avenue E at E 11th Street
(250mm ƒ/5.6 Sonnar lens, yellow filter)

Tank cars, Alexander Avenue E, view northwest
(250mm ƒ/5.6 Sonnar lens, yellow filter)

Cranes from Lincoln Avenue (250mm ƒ/5.6 Sonnar lens)

Landscape Bark Company, Lincoln Avenue (50mm ƒ/4 Distagon lens)

Landscape Bark Company, Lincoln Avenue (50mm ƒ/4 Distagon lens)

This company crushes and grinds a lot of bark. It was Sunday, so I could set up my tripod on the sidewalk in front of the property.

Standby for more Tacoma waterfront and industrial in the future.

Tech Note

This is my 1960s Carl Zeiss 250mm ƒ/5.6 Sonnar-C lens. It compresses the view, as you see in some of the photographs above. This was one of my most amazing bargains: $87 for a magnificent piece of West German mechanical and optical engineering. This is a 1960s single-coated version with chrome barrel. It uses Bay 50 filters, which are inexpensive now compared to the Bay 60 filters that fit most of the newer Hasselblad lenses. 

Even the shutter on my bargain lens did not need an overhaul. The slowest speeds are probably a bit slow, but it barely affects exposures (i.e., 1 sec. may be 1.5 sec. - so what?). When using this lens, I always mount the camera on a tripod. With Panatomic-X film, the exposures are in the 1/4 or 1/2 sec. range.  

Silos and Farms of Eastern Washington with Panatomic-X film (2024 E. WA Road Trip 08)

I love the grain silos that you see in small towns and railroad junctions in Eastern Washington. They look lonely but still substantial, surviving weather, storms, and the summer sun, year after year. Here are some Kodak Panatomic-X frames from my August 2024 road trip. Please click any picture to see more detail.

Kettle Falls

Silo, Meyers Street, Kettle Falls (100mm ƒ/3.5 Planar lens, dark yellow filter) 

Lonely rails (100 mm ƒ/3.5 Planar lens)

Kettle Falls is a small town just east of the Columbia River only 15 miles south of the Canadian border. The original town was at the banks of the river but had to move after the Grand Coulee Dam flooded the original Kettle waterfalls in the 1940s. This is a major railroad junction. I had crossed the Columbia on US 395 at Barney's Junction and stopped in town for lunch, coffee, petrol, and photos. 

Reardan

Reardan is an agricultural town on US 2 about 20 miles west of Spokane. I drove on 2 specifically to avoid using Interstate 90, and enjoyed passing through farm communities and small towns. These silos look up above the surrounding terrain as you drive on US 2 through Reardan. 

Creston

Creston is another agricultural town on US 2. I took this picture just west of Scheibner Road (50mm ƒ/4 Distagon lens)

Sherman

Sherman Presbyterian Church (250mm ƒ/5.6 Sonnar lens)

Sherman, established in 1888, lost population and largely closed early in the 20th century. All that remains is the handsome white Sherman Presbyterian Church sitting lonely next to the cemetery. The cemetery has graves of early settlers and even a civil war veteran. 

To reach Sherman, take Sherman Draw Road north from US 2. It is about half way between Creston and Wilbur. Much of the road is gravel and, in August, rather dusty. 

Wilbur

This lonely farm is north of US 2 just west of Wilbur. The driveway drops down from the main road and gives a good vantage point to see the house and barns. A color frame of this scene is in my previous post about central Washington. I took the B&W picture above with my 50mm ƒ/4 Distagon lens. It is sad that the family that once ran this household has moved away. Are they happier in the city or somewhere else? 

Govan

Govan East rail junction (50mm ƒ/4 Distagon lens)

Govan is another Washington ghost town where little remains. There are some farms in the area and a few modern homes.

Abandoned Govan schoolhouse
(Portra 160 film converted to B&W with DxO Filmpack 5 software)

 

This lonely school building appears in many web pages that show ghost towns of Washington.

This ends our short tour of eastern Washington farm fields and silos. There is plenty more to explore. 

I took most of the pictures above on Kodak Panatomic-X film with my Hasselblad 50iCM camera and various lenses. All were tripod-mounted. I scanned the negatives with a Minolta Scan Multi film scanner controlled by Silverfast software. 

Vinny does Shelton, Washington, with Kodak Panatomic-X (Abandoned Films 05d)

Vinny at his best

Vinny, my Little Voigtländer Vito BL camera, does not get out often. Long-term readers may remember he insisted that I take him to the big city of Jackson, Mississippi, in 2021. Well, Vinny was restless and again called out, "Take me to a city."  

This Vito BL has a 50mm ƒ/3.5 Color Skopar lens, Voigtländer's superb 1950s reformulation of the classic 4-element Tessar design. This one is fully coated and unit focus, meaning, the entire lens moves rather than just the first element. And I have genuine Voigtländer 32mm color filters. The shutter speeds are reasonably correct despite the Prontor shutter having not been overhauled. The selenium light meter does respond to light but is non-linear and unusable, so I use a separate Gossen hand-held meter. 

My Buffalo, New York, friend had sent me a roll of 35mm Kodak Panatomic-X film. The last rolls I used in Mississippi and Louisiana were grainy and a bit fogged. Was this one better? Was it the last roll on earth? What could be a better use of Panatomic-X than to photograph urban decay with Vinny? I decided to expose this roll at exposure index (IE) of 20, so that required a tripod to stabilize the camera. Using a tripod makes you slow down and frame each picture carefully. 

We set off to Shelton, Washington, one April day (2025) with mixed sun and cloud. It was dry, a treat after a soggy March. Well, any day with Panatomic-X is a treat!

Coming in to town from the west, you drive along West Railroad Avenue. Years ago, the Simpson Lumber Company operated lumber trains along this route.  An old rail yard is overgrown, but you still see track. Someone has mowed the field. 

Riverside Manor is a mobile home park at the west end of West Coda Street. The wooden bridge crosses Goldsborough Creek. 

Near the bridge, some dudes came out of a house with a dog and multiple cats. They admired my 44 year old car. One guy showed me his fixer-upper BMW M3. He said he formerly raced it. Then, some kids came across the bridge and spent some time looking at my car. They asked if they could look inside. They were friendly and even more cheerful when I showed them the engine compartment.

The old rail line crosses Goldsborough Creek at South 9th Street. A fellow from the house to the left came to talk. He thought the City planned to convert the former rail line into a rail trail. He said he could not afford to pay for water, so he went down to the creek to get water to flush the toilet. 

This handsome brick commercial building is on South 2nd Street. Some of the former glass show windows have been covered with plywood. But wait! What is that in the overgrown lot to the north?

Ah-ha! This building is protected by guard flamingoes. I will not mess with them.

Rail yard off South 1st Street (1/4 sec. ƒ/11, medium yellow filter)

Storage tank, Grove Street (light yellow filter)

Chicken to go, South 1st Street (1/4 ƒ/8, light yellow filter)

South 1st Street (1/4 ƒ/8 light yellow filter)

Alley parallel to Railroad Avenue (Fuji Presto 400 film, 50mm ƒ/2 Pentax-A lens)

Vinny did well on his outing to the big city of Shelton. No one could ever complain about the results from his Color-Skopar lens. It is a classic 4-element Tessar design. Of course, using a tripod let me set the lens at its optimum apertures of ƒ/5.6, ƒ/8, or ƒ/11 and set the shutter speed as needed. I measured the light with a Gossen Luna Pro Digital meter, mostly on incident mode. This tends to be foolproof on days with soft light.  

This roll of Panatomic-X looked good, with no obvious fog but more grain than when it was fresh. Northeast Photographic in Bath, Maine, developed the film in Xtol. I scanned the negatives with a Nikon CoolScan 5000ED film scanner. The last picture of the alley was on Fuji Presto 400 film from a Pentax MG camera.

That you all for reading along.

Olympia with Kodak Panatomic-X film (Oly 21)

My good friend from Buffalo, New York, sent me a roll of Kodak Panatomic-X film! Where did he find this treasure? Was this the last roll on earth? 

Panatomic-X was Eastman Kodak's great achievement from the middle of the 20th century, film-making excellence from the golden age of film photography. I have written about Panatomic-X before and concluded that because of the age, it is not worth seeing out unexposed rolls. But here was a great gift, so I headed out with nostalgia and anticipation. Thirty years ago, I typically exposed it at EI=20 or 25. This film has a reputation of aging well (as long as it was stored cool), so I decided to use it again at EI=20. This required a tripod for most frames. I used my 1950s Voigtländer Vito BL, a precise little camera with a superb 4-element coated 50mm ƒ/3.5 Color Skopar lens. This was a 1950s recompilation of the Tessar type of lens. And I had genuine Voigtländer color filters. A classic film in a classic camera, what could be better? 

Olympia

Here are some frames from my April 2025 walk around Olympia, Washington. It was a hazy spring day with no sky texture.

Tracks near Jefferson Street, view north (1/4 ƒ/11, light yellow filter)

Homeless people, Jefferson Street

Handsome traditional wood architecture on 9th Avenue (1/4 ƒ/11, light yellow filter)

This house is a few blocks from South Capitol, a neighborhood of beautiful traditional early 20th century homes. 

Burned out black house, now demolished (1/4 ƒ/11, light yellow filter)

7th Avenue railroad tunnel east entrance (1/4 ƒ/11, medium yellow filter)

When I first moved to town, the 7th Avenue tunnel puzzled me. I asked a homeless fellow where the tunnel emerged, and he replied "Near the black house." I wondered what he meant, what black house?  Walking on 7th Avenue, we saw a grungy house painted in black paint. Later, we found other black houses in the city. A few months later, the house burned. The mess remained on the lot for several months before someone cleaned the debris.

215 Thurston Avenue

This is an interesting door, and the markings change occasionally. I have photographed it before. (Update October 10, 2025: the building has been painted and this doorway is now boring)

Union, Washington

The Hunter Farm, on Washington Rte. 106, has a big barn and numerous out buildings. 

I love these kinds of complicated scenes. I will ask the owners sometime if I can return with my large format camera.

This ends our short tour with the famous Panatomic-X film. Standby for examples from Shelton, Washington.

Technical Stuff

The camera on the left is the Vito BL. I posed it with my 1949 Leica IIIC camera as a size comparison. I must be honest, the photos from the Vito are higher resolution than the ones from my old IIIC. The latter has some error with its lens mount. I would rate both as being built with similar craftsmanship and precision.