Trains Through Chehalis, Washington

Chehalis is the County Seat of Lewis County, Washington. It is south of Centralia and is overshadowed economically by the larger city. But Chehalis has a well-preserved downtown with late 1800s and early 20th century buildings. It was primarily a logging and railroad town in the late 1800s.  It also hosts the BNSF rail line, which cuts right through the center of town. 

Thundering through, get out of the way! (West Main Street, March 23, 2024, Panatomic-X film, 50mm ƒ/4 Distagon lens, yellow filter)

These enormous freight trains come thundering through town. The lights flash at the West Main Street crossing, the barrier arms swing down, and you wait. The ground starts to vibrate, and these trains roar through at 40? 50? 60 miles per hour?

Track debris

Milky Way dairy transportation company

Milky Way is the largest milk hauling company in the Pacific Northwest. One of their terminals is right next to the rail line off West Main Street.

DrinkAMugAMilkAMeal (Samsung mobile phone photo converted to black and white)

Line off Prindle Street (250mm ƒ/5.6 Sonnar lens, dark yellow filter)

Chehalis is a nice little town. The Willapa Hills bicycle trail starts here and continues west to Pe Ell. Eventually, it will be graded and paved all the way to Raymond. I need to explore Chehalis in more detail.

I took most of the photographs with a Hasselblad 501CM camera using Kodak Panatomic-X film, all frames tripod-mounted. 

Exploring Centralia, Washington

Centralia is a city in western Washington in Lewis County, about 25 miles south of Olympia. It was founded in 1850 by J. G. and Anna Cochran, who came via the Oregon Trail with their adopted son, George Washington, a free African-American. The town boomed in the early 1880s with the Northern Pacific Railroad building a rail line through the valley. From Wikipedia,

Founded as a railroad town, Centralia's economy was originally dependent on such industries as railroads and timber as well as coal and agriculture. At one time, five railroad lines crossed in Centralia, including the Union Pacific Railroad, Northern Pacific Railway, Milwaukee Road, Great Northern Railroad and a short line.

BNSF Rail Yard

Today, the BNSF's mainline tracks run just east of downtown Centralia. The switching yard was not too active on a sunny day in June (2024), but I stopped for a few photographs.

Better not stand here. Centralia BNSF rail yard (100mm ƒ/3.5 Planar lens) 

Centralia BNSF rail yard view south (100mm Planar lens)

Warehouse, East Hansen Street, Centralia

Alley off East Hansen Street

A Few Around Town

Time for lunch at Aceituno's, Harrison Avenue

Track off West First Street

Bowling parlor, now apartments, North Tower Avenue

Christmas was fun, North Pearl Street

Centralia is interesting, and there is plenty worthy of more exploring. I recall visiting my roommate's family somewhere in town in 1974 or 1975, but have no idea where they lived. Centralia was a worker/logging/mining town then (it looked rather rough), but I was young and not inspired by urban decay. 

The black and white photographs above are Kodak Panatomic-X film via my Hasselblad 501CM camera. The color frames are expired Kodak Gold 100 film, exposed at EI=64 in my Leica M2. The Gold was much grainier and less vibrant than when fresh. But the 35-year-old Panatomic-X film is perfect. Amazing!

Into the Woods Again: Squaxin Park in the Snow (Oly 13)

Near the Squaxin Park trailhead (off Flora Vista Dr NE) 

It is summer in Olympia. The days can be hot (90º deg. F), but the nights are cool. Compared to my previous homes in Vicksburg, Houston, Athens, Karachi, and Rangoon, summer here is a delight. Still, let's cool off with some memories of the February 25 snowfall. This was the second snow of the 2023-2024 winter, and it was too good to resist. I drove to Squaxin (formerly Priest Point) Park with my tripod and Hasselblad and broke out a roll of Kodak's famous Panatomic-X. It is a slow film (EI = 25) and may not be the best choice for a gloomy afternoon under dense trees, but with a tripod, you can use as slow as shutter speed as needed. Most of these snow scenes were ½ or 1 second exposures. (Warning: no urban decay here, just "pretty" pictures.)

Looks like a furry chapeau on a stump

Heading home, time for a coffee

The Hasselblad works reasonably well in cold weather. I can use the controls with thin gloves. Loading a film back in the snow would be frustrating, so if in doubt, load a spare one in advance. For the pictures above, I used 50mm, 80mm, and 100mm Zeiss lenses, all with no filters. Praus Productions in Rochester, New York, developed the film.

I hope you all enjoyed this quick visit to winter.

Down in the Alley* (in Olympia) (Oly 11)

View east from Colombia St. NW (40mm ƒ/4 Distagon Lens)

Some streets in downtown Olympia have alleys that run behind the commercial buildings. The alley gives access to loading doors, dumpsters, maybe the sewer. Some of the older housing neighborhoods, like Bigelow and South Capital, also have alleys. The latter are handy for utilities, trash cans, and, sometimes, access to garages. They are a bit boring, so I will concentrate on the city.

Between 4th and State Avenues, an alley runs east-west for about one km. The west end is pretty interesting with art works and some graffiti. This was too good to resist, and on an overcast April day, I took a walk with my Hasselblad and Fuji NPS 160 film. This was also a chance to use my new/old 40mm Distagon wide angle lens in tight quarters. 

Something is fishy at the rear door of Old School Pizza, 108 Franklin Street (40mm Distagon lens)

Walk east for a block, and there is more good stuff.

Loading dock of 312 4th Avenue (40mm Distagon lens). There was probably a hoist once in the apex of the overhang.

Turn 180º, and a carpentry shop has a door that leads to the alley.

Carpenter shop door with shiny new paint - already decorated (40mm Distagon lens)

Rear of 308 4th Avenue (100 mm ƒ/3.5 Planar lens)

Parking lot off State Avenue

Empty lots like this once had industrial or commercial buildings. Maybe a local reader can remember what once stood here. Some lots are empty because pollutet soil has been capped, but I do not know if that is the issue here.

View north to Billy Frank Jr. Place (318 State Avenue) (40mm Distagon lens)

I will show more alley pictures soon. 

215 Thurston Avenue (100mm ƒ/3.5 Planar lens, 1/30 ƒ/8.0)

Two blocks north is this interesting door. Some of you readers may remember it from a 35mm frame that I took with T400CN film.  

7th Avenue tunnel (100mm ƒ/3.5 Planar lens)

This is not quite an alley, but rather the grungy 7th Avenue railroad tunnel. An occasional train with petroleum tank cars trundles through here heading for an industrial area in west Tumwater. 

I took these photographs with my Hasselblad 501 CM camera using Fuji NPS 160 film. This was my last roll, and it is no longer available. Photoland at The Evergreen State College developed the film. 

* With apologies to Elvis Presley, who recorded Down in the Alley on May 25, 1966 on Spinout Records. The lyrics are not pertinent to my article, just the title. 

Danger: GAS and a Review of the Zeiss 40mm ƒ/4 Distagon CF FLE lens for Hasselblad (Oly 10)

Zeiss 40mm ƒ/4 lens with filter holder and 93mm UV filter in place

40mm Distagon ƒ/4 lens without filter holder

40mm Distagon lens mount. The slotted circle with a red arrow is the shutter cocking screw. The contacts were for the 200 series cameras (not used by my 501CM body)

The GAS Attack

Yes, yes, I know, I utterly lack discipline. I suffered an explosive bout of GAS (Gear Acquisition Syndrome) and bought an ultra-wide lens for my Hasselblad 501CM camera. I already owned a 50mm ƒ/4 Distagon lens, but sometimes I wanted to be closer or be right inside the scene and capture it. 

My 50mm lens provides a diagonal view similar to a 27mm in the 35mm format. This new 40 provides a 22mm view (note, the frame proportions are not the same, square versus rectangle, so these are approximations only). I have already learned that this 40 is hard to use and need to take advantage of its unusually wide view. 

Zeiss made four generations of 40mm lenses to fit Hasselblad V bodies. These are the mid-20th century mechanical bodies that use 120 film, usually for the 6×6 format. It is difficult to find production years, but this is an approximate summary of the 40mm lenses: 

Distagon 40mm ƒ/4 C with Bayonet 104 filter. This is a huge optic, computed in the 1960s. It was a pioneering retrofocus lens at the time. Single coat 1967-1973, multi-coated T* 1974-1982. These C lenses are said to be front heavy and hard to focus. Zeiss also made versions of this 40 for Rollei SL66 and Rollei SLX/6006.

Distagon ƒ/4 40 mm CF (FLE). Newly computer smaller lens with floating element, 93mm drop-in filters, 1982-1998.

Distagon ƒ/4 40 mm CFE (FLE). Newer style body (see the pictures above), 1998-2003.

Distagon ƒ/4 40 mm CFE (IF FLE). Internal focus, final 40mm model (rare and expensive), designed for use with digital backs, 2003-?

Hasselblad also offered a 38mm Biogon type of lens permanently mounted in a special body, the SWC. This is said to be the least distortion super wide lens. I was tempted but wanted a lens that would mount on my 501CM body and let me frame through the viewfinder. 

My 40mm CFE model accepts 93mm unthreaded filters, which are held in place by a retaining ring. These are the same concept as traditional series filters. But the 93mm units are rare, rare, rare. My lens came with a clear UV filter. Amazingly, I saw an orange 93 for sale at KEH and grabbed it instantly. Yellow and green 93s are unobtanium. If you buy a used 40mm lens, make sure that it includes the retaining ring/shade, the items that hold a 93 filter in place. 

Upper ring adjusts the internal floating element

My lens has an internal floating element, meaning one that can be shifted separately from the other elements. A focus dial lets the user select the subject distance. This is designed to improve optical quality for close-ups. Most of my pictures are of mid- or far distance, so I have only needed to adjust this extra setting a few times. The procedure for close subjects:

1. Focus on the intended subject.
2. Adjust the floating element ring to see the best sharpness across the frame.
3. Readjust the main focus ring. But it may not need to be moved at all.

Focus with ultra wide lenses can be tricky with any reflex camera. But with my Acute Matte viewfinder screen, focus pops in and out precisely. I do not know how the view would be with the older, dimmer Hasselblad screens. Minolta developed the technology for these screens, and Minolta camera viewfinders were known for being easy to use. As far as I know, new Acute Matte screens are no longer available, and used screens in good condition sell for around $500 now. Other companies offered brighter screens for the Hasselblad, (e.g., Beattie IntenScreen, BrightScreen) but the consensus is the Acute Mattes are the best. 

Fuji NPS 160

Cylinder man, Olympia Avenue, Olympia

Carpentry shop, alley between State and 4th Avenues, Olympia, Washington

Unused locomotive permanently (?) parked next to Deschutes Parkway SW near Capitol Lake

Black and White

Former Georgia Pacific Building, Capital Way, Olympia

The Seattle architectural firm of Naramore, Bain, Brady & Johanson designed this mid-Century modern building in 1952 for the Georgia Pacific plywood company. The architects made extensive use of plywood in the furnishings and construction. The Washington Department of Fish and Wildlife now occupies the building. 

West Bay dock on a gloomy afternoon

Summary

Well, I am happy with my new/old 40mm Distagon. Optically, this 40 is amazing. I see minimal light falloff at the corners of the frame, and the resolution is fine center to edge. I can focus it without hunting back and forth with both the 501's fold-up finder or the prism finder. This lens is wonderful with color film (stand by for more examples soon). 

It takes practice to use a lens this wide well. It helps to be right inside your scene. In the same way, I had to learn how to get the best effects from the ultra-wide 30mm lens on my friend's Hasselblad XPan panoramic camera. I also recently bought a 21mm Zeiss Biogon lens for the 35mm Leica - this will require a learning curve, too.

But this 40mm Hasselblad lens is a heavy chunk in my camera bag. I bought a small LowePro backpack to experiment carrying all this stuff. And I have yet to find 93mm yellow or green filters. 

More examples to follow. But no more equipment GAS. I promise.......

Dinosaurs and Toilets of Olympia (Oly 09)

Welcome to my Jaws (100 mm ƒ/3.5 Planar lens)

There are dinosaurs in Olympia! They live (and eat?) at Eastside Big Tom. Tom is a fried food emporium of the healthiest, most calorific treats one could imagine. According to Experience Olympia & Beyond,

Hungry dinosaurs, milkshakes featuring deep-fried bacon and maple, and a mouthwatering smashed burger dripping with goop sauce - Eastside Big Tom is a direct ticket straight back to the best parts of your childhood.

We could stop now and it would be enough. The dinosaurs, the ambiance that takes you back to the best parts of your childhood, the smashed-burger dripping with sauce that runs down your chin and you don’t even care who sees it. But there are delights like the Bellicose Badger shake (featuring deep-fried bacon and maple) and the Birthday Cake soft-serve ice cream cone waiting in the wings. Customers wait with baited breath for Michael to share the monthly special shake, named after an animal (not the ingredients) in alphabetical order. Prior to the Bellicose Badger he featured the Aggravated Aardvark (peanut butter and pickle juice). These shakes may sound a bit odd, but for the life of me I can’t understand why everyone isn’t putting deep fried bacon in their shakes. It’s amazing.

Bacon milkshake?? I may need to try this one. 

Form two lines and order your treats. You can also sit behind the main building. (50mm Distagon lens)

Nice decorated potties (50mm Distagon ƒ/4 lens)

This is American folk art of the best type, hand painted with care and creativity. There is much more in and around Olympia, so I want to explore and record.

I took these photographs with my Hasselblad 501CM camera using Fuji NPS160 film, tripod-mounted. This was long-expired film, but it had been frozen for 20 years.

The Giant Duck (Crow?) of Chehalis, Washington (Abandoned Films 14)

They grow them big in Washington State. Sadly, I think this big fellow does not host visitors any more nor quack or caw. 

The Yard Birds Swap Meet was a staple of the Centralia-Chehalis community for decades. According to the Yard Birds web page, which, as of May 2024, was still online,

Welcome to the �most unique� Yard Birds Mall! Seven acres of shopping under one giant roof! Yard Birds has a rich history of being a one stop shopping destination, and this reputation holds true today. With over 60 independent merchants on both floors selling everything from antiques, toys, clothes, video games, music, furniture, jewelry, steampunk accessories, as well as services such as hair styling, auto repair, custom stone countertops, and guitar lessons. We�re more than a Mall, we�re a family of merchants. Whatever you�re looking for, chances are you�ll find it at Yard Birds!

The last tenants and businesses were evicted from Yard Birds mall in November of 2022. Since then, it is unclear what the owners of the property have been doing or renovating.

Later, I will post some black and white pictures from Chehalis. 

I took these photographs on my Hasselblad 501CM camera with the 50mm ƒ/4 Distagon lens using long-expired Fujicolor NPS160 film. It had been in my freezer for over 20 years, but certainly was not fresh. I gave it extra exposure and used EI=80. A polarizing filter emphasized the blue of the brilliant clear sky. 

 

Into the Woods Again: Squaxin Park in Monochrome (Oly 06)

Squaxin Park (formerly Priest Point Park) is a botanical wonder just north of downtown Olympia off East Bay Drive NE. I have photographed here in color with my little digital Fuji X-E1 camera. How about monochrome? (Warning, "pretty" pictures below; no urban decay.)

Ellis Cove and view west to East Bay (Fuji Acros film, Pentax Spotmatic F camera, 28mm ƒ/3.5 SMC Takumar lens)

Ellis Cove (Fuji Acros film, 28mm SMC Takumar lens)

The temperature plummeted on January 11 (2024) and some snow fell. That was too good to resist. I walked to Squaxin Park but was surprised that not much snow had made it through the dense canopy down to the ground.

Samarkand Rose Garden (Kodak Panatomic-X film, Hasselblad 501CM camera, 80mm ƒ/2.8 Planar lens, yellow-green filter)

Near Ellis Cove (Panatomic-X film, 100mm ƒ3.5 Planar lens)

Near Ellis Cove (Panatomic-X film, 100mm ƒ/3.5 Planar lens, yellow-green filter)

On East Bay Drive, a dense multi-trunk tree often catches my eye.

East Bay Drive NE (Kodak Tri-X 400 film, Hasselblad 501CM, 100 mm ƒ/3.5 Planar lens, 1/125 ƒ/4)

Another snow fell on February 14, and I returned to Squaxin Park with the Hasselblad. Maybe I will show those frames in mid-summer..... 

Thank you all for exploring Squaxin Park with me.