South Park Neighborhood, Seattle, Washington (Sea 09)

Seattle's South Park district is a compact neighborhood tucked between the west side of the Duwamish Waterway and the bluffs that rise steeply to Highland Park. The main thoroughfare running north-south is 14th Avenue South. Several Boeing factories are next to the Duwamish, and Boeing Field is across the River. 

South Park (from Google Maps)

The earliest European settlers settled the bottomlands along the Duwamish river in the 1850s. In the late 1800s, South Park was an agricultural community of Italian and Japanese immigrants. Industry developed along the banks of the waterway in the 1920s, with Boeing's first factory just to the north. World War II brought rapid growth of aircraft at Boeing Field and shipyards along the river. In the 1960s, the area began to attract Hispanic immigrants. 

During my short time looking around in October 2025, I could see the strong Hispanic influence in the stores and restaurants. Here are some examples.

Unicorn Ranch, 9021 14th Avenue S

The owner here had some interesting sculpture on the Unicorn theme.

Multiservisios, 9011 14th Avenue S (21mm ƒ/4.5 Zeiss Biogon-C lens)

Multoservisios, 9011 14th Avenue S (50mm ƒ/2 Summicron-DR lens)

Werner's Auto Repair, 9001 14th Avenue S (50mm ƒ/2 Summicron-DR lens)

Werner's Auto Repair (25mm ƒ/4 Snapshot Skopar lens)

Time for lunch, 8709 14th Avenue S (25mm ƒ/4 Snapshot Skopar lens)

Closed shop (24mm ƒ/4 Snapshot Skopar lens)

Pros Tires, 8620 14th Avenue S (25mm ƒ/4 Snapshot Skopar lens)

This ends out too-rapid cruise through South Park. 

I took these photos on Kodak Portra 160 film exposed at EI=100. I used my Leica M2 camera with 21, 25, 35 and 50mm lenses (yes, I take too much equipment with me on an outing). The 50mm is the ƒ/2 Dual-Range (DR) Summicron from 1968. This is version 2 of the Leitz Summicron series. It was made as either a single range focus body or a more complicated dual-range version. I rarely use the close-up function, but take the goggles with me in the camera bag. 

Many photographers love the way the these Version 2 lenses render their subjects, especially portraits. Mine has pristine coating and is totally clean inside. The contrast is a bit softer than modern lenses. 

50mm ƒ/2 Summicron-DR lens with close-up goggles to allow close focussing

This lens will mount on all of the original film M bodies, the M3, M2, M4, M4-2, M4-P, and M6. I have read that it will not mount on the digital Ms, but do not have details.

Silos and Farms of Eastern Washington with Panatomic-X film (2024 E. WA Road Trip 08)

I love the grain silos that you see in small towns and railroad junctions in Eastern Washington. They look lonely but still substantial, surviving weather, storms, and the summer sun, year after year. Here are some Kodak Panatomic-X frames from my August 2024 road trip. Please click any picture to see more detail.

Kettle Falls

Silo, Meyers Street, Kettle Falls (100mm ƒ/3.5 Planar lens, dark yellow filter) 

Lonely rails (100 mm ƒ/3.5 Planar lens)

Kettle Falls is a small town just east of the Columbia River only 15 miles south of the Canadian border. The original town was at the banks of the river but had to move after the Grand Coulee Dam flooded the original Kettle waterfalls in the 1940s. This is a major railroad junction. I had crossed the Columbia on US 395 at Barney's Junction and stopped in town for lunch, coffee, petrol, and photos. 

Reardan

Reardan is an agricultural town on US 2 about 20 miles west of Spokane. I drove on 2 specifically to avoid using Interstate 90, and enjoyed passing through farm communities and small towns. These silos look up above the surrounding terrain as you drive on US 2 through Reardan. 

Creston

Creston is another agricultural town on US 2. I took this picture just west of Scheibner Road (50mm ƒ/4 Distagon lens)

Sherman

Sherman Presbyterian Church (250mm ƒ/5.6 Sonnar lens)

Sherman, established in 1888, lost population and largely closed early in the 20th century. All that remains is the handsome white Sherman Presbyterian Church sitting lonely next to the cemetery. The cemetery has graves of early settlers and even a civil war veteran. 

To reach Sherman, take Sherman Draw Road north from US 2. It is about half way between Creston and Wilbur. Much of the road is gravel and, in August, rather dusty. 

Wilbur

This lonely farm is north of US 2 just west of Wilbur. The driveway drops down from the main road and gives a good vantage point to see the house and barns. A color frame of this scene is in my previous post about central Washington. I took the B&W picture above with my 50mm ƒ/4 Distagon lens. It is sad that the family that once ran this household has moved away. Are they happier in the city or somewhere else? 

Govan

Govan East rail junction (50mm ƒ/4 Distagon lens)

Govan is another Washington ghost town where little remains. There are some farms in the area and a few modern homes.

Abandoned Govan schoolhouse
(Portra 160 film converted to B&W with DxO Filmpack 5 software)

 

This lonely school building appears in many web pages that show ghost towns of Washington.

This ends our short tour of eastern Washington farm fields and silos. There is plenty more to explore. 

I took most of the pictures above on Kodak Panatomic-X film with my Hasselblad 50iCM camera and various lenses. All were tripod-mounted. I scanned the negatives with a Minolta Scan Multi film scanner controlled by Silverfast software. 

The Leica IIIC Explores Olympia with Ektar 100 Film (Oly 23)

It was time to exercise my 1949 Leica IIIC camera. An overcast morning in May of 2025 provided perfect soft light for Kodak Ektar 100 film. I have found the Ektar to be a bit garish in bright sun, but in overcast, it brings out the colors. Also, my mid-century 50mm Summitar and Jupiter-8 lenses are lower contrast than modern multicoated optics. In gloomy light, the Ektar tends to look blue through the Summitar, so when I scan it, I pull down the blue curve a small amount. 

Gull Harbor Road

I met the gent who owns this funny little electric car. It is a post-1979 Comuta-Car. Sebring, Florida–based Sebring-Vanguard made the original CitiCar from 1974-1977. Commuter Vehicles from California bought the design and manufactured the Comuta-Car from 1979 to 1982. Eight 6-volt lead-acid batteries supply power for the electric motor. The fellow said his purple car does run.

I think Toyota manufactured this little Chevrolet. It did not look too derelict. 

46th Avenue Northeast

Bigfoot is awaiting

This is a nice traditional wood barn. But beyond it is a modern steel building. I like the textures and patina of wood. I might have photographed the elusive Bigfoot.

Shinckle Road Northeast

The little coffee stand at 3525 Shinckle Road has been unused since at least 2022. It was originally on this lot because the street address on the door is correct. The A-frame house has a lot of roof area. This type of design works well in a locations with heavy snowfall, but that does not apply to Olympia.

Lilly Road

Hmmm, I could clean off the mildew and convert this bus into a camper. 

Slightly rough house, Lilly Road

West Bay Drive

Detroit iron in storage shed near Tugboat Annie's Restaurant

Kiddie car at warehouse

Tech Note

I took these photographs on Kodak Ektar 100 film with my Leica IIIC camera and a 5cm ƒ/2.0 Leitz Summitar lens. This is a 7-element coated lens designed before WWII. This lens is a rare one with no haze or scratches in the coating. The camera and lens have been to four continents and served the family for 75 years. How many other consumer goods can claim such a service life? I measured light with a Sekonic L318 light meter.

Leica IIIC and 5cm Summitar lens in extended position.
The large front glass is known for having a soft coating, but this one is still pristine.

Issue: When I used this Summitar lens on a Leica IIIG camera, the resolution was distinctly better than when mounted on my old IIIC. Also, the right side of each frame is out of focus. It is difficult to see the problem on the scale of internet display. Something is amiss with the lens mount. Some technician a long time ago may have lost some shims, and the mount is not quite correct. But it could take a lot of labor to get it right, so this IIIC will become a glass case display. I have more than enough 35mm cameras to keep me occupied.  

Vinny does Shelton, Washington, with Kodak Panatomic-X (Abandoned Films 05d)

Vinny at his best

Vinny, my Little Voigtländer Vito BL camera, does not get out often. Long-term readers may remember he insisted that I take him to the big city of Jackson, Mississippi, in 2021. Well, Vinny was restless and again called out, "Take me to a city."  

This Vito BL has a 50mm ƒ/3.5 Color Skopar lens, Voigtländer's superb 1950s reformulation of the classic 4-element Tessar design. This one is fully coated and unit focus, meaning, the entire lens moves rather than just the first element. And I have genuine Voigtländer 32mm color filters. The shutter speeds are reasonably correct despite the Prontor shutter having not been overhauled. The selenium light meter does respond to light but is non-linear and unusable, so I use a separate Gossen hand-held meter. 

My Buffalo, New York, friend had sent me a roll of 35mm Kodak Panatomic-X film. The last rolls I used in Mississippi and Louisiana were grainy and a bit fogged. Was this one better? Was it the last roll on earth? What could be a better use of Panatomic-X than to photograph urban decay with Vinny? I decided to expose this roll at exposure index (IE) of 20, so that required a tripod to stabilize the camera. Using a tripod makes you slow down and frame each picture carefully. 

We set off to Shelton, Washington, one April day (2025) with mixed sun and cloud. It was dry, a treat after a soggy March. Well, any day with Panatomic-X is a treat!

Coming in to town from the west, you drive along West Railroad Avenue. Years ago, the Simpson Lumber Company operated lumber trains along this route.  An old rail yard is overgrown, but you still see track. Someone has mowed the fields. 

Riverside Manor is a mobile home park at the west end of West Coda Street. The wooden bridge crosses Goldsborough Creek. 

Near the bridge, some dudes came out of a house with a dog and multiple cats. They admired my 44 year old car. One guy showed me his fixer-upper BMW M3. He said he formerly raced it. Then, some kids came across the bridge and spent some time looking at my car. They asked if they could look inside. They were friendly and even more cheerful when I showed them the engine compartment.

The old rail line crosses Goldsborough Creek at South 9th Street. A fellow from the house to the left came to talk. He thought the City planned to convert the former rail line into a rail trail. He said he could not afford to pay for water, so he went down to the creek to get water to flush the toilet. 

This handsome brick commercial building is on South 2nd Street. Some of the former glass show windows have been covered with plywood. But wait! What is that in the overgrown lot to the north?

Ah-ha! This building is protected by guard flamingoes. I will not mess with them.

Rail yard off South 1st Street (1/4 sec. ƒ/11, medium yellow filter)

Storage tank, Grove Street (light yellow filter)

Chicken to go, South 1st Street (1/4 ƒ/8, light yellow filter)

South 1st Street (1/4 ƒ/8 light yellow filter)

Alley parallel to Railroad Avenue (Fuji Presto 400 film, 50mm ƒ/2 Pentax-A lens)

Vinny did well on his outing to the big city of Shelton. I certainly cannot complain about the results from his Color-Skopar lens. It is a classic 4-element optic of Tessar design. Of course, using a tripod let me set the lens at its optimum apertures of ƒ/5.6, ƒ/8, or ƒ/11 and set the shutter speed as needed. I measured the light with a Gossen Luna Pro Digital meter, mostly on incident mode. This tends to be foolproof on days with soft light.  

This roll of Panatomic-X looked good, with no obvious fog but more grain than when it was fresh. Northeast Photographic in Bath, Maine, developed the film in Xtol. I scanned the negatives with a Nikon CoolScan 5000ED film scanner. The last picture of the alley was on Fuji Presto 400 film from a Pentax MG camera.

That you all for reading along.