On the Waterfront: the Duwamish Waterway and Port of Seattle, Washington (Sea 07)

The Duwamish Waterway (river) flows into Elliot Bay along the base of the glacial drumlin that forms West Seattle. The mouth of the Waterway has been extensively modified to create the Port of Seattle. The city created Harbor Island and the other terminals by dredging and filling over the last century. This is a busy commercial harbor with container and bulk terminals. But I was surprised to find that the city has been preserving small parks and wetlands in the industrial zone. And bicycle paths let you bike along large sections of the shore, passing through or around the commercial terminals.  

March 2, 2025, was not raining, a good day to drive to the city and explore the waterfront. It was a cloudy Pacific Northwest winter day, the sky was overcast, and the light was blue.  Click any photograph to see it at 2400 pixels wide.

Port of Seattle and Harbor Island shore, view east

Seattle from Jack Block Park viewing tower

Port of Seattle view north (55mm ƒ/1.8 SMC Takumar lens)

Terminal 5 from Jack Block Park, view south (55mm ƒ/1.8 SMC Takumar lens)

Terminal 5, view south

Don't eat the oysters; Duwamish Waterway view northeast towards Seattle

Duwamish Waterway and Ash Grove Cement Seattle Plant (35mm ƒ/3.5 Super-Takumar lens)

Duwamish Waterway from Harbor Island Marina with West Seattle Bridge in distance

Rail car, West Marginal Way (35mm ƒ/3.5 Super-Takumar lens)

Work barges, Kellogg Island, from həʔapus Village Park & Shoreline Habitat (135mm ƒ/3.5 SMC Takumar lens) 

Bicycle club members

I met these gents in the viewing tower at Jack Block Park. They had biked all the way from Lake Union along the Seattle waterfront. They belonged to a club and were in their 70s and 80s. Two of them had ridden through the new Rte 99 tunnel (under the waterfront) on the official opening day when it was open for bicycles.

I took these pictures with my Pentax Spotmatic F camera on Kodak Ektar 100 film, exposed at EI=64. This is a high contrast color negative film, which I find it hard to use. The scans from my Nikon Coolscan 500 ED scanner had too much blue. I used skylight filters on the lenses, but an even warmer filter, like an 81B or 81C would have helped. I corrected the colors as well as I could with the neutral grey dropper tool in Photoshop 6. 

This is Seattle article no. 07.