Danger: More GAS and the Zeiss Ikon ZM Rangefinder Camera

Self-control Failure

Yes, I utterly failed GAS control again. I bought another rangefinder camera, a Zeiss Ikon ZM. I used Leica M3 and M2 cameras for 40 years. They did not have built-in light meters, and I wanted extra convenience in a busy setting, such as city photography (or when the relatives were impatient). What camera body would provide auto exposure with M-mount lenses? Choices in 2025 were limited.

1. Minolta CLE from the 1980s. No, too old.
2. Leica M7. The luxury option - tempting! Nice!
3. Zeiss Ikon ZM from 2005.
4. Bessa R2A or R3A. My friend in town said repairs were an ugly experience, and he thought they felt rather discount. And now they cost $1200+ from the Japanese vendors. No.
5. Konica Hexar RF. Rare and may not be totally compatible with Leica M lenses (a controversial topic among internet warriors). No.
6. Rollei 35RF "Classic Edition," 2002. Special edition of the Bessa R2 camera. Rare.  

In 2025, Glazer's Camera in Seattle, Washington, listed a clean ZM for an acceptable price. I drove north and bought it. 

Zeiss Ikon ZM with 21mm ƒ/4.5 Zeiss C-Biogon lens and Leica 21mm viewfinder

Zeiss Ikon ZM

Zeiss started selling the ZM in 2005-2006. The camera was about the same size as a Leica M but was a bit lighter. It has a brilliant clean viewfinder. The auto-exposure function allows quick field work. Cosina in Japan manufactured the body, but it was significantly different than the Bessa bodies that Cosina also built. I will not review the technical details of the ZM because they are available on sites such as at Camera-Wiki and Casual Photophile. 

Some users complained that the rangefinder patch blanked out if their eye was not directly centered in the finder. This seldom was a problem for me. 

Zeiss also introduced a series of ZM lenses in Leica M mount. Many reviewers say the ZM lenses offer similar performance to Leica lenses but at lower price. I have the Zeiss ZM 21mm ƒ/4.5 Biogon lens and love it. As of 2026, some of the ZM lenses are still available new. The 50mm ƒ/1.5 C-Sonnar is a modern update to the classic Sonnar formulation. 

Alas, despite the technical excellence, the ZM body did not sell well, and Zeiss ended production in 2012. Their timing was rough because the digital tsunami was overwhelming the photography world during the early 2000s. Very few new film cameras sold then, and the market was awash with used film cameras that people were clearing out from their homes and studios. (That was the time to buy great bargains.)

 

But today, the ZM appears to be selling well. It is an alternative to the much more expensive Leica M7. 

 

Zeiss Ikon body with 5cm ƒ/2 Summitar lens

Top view showing large shutter speed control

 

Incompatible M-mount Lenses 

The Zeiss Ikon body will accept most Leica M mount lenses as well as older thread-mount lenses with the appropriate LTM-M adapter. I have used mine with my 1950 5cm ƒ/2 Summitar lens and a 1962 Soviet Юпитер-8 lens. In fact, the Summitar performs better on this ZM body than it does on my Leica IIIC body (the latter has some problem in its lens mount). 

Leica M bodies have a rangefinder base length (meaning the distance from the middle of the viewfinder window to the middle of the rangefinder window) of 69.25mm. Leitz set this in 1954, and all Leica M cameras since then have used 69.25mm. The ZM has a base length of 75mm. Therefore, Leica lenses with auxiliary goggles will not work properly because the goggles will not align with the ZM's windows:

• 35mm ƒ/3.5 Summaron-RF
• 35mm ƒ/2.8 Summaron-RF (6-element design with lanthanum glass)
• 35mm ƒ/2 Summicron-RF (the famous 8-element design)
• 135mm ƒ/2.8 Elmarit

From personal experience, I know that the 50mm ƒ/2 Summicron-DR (dual-range) lens will not mount correctly on the ZM body. That is my favorite 50mm lens. Instead, I can use the Type 4 Summicron.

 

The body of the ZM is about the same width and depth as a Leica M. But the ZM is a bit taller. The film rewind is on the bottom, so the left side of the ZM is smooth. A Pentax MX camera is smaller in all dimensions except for the hump of the prism. 

 

The Pentax MX really is a gem of compact engineering. (I like geeky pictures like this. But, of course, they have little to do with real photography out in the field.)

 

Minor Repair

 

The shutter speed control lost its click detents. I do not know what shutter speeds it set, and I ruined part of a roll of film. Fortunately, the technician at Camera Solutions in Portland, Oregon, was able to repair it. But this was a simple mechanical issue; what about a more major failure, such as the electronic shutter?? 

Film Examples

 

Here are samples from Oregon and western Washington with various lenses. Click any picture to enlarge it.

 

 

Gift store, Newport Beach, Oregon (35mm ƒ/2 Summicron lens)

Post office, Menlo, Washington (5cm ƒ/2 Summitar lens)

House with posters, Naselle, Washington (21mm ƒ/4.5 Zeiss Biogon-C lens)

Attack flamingos guarding the property, Central Street, Olympia (21mm Biogon-C lens)

Graffiti, below Henderson Park Lane, Olympia (21mm Biogon-C lens)

Rail line, Henderson Park Lane (90mm ƒ/4 Elmar-M lens)

Motel, 1st Street, Shelton (50mm ƒ/2 Summicron (Type IV) lens)

Alley off Broadway, Aberdeen (35mm ƒ/4 Summicron lens)

Former Reliable Steel, West Bay Drive NW, Olympia (21mm ƒ/4.5 Zeiss Biogon-C lens)

Zenker Valley Road, Centralia (90mm ƒ/2.5 Leica Summarit lens)

 

Summary

 

This camera is fun. The Zeiss Ikon ZM is easy to use and is lighter than Leica M bodies. All my lenses focus correctly. Even my 1950 Summitar lens performs remarkably well when mounted on this body. The auto exposure system seems foolproof. 

 

Final thought: Highly recommended so long as you can accept the fact that the ZM is an electronically controlled device. It does not seem to be as robust as Leica M film cameras. If the ZM breaks, possibly only Zeiss in Germany will repair it (and at quite a price). 

 

Grunge and Color in Olympia, Washington, Winter 2025-2026 (Oly 29)

Olympia is fun to walk and check for new stores, signs, and graffiti. Fourth and Fifth Avenues are rich with material, if you like grunge and messy American city vibe.

 

Thurston County Food Bank (Oct. 2, 2025, Ektar 100 film, 90mm ƒ/2.5 Elmarit lens)

Some mornings, I eat breakfast at Bread Peddler on Capitol Way N. and then walk home along 4th or 5th Avenues.

Parking lot, Capitol Way at State Ave.

Parking lot, Capitol Way (Feb. 28, 2026, 50mm F/2 Summicron lens)

Thai restaurant, not open yet?

Voyeurs, 404 4th Ave. E. (35mm ƒ/2 Summicron lens)

Vintage clothing, 707 4th Ave. E (35mm ƒ/2 Summicron lens)

Espresso Station, corner of 4th Avenue and Plum Street

More random scenes around town.

The Flamingo House! 503 Central Street.

Surviving wood traditional houses, view south from Legion Way

Alley, Legion Way 314 (35mm ƒ/2 Summicron lens)

Pink restaurant at 430 Legion Way

Gas meters, Olympia Ave, (50mm ƒ/2 Jupiter-8 lens)

I took this photograph with my 1962 Soviet-era ЮПИТЕР-8 lens. It has field curvature and is therefore is more suited to scenes with depth. But I continue to be impressed with how well this Sonnar design works in mid-distance scenes. It is a thread-mount lens, but with a Leica M-LTM adapter, it mounts perfectly on my Zeiss Ikon ZM camera. 

Massage shop, Fir Street

A friend told me that this little building might be a Sears kit home. It definitely resembles some of the Sears houses with the raised attic room on one end. But I checked with SearsHouses.com national database, and one of the curators wrote that Sears did not sell houses this far west. However, there were west coast kit house manufacturers, so who can tell about the origins of this modest little house on Fir Street. 

 

 

Smoke shop, 3730 Pacific Ave., Olympia

When you are done exploring and photographing, where do you go? Why, to Ranch House BBQ on Rte 8 west of Olympia. Brisket, ribs, sauce - for the hidden carnivore inside.

 

 

Ranch House BBQ (Portra 160 film, 50mm F/2 Summicron lens)

 

This ends our winter 2025-2026 random exploring around Olympia. 

I took most of these photographs on Kodak Ektar 100 film using my Zeiss Ikon ZM camera with various lenses. The ZM has a remarkably accurate aperture priority automatic exposure function, especially when the light is soft. Point, focus, click. I will write more about the ZM in the future.

A Jewel in the City: Lake Union, Seattle, Washington (Sea 12)

 

Lake Union in June, 1995, view northeast from the Space Needle (Kodachrome 25 slide)

 

Overview

 

Lake Union is a freshwater lake entirely within the city of Seattle. The lake is a glacial basin, scoured out by the Vashon Glacier about 12,000 years ago. It receives fresh water from Lake Washington to the east and discharges to Puget Sound via the Lake Washington Ship Canal that leads west. The Hiram M. Chittenden Locks (Ballard Locks) maintain the level of Lake Union and allow boat traffic to transit from salt water to fresh water. 

 

Lake Union view NW with Queen Anne Hill to the left.

(2004 panorama taken with Hasselblad XPan panoramic camera with 40mm lens)

Lake Union view west towards Queen Anne Hill

(2004 panorama taken with Hasselblad XPan panoramic camera with 40mm lens)

 

November on Lake Union, view west to Queen Anne Hill

(Kodak Ektar 100 film, 50mm ƒ/2 Summicron lens at ƒ/2.8)

East Side  

 

When I lived in Seattle in the early 1970s, much of the shore around Lake Union was industrial, with shipyards, warehouses, a power plant, and miscellaneous boat activities. Today, the area south of the lake has transformed into condos, hospitals, cafes, and tech worker office buildings. The west shore below Queen Anne Hill has condominiums and restaurants.  

The east side of Lake Union along Fairview Avenue East is still industrial and interesting. Let's concentrate on this area. We will start near the Silver Cloud Hotel and walk north.

Seattle Seaplanes with Queen Anne Hill in the background

Seattle Seaplanes (Kodak Tri-X film, Rolleiflex 3.5E Xenotar)

You can rent a seaplane for a tour. The office is on the old yacht. 

 

Shed (floating?) at 1501 Fairview Ave. E. (Fuji Acros II, 25mm ƒ/4 Snapshot Skopar lens)

Lake Union Drydock Company

It looks like a homeless person occupied this old camper.

Howe and East Blaine Stairs

 

Seattle is hilly. The glaciers left drumlins throughout the Puget lowland. Early in the 20th century and continuing to recently, the City built stairs on the edges of many bluffs and hills. Sometimes, a street stops, and the stairs ascend or descend to the continuation of the street at a different elevation. Seattleites in the know use the stairs for exercise. 

A handy book, SEATTLE STAIRWAY WALKS, An Up-And-Down Guide To City Neighborhoods by Jake & Cathy Jaramillo, lists 25 of the best neighborhood walks in the city. 

If you are exploring east Lake Union, take the Eastlake, North Capital Hill, and Portage Bay walk. You walk under the I-5 pilings and ascend the East Blaine steps. Then you walk to the top of Capital Hill, past magnificent early 20th century mansions, descend to Portage Bay, then reascend and finally descend to Eastlake via the Howe steps. 

 

Underneath I-5 below the Howe steps (25mm ƒ/4 Snapshot Skopar lens)

East Blaine steps at Lakeview Blvd. E., 

Garage on Broadway East (50mm ƒ/2 Summicron lens)

Après Exploring

 

 Exploring the shore and walking 3.2 miles and about 800 steps is tiring. What do you do? Well, of course, you go eat seafood at Duke's Seafood South Lake Union. And drink a pale ale or two. Ahhh...

 

Health food Seattle style

 

The 2004 panoramas are from a Hasselblad XPan camera with 40mm lens. I had rented it at Glazers Camera for a project. I should have kept it longer and taken more panoramas around the city. The 2024 and 2025 photographs are from Rolleiflex, Pentax MX, and Leica M2 cameras with Tri-X and Fuji Acros film.

 

Ai Statement

 

The photographs and text above are mine, complete with flaws and strange syntax. I am not using Ai for any verbage. And all photos are from some place on earth with no Ai manipulation or removal/addition of "features." I consider that intellectual fraud. Here on Urban Decay, you will see the setting with all its warts and excess power lines and trash. I sometimes clean lint and chemical blobs from scans due to processing errors, and, of course, I crop frames as needed. But the scene in the frame is genuine, the photons that fell on some place at some time.

 

Dear Readers, thanks for your support. All comments/criticisms/scorn welcome. 

 

 

 

 

From the Archives: Karachi, Pakistan, 1961-1962

In 1961, my parents and I lived in Karachi, West Pakistan. I added "West" because that was before East and West Pakistan split into two separate countries (Pakistan and Bangladesh). My dad was working for an engineering company that was designing drinking water supply for the Karachi area. 

Karachi was a difficult time for the family. The city was primitive and dirty. Food standards were low. Prices for a western lifestyle were unexpectedly high. My dad rented an apartment, but the price was well above the housing allowance provided by the company. I recall the apartment and yard were OK, but the municipal electricity was sporadic. We could not drink tap water. 

I attended part of third grade at the Karachi American School (it had a different name then). The school is still in business with an international faculty. We sang the Pakistan national anthem every morning.

The expatriate (expat) community was active, and we associated with other Americans and Europeans. As was common among expat communities, we bought furniture and household goods from other foreigners who were leaving for other assignments. That included buying and selling LP records (that seemed to be a big deal, according to my dad's diary). The American ambassador projected movies on a screen on his rooftop. We used to visit our friends, who lived in an adjacent house, and sit on their roof to watch the ambassador's films. The sound was a bit muted, but we could hear. 

Here are some street scenes from the city. Unfortunately, my dad did not label the slide mounts with date or exact location. Please click any picture to see it enlarged.

 

Home 

 

Couch transportation device, Feb. 2, 1962

Moving day, Jan. 22, 1962

The black Chevrolet was a company car. A black car without air conditioning in Karachi? It might have been a bit more convenient than the camel. 

 Unfortunately, I could not find any photos from inside the apartment.  

 

Downtown 

 

Kandawala Building, Bunder Road, Karachi. It housed offices of the US Embassy and US AID.

Professional letter or document writers

I have seen letter writers like this in other countries. For people who could not write or did not have paper or a writing situation where they lived, the professional scribes provided a vital service. 

 

Vital shaving service

Saddar District 

Jahangir Park (possibly) with the Empress Market in the background

 According to the current internet, Jahangir Park is now walled and has dinosaurs in it. 

 

Empress Market, Saddar district

The bustling Empress Market in the Saddar area was built between 1884 and 1889 during the British Raj. I do not remember visiting markets, but I assume we explored. This may have been similar to Scott Market in Rangoon, also a major mrket from the era of the British Raj.  

 

My dad and I liked busy markets like this, my mom less so. But this looks pretty clean, so maybe she would have been reasonably comfortable looking around.  

 

City Outskirts 

 

The outskirts of the city had miles of shanties and huts. Local people, often children, collected camel and cow dung to dry in the sun. They sold these patties for fuel. 

End of the road - somewhere

Sailing boat excursion somewhere on Hawke's Bay

Looking at these slides brought back memories of another time, another life. I would love to go back and explore, but the political and security situation of the 2026 world makes a trip to Karachi unlikely, especially for US citizens.  

My dad took these pictures on Ektachrome slide film with his Leica IIIC camera with 5cm ƒ/2 Summitar lens. I scanned the slides with a Nikon Coolscan 5000ED film scanner controlled by NikonScan 4.03 software. The slides had changed color to red, but the auto color function in Photoshop Elements 2024 did a remarkable job at retrieving some original color. 

 

Karachi and the Indus River valley (from Google Maps)