Background
I like that advice!! I suffered another bout of GAS (Gear Acquisition Syndrome) and ordered a camera I have thought about for some years, the Leica IIIG rangefinder. A sale of Leica goodies at Tamarkin Camera in Chicago was too good to resist. The 'Bay lists tens of IIIGs for sale, mostly from Japan. But the Tamarkin price was a bit lower, and all his camera bodies have been checked, cleaned, and adjusted as needed.
The Leica IIIG
The IIIG is the last iteration of the famous Leica thread-mount camera line. Leica made this beauty from 1957 to 1960, with production of only about 40,000 units. Ernst Leitz GMBH had recovered from the war and was selling their top quality cameras and lenses around the world. Leitz had introduced their fantastic M3 camera in 1954, and the IIIG was their last and most sophisticated version of the older thread mount series. Unlike all the previous III models, the IIIG had a viewfinder with movable frame bars to show the coverage of a 50mm lens. It was a major improvement, although not nearly as sophisticated as the finder in the M cameras.
Framing the scene that a lens will project on the 24×36 mm piece of film is always imprecise with viewfinder cameras. In the past, I have been frustrated with cameras that have a viewfinder only, such as my Vito BL, Kodak Retina IIa, and Leica IIIC. Depending on where I placed my eye, the frame shifted left or right. The projected frame bars in my Leica M2 and my Canonet cameras are a major improvement in aiming more accurately. Therefore, my new IIIG provides this improved function also (see, I just justified GAS).
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| Leica IIIG viewfinder windows including small window to illuminate viewfinder frame bars |
Like the older thread-mount cameras, the IIIG has two shutter speed controls. The dial on the front is for B (bulb) and 1 to 1/30 sec. The dial on the top controls 1/30 to 1/1000 sec. The self-timer is the lever on the front.
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| Immaculate engraving and machining |
The IIIG is somewhat of an anachronism today, being a mechanical camera that takes film and has no light meter. But it is more compact than my M2 camera, has a hand-crafted jewel-like precision, and has a fun factor that today's electronic cameras lack. And film has certainly enjoyed a revival compared to the early 2010s. Whether it lasts, I cannot predict.
Loading contemporary film in current 35mm cassettes requires some preparation. You need to trim the film leader to have a tongue about 10cm long, similar to the way film was supplied in the 1960s. You load the film from the bottom. Lacking a back film door, the body is especially rigid.
I already had three 50mm thread-mount lenses that I used with my 1949 IIIC:
- 1949 5 cm ƒ/2 Leitz Summitar (in the photos above)
- 1962 Soviet 50 mm ƒ/2 Jupiter-8 (a Sonnar type of lens)
- 1950s 50 mm ƒ/1.8 Canon (late production model)
So, of course, too many camera toys....
Note: In 1999, Leica issued their 50mm ƒ/2 modern Summicron lens in a thread-mount version. Hmmm...
Olympic Peninsula, Washington
On a sunny and cheerful April day, my wife and I set out north into the Olympic Peninsula. I mounted my 1949 5 cm ƒ/2 Summitar lens on the body and loaded a roll of Kodak Portra 160. Leitz designed this 7-element lens before the war and continued production until 1953 or 1954. My example is coated and unscratched. I measured light with my Gossen Luna Pro digital meter, set at Exposure Index 100. Here are some examples. Please click any picture to see details.
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| Hunter Farm, Rte 106, Union |
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| Fix me up, Center Road, Quilcene (1/250 ƒ/5.6) |
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| Fixer-upper house, Center Road, Quilcene |
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| Waiting for repair with a bit of fungus, Rte 101, Quilcene |
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| Skeleton man on patrol, Quilcene |
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| Also waiting for repair, Rte 101, Quilcene |
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| Rte 101 bridge over Hamma Hamma River (1/125 ƒ/8.0½) |
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| Motel, Rte 101, Lilliwaup (1/60 ƒ/4.0½) |
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| Country store, Rte 101, Lilliwaup |
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| Oh, oh, no coffee here, Rte 101, Lilliwaup |
Summary
OK, I am thrilled. This IIIG certainly passes the test. The body looks great, the finder is clear and clean, film spacing is even, and exposure is uniform across the frame (meaning the shutter curtains are running smoothly).
The old Summitar lens is contrasty on a bright sunny day. The center of the frame is high resolution. But it has serious field curvature and is not as uniform across the frame as a modern lens. On the scale of internet display, the frames look fine. The entire package is fun to use, with a mechanical watch-like precision.
My recommendation: Buy a Leica thread-mount camera and get back to the basics of film photography! Have fun!
Reading
One of the best reviews of the IIIG camera is by Mike Eckman.
Appendix - Leather Case
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| Genuine E. Leitz case for Leica IIIG with short or collapsing lens |
Tamarkin Camera included a traditional ever-ready ("never-ready") leather case. Such cases were ubiquitous pre-1975 or so, but they fell out of favor with most photographers. I had enormous bulbous leather cases for my Nikkormat and Nikon F cameras in the 1970s.
I stopped using cases for most 35mm cameras years ago. However, the one for my Retina IIa was useful and compact, and the square one for my Rolleiflex 3.5E adds almost no bulk. Despite the criticisms, cases can be handy because you can walk around in a rain and have your camera protected. But the camera remains easily accessible. And, you can toss it into a backpack or the floor of your car, and it will be reasonably padded.
The case above is beautifully made of molded brown leather. And this one still has good stitching. It is a compact model with short lens snout, probably intended for collapsing lenses or a small unit like the 35mm Summaron. My Summitar fits when collapsed.
Leitz also made taller cases that, I assume, were designed to hold the camera and a mounted selenium light meter.
Would this be handy for a bicycle outing? The leather straps are old and need to be replaced for safety, and a light meter will need to be in another pouch or a pocket. Hmmm, something to consider.
