Athens in 1964 with an Instamatic 500 Camera

2024 New Year Note

Dear Readers, welcome to 2024. Thank you all for your support. In the upcoming year, look for a mixture of new material and more treasures (garbage?) from my archives. I also want to scan more of my father's negatives. My New Year's resolution is to sort through much of this old material and purge. 

Resolution 2: Don't buy more cameras. But a friend said he would send me his Mamiya RB67..... 

Resolution 3: Use some of the film in my freezer before buying any more new film. The 120 Panatomic-X is 35 years old. It responds perfectly so far, but its life is finite. 

The Kodak Instamatic 500

Kodak Instamatic 500 camera (photo source unknown)

My dad always took pictures. So when I was in elementary school, I wanted a camera, too. My childhood friend had an Instamatic 100 and, later, the 104 (the 4 meant it could accept flashcubes). 

In the early 1960s, Instamatics and the associated type 126 film cartridge were Eastman Kodak's marketing marvel, an astonishing sales success worldwide. Kodak introduced the one-piece film cartridge in 1963. The cameras were easy to use. Many casual photographers had endless trouble loading 35mm film into a camera, but the one-piece 126 cassette solved that complexity. All a user needed to do was place the plastic film cassette into the camera and close the back. Most Instamatics were simple cameras with a fixed aperture, but some had early-vintage auto exposure. Some even has a hand-wind spring motor to advance the film. 

Kodak sold 126 film until the early 2000s. Their last Instamatic camera was the X-15F in 1988. Mike Eckman has written a detailed summary of the film and its history. He also summarized ways to load  35mm film into recycled or brand new 126 cartridges. 

I did not know anything about cameras, so an Instamatic seemed like the logical path. I saved my allowance and, with help from the parents, requested a Kodak Instamatic 500 camera. A relative bought one in Germany and brought it home to Greece.

From The Bulletin, August 14, 1965

Unlike most of the simple box versions, the 500 let you focus manually and had a built-in Gossen selenium light meter. The 45mm ƒ/2.8 Xenar lens was a modern and coated 4-element Tessar type. Mike Eckman wrote a detailed review of the Instamatic 500 and its history, so I will not try to repeat details here. On Instamatic standards, the 500 was capable of decent negatives or slides.

I did not know what I was doing, but the instruction manual said look at the distance scale and turn the aperture scale until the light meter needle pointer was in the middle of the bar in the viewfinder. Simple even for a youngster. Here are some 1964 examples from Greece. The film was probably Verichrome Pan (which I used and liked in 2021 in 120 format). 

Athens view west from Lycabettus Hill

In the 1960s, Athens was growing furiously. Elegant turn of the century townhouses were being torn down and replaced with rectangle concrete apartment buildings of no architectural merit. Now, some 60 years later, they look like tired nondescript apartment buildings with inadequate elevators, bathrooms, and electrical supply. My 1964 photograph shows the ugly constriction.

Athens view south from Lycabettus Hill

To the south, the scene is about the same. The stadium in the middle is the site of the 1896 Olympic Games revival. The suburb beyond is Nea Smyrni, an area settled by Greek refugees from Anatolia after the disasterous 1923 war and the subsequent exchange of populations between Greece and Turkey (i.e., forced ethnic cleansing).  

Athens view east

This is the view towards Mount Hymmetus. Today, the urban sprawl extends a lot further up the slopes.  The American Embassy is the modern white building with columns in the center just beyond the green slope. Bauhaus architect Walter Gropius designed the chancery building, which was completed in 1961. I recall when you could drive right up to the building and enter the basement garage. Now, it is surrounded by tall walls and the sidewalks have truck bomb concrete barriers. The concrete ramp in the foreground is part of the ramp for a funicular. 

S.S. Hanseatic in Piraeus

A trip to see ships in Piraeus was always a treat. This was the S.S. Hanseatic of the Hamburg-Atlantic Line. Built in 1930, this was formerly the Empress of Scotland steamship. The Hamburg-Atlantic Line bought it and extensively rebuilt it, replacing her three funnels with two modern style funnels. Note the open lifeboats, a deadly way to save passengers in case of an evacuation on the open Atlantic ocean. In 1964, passengers still crossed The Atlantic via ocean liner, but the Boeing 707 airliner was in the process of crushing the traditional cross-ocean passenger ship business. 

Unknown sports car near Mount Pendeli

Update: a reader from Germany wrote that this sports car is an Auto Union 1000 Sp roadster (3 cylinders, two-stroke, front wheel drive).

Picnic somewhere near Mount Pendeli

Family friends invited me to a picnic. The stove with all the smoke was a clever Israeli folding camp stove that burned crushed newspaper. I do not know if it could handle the heat of wood or charcoal. Sitting on the rocky soil on newspaper does not look too comfortable. 

My mom and two cousins somewhere near the sea

A typical Sunday outing was to go to a taverna by the sea and eat. The adults hung about and talked, while the children were bored and ran around. Note the poofy hair in classic 1964 style.

Sitting around at a taverna

Yes indeed, here are the adults sitting around at the taverna. The kid looks bored. Don't forget the high-heeled shoes for the Sunday casual outing.

This ends out short look back at 1964 through a Kodak Instamatic 500 camera. As you can see, for internet display, the quality is quite acceptable. I could not find any companies that sell new 126 film, but some adapter kits exist to reload perforated 135 film into 126 cartridges. The Film Photography Project may be trying to reintroduce 126, but I have not kept up with their progress. 

I used my 500 for about 5 years and then progressed to a Nikkormat FTn camera in December of 1968. This was a much more sophisticated camera and used the dreaded "complicated" 135 cartridges. The Instamatic stayed in a drawer until a friend borrowed it to use while rock climbing. It disappeared at some stage, but I did not plan to use it again. If you have an Instamatic at home, buy a reloaded 126 cassette and test it - have some 1960s fun.

Kodak Plus-X, Another Expired Film Treasure (Abandoned Films 10)

 

Oh oh, trouble. I experimented with another famous discontinued film. I had not used Kodak Plus-X since the 1980s or maybe the 1990s. My photography friend, Jim Grey, sent me two rolls and said go forth and photograph. How could I resist! I loaded the first roll in my Pentax Spotmatic F and rated it at exposure index (EI) = 100. 

Kodak's Plus-X was a staple of black and white photography in the USA for decades during the mid-20th century (1954-2011). Kodak finally replaced it with TMax 100. Kodak claimed TMax 100 would do everything that Plus-X could and could also replace their famous Panatomic-X film. Well, maybe. But many old-time photographers mourned the loss of the traditional cubic grain films and turned to Ilford for its FP4 Plus and Pan F films. But let us drop that controversy for now.  

Here are some Plus-X examples from around Vicksburg, Mississippi. I used my new/old Pentax Spotmatic F camera (see my previous article).

Former gas station/store on Warrenton Road (28mm ƒ/3.5 SMC Takumar lens)

Monroe Street view south (135mm ƒ/3.5 lens)

Green Street (55mm ƒ/1.8 SMC lens, yellow filter)

Rough apartment on Bowmar Avenue (55mm ƒ/1.8 SMC lens, yellow filter)

Washington Street view south (55mm ƒ/1.8 SMC Takumar lens)

Furniture in the woods, Johnson Street

Unfortunately, this is a common disposal method for old furniture here. It's a shame, because River City Rescue will pick up old items and sell them at their store.

728 Johnson Street (no longer extant)

This was a basic 1950s or 1960s house clad with asbestos siding. I opened the door, and a homeless fellow was sleeping inside.

733 Johnson Street (no longer extant)

Many early 20th century houses in Vicksburg were built on steep hillsides. The roads ran along the top of the ridges, and cottages had their front doors at street level. The backs were perched over the slope, supported by wood posts. These lots can not be redeveloped once the house is condemned and torn down. This results in Vicksburg becoming less densely developed over time. But yet the city still needs to maintain roads and utilities. Therefore, maintenance remain high but is supported by fewer properties that generate property tax revenue. 

Delta, Louisiana, from the road on the main stem Mississippi River levee. 35mm ƒ/3.5 Super-Takumar lens, yellow filter.

Summary. Plus-X was a refined traditional cubic-grain film. Fuji Acros, my normal 100 film, looks different and is finer grain. But I would not hesitate to use Plus-X if I wanted a mid-speed emulsion. I wish it were still available fresh. Ilford's FP-4, which is current, is probably similar to Plus-X. I last used FP-4 in the 1980s and need to try it again.  

Appendix

This is a 1948 (I think) Kodak data chart for three of their popular 35mm black and white films. At that time, Kodak rated Plus-X with and exposure index of 50. Later (in the 1960s?), when the ASA standard became the normal method of rating film speeds, most films abruptly doubled their exposure index. This  looked convenient, but many old-time photographers continued to give their film extra exposure to ensure that there would be image information in deep shadows. 

In the Olympics with a Film Treasure: Kodak Gold 100 (Abandoned Films 07b)

Years ago, you could buy Kodak's Gold 100 color negative film almost everywhere. When I needed a color film that always produced excellent prints, Gold 100 was my usual choice. For the ultimate resolution in 35mm, I used the famous Kodak Ektar 25 (also long discontinued), but the 100 was more versatile and easier to use. Late in its life, Kodak relabeled it as Bright Sun 100, but I think it was the same Gold 100. 

As long-term readers know, I have a weakness in experimenting with older films. With some checking on eBay, I found a 4-pack of Bright Sun/Gold 100 (both names on the same package - not confusing at all) that expired in 2004, near the end of production for this film. The seller claimed it had been in room temperature all its life. It was certainly worth an experiment.

Here are some examples from the Olympic Peninsula in the grand Pacific Northwest. During my July trip there, I loaded a roll in my little Voigtländer Vito BL camera with its remarkably capable 50mm ƒ/3.5 Color Skopar lens and took snapshots. Please click any picture to expand.

Wishkah Blue Artists Studio, Hoquiam, Washington 

I photographed the little studio in 2022. This year, it looked a bit more forlorn. I am not sure how active it is.

Waiting to get moving, Hwy 101, Humptuips

Pizza Grill, Route 101, Lake Quinault

Lake Quinault is a gorgeous elongated lake in the west edge of the Olympic Mountains. I photographed the old Kestner-Quigley homestead farm near the lake in 2022. 

Sunsets West Co-op, Clallam Bay (with polarizing filter)

We stopped here en route to Neah Bay and bought some nuts and dried fruits. The food options in the far northwest of the Olympic Peninsula are rather limited.

Fixer-upper house, Woodland Avenue, Neah Bay

Tall house, Bay View Drive, Neah Bay

Red house, Bay View Drive, Neah Bay

Native Grounds and breakfast stop, Neah Bay

We stayed two nights in Neah Bay. It is a quiet little town on the Makah Reservation in Clallam County. From town, it is a short drive to Cape Flattery, the furthest point west on continental USA (excluding, of course, the Hawaiian Islands and Alaska, where Sarah Palin* could see Russia). At Cape Flattery, we saw some new birds for us, the Pigeon guillemot and Pelagic cormorant. And in town, we saw the Glaucous-winged gull. 

The Gold 100 experiment was a success. It is probably lower contrast than when new. I definitely like this version better than the new Gold 200, which is too grainy for my tastes. The 100 looks similar in resolution to the contemporary Portra 160, which I will probably use in the future once my 3 remaining rolls of Gold 100 run out. Maybe Kodak can reintroduce it (we can hope). My little Vito BL camera, with its 50mm ƒ/3.5 Color-Skopar lens, performed well, as usual. 

In the future, I will post a series of Gold 100 frames from the 1990s in New York City. Stand by.

* Sarah Palin was a former Alaska governor. She was a genuine ding-a-ling and doomed John McCain's presidential hopes. How does the R party generate these brash goofballs and then champion them? Is it a political death wish?

Another Look at the Fifth Ward, Houston (TX 12)

 

Fifth Ward

The Fifth Ward is one of Houston's former former political wards. They are no longer political entities, but people still think of them as geographic places. They include historic neighborhoods, and some blocks in other wards have been renovated. The Fifth Ward is rather rough; I posted black and white pictures in an earlier Houston post (please click the link).

 

Mary Street (alley) view north (35mm ƒ/3.5 Supar-Takumar lens)

Former school and recycling company (out of business?), Semmes Street

This molded concrete building, which I am sure was originally a school, resembled the aesthetic of the unused Culkin Elementary School in Vicksburg. I do not know details, but this type of construction appears to have been common during the New Deal era for schools and possibly other public buildings.

Noble Street

Restored shotgun house, Semmes street

2318 Hailey Street

Poison ivy farm, Semmes Street

No services today, 2623 Estex Freeway

A rainy/drizzly day made the Fifth Ward a bit gloomy and ominous. It was perfect for my type of photography. But I did not take my wife to some of the the rougher blocks. 

Follow-Up

After a few hours photographing in the Fifth Ward, what next? 

Flash Drive mobile photography education unit

The Houston Center for Photography at 1441 West Alabama has interesting exhibits and an active education program. Their Flash Drive, housed in a repurposed ambulance, is a working camera obscura.

How about some jazz at the Menil Collection Museum? This was a concert in commemoration of the famous museum curator, Walter Hopps. The estate of Walter Hopps at the Menil included original silver gelatin prints (i.e., real photographs) from William Eggleston, Eugene Atget, Robert Frank, Allan Ginsberg (the beat generation denizen), Henri Cartier-Bresson, Walker Evans, Dennis Hopper, and W. Eugene Smith. Amazing, what a treat.

The Menil does not have the vibe of a Mississippi juke joint - it is more oriented to the wine and canapés set.

Niko Niko's on Montrose

After a long day, one is tired and hungry. Where to eat? Why that is obvious. Find Greek. There are Greeks in Houston! And they make delicious food and baklava big enough for two. And they have Retsina. Ahh, contentment.... 

(I could handle living in Houston again - but we did that in the 1980s, so not again.)

I took the Firth Ward photographs with Kodak Portra 160 film using a venerable Pentax Spotmatic camera and Takumar lenses. Pentax's Takumar lenses were top grade in the 1970s and are still totally usable on film or adapted to digital bodies. The Spotmatic's light meter works in stop-down mode, meaning the viewfinder darkens as you stop down. For best results, be careful to avoid large areas of bright sky in the measuring area. I still have the correct mercury (mercuric oxide) V400PX batteries for the meter. The camera and lenses are reliable and compact, well-suited for travel. 

Copyright note:

I recently saw some photographs from this blog reposted on Flickr and Pinterest. Some anus lifted them them without my permission. I'm sorry I need to note something as basic as this: these are copyrighted. Ask permission if you want to use some of this material.

Panoramas on the Dixie Overland Highway - Mound, Tallulah, and Delhi (XPan 04)

As I wrote in the previous article, a generous friend loaned me his fabulous Hasselblad XPan panoramic camera. You may recall that I wrote about using an XPan in western Washington and Seattle during 2004, when I worked there for a few months. 

This offer was much too kind to resist. Loading a roll of Kodak Tri-X 400 film, I crossed the Mississippi River bridge to Louisiana and drove west on historic US 80, once known as the Dixie Overland Highway. I have photographed in Mound and Tallulah before with regular cameras, but the area offers topics for a wide view. Please click any picture to enlarge it. Unenlarged, they look like skinny sideways pictures, especially on a mobile phone.  (An aside: one day I plan to follow the former route of the Dixie Overland all the way to San Diego.)

Delta

Mount Zion BC Church, near Delta, Louisiana (45mm lens, med. yellow filter)

Tallulah

Tallulah is a bit beat-up. I have photographed there over the years and sometimes bicycle through town if I bike the loop on LA 602 and US 80. 

No shopping here, West Green Street (US 80), Tallulah (45mm, med. yellow filter)

No shopping here, either, West Green Street

Waiting for a load, West Green at Fourth Street (45mm at ƒ/8, yellow filter)

Fixer-upper house west of Tallulah, US 80

Willow Bayou Rice & Grain, west of Tallulah, US 80

Delhi

Delhi (Del'-high) is an agricultural town west of Tallulah on US 80 (no, not the Delhi in India - I have been there, too). It looks a bit more prosperous than Tallulah, and the downtown strip has some stores and restaurants.

Mooney's Auto Sales & Repairs, First Street (US 80) at Rundell Street, Delhi

No more pumping, Delhi Water Works

The Air Man of Delhi, First Street (US 80)

I took these photographs on Kodak Tri-X 400 film exposed at EI=320. Northeast Photographic in Bath, Maine, developed the film. Because the frames are 68mm wide, I scanned them in two pieces of 36mm with my Plustek 7600i film scanner and merged them with the Photomerge function in Photoshop CS5. The Tri-X is a bit grainy and does not let these lenses show their true potential.

Thanks, Bill, for letting me use your XPan!

Standby for more Xpan photographs in the future, including examples in color.