Heading West Through Texas, October 2023

We were in a hurry heading west. It had been stressful to escape Houston via US290, but at least we could use the HOV lanes. As dusk approached, we passed through Somerville, a town about half way between Houston and Austin. I saw a large BNSF rail yard and had to stop and take a frame or two in the gloomy dusk light. 

The view west, Somerville, Texas (Fuji Acros film, 135mm ƒ/3.5 SMC Takumar lens hand-held)

A day later, we were still driving west through Texas. Wow, what a large state. Long-term readers may remember that in November of 2022, we drove to the Rio Grande Valley. That took two days, also. 

Lockwood Street, Tahoka, Texas (55mm ƒ/1.8 SMC Takumar lens)

Drizzle was falling, and we need to take a stretch break. As I recall, there was no coffee shop in Tahoka. 

Sorry, I could not resist, a gaudy phone pic. of a former gas station with a cover to keep off the rain. 

This was a frustrating trip. I wanted to spend at least two weeks on the trip and do some creative photography, but we had to rush to Olympia to meet the moving truck. One of us should have flown to Olympia and then returned to some airport en route to continue a more leisurely drive. Texas offers a lot of interesting photo subject matter, even in small towns like the examples above. It has been fun exploring Texas. But will I ever return to the great open expanses? 

Please type "Texas" in the search box to see previous articles. 

I took the black and white frames on Fuji Acros film with my Pentax Spotmatic F camera and 55mm and 135mm lenses.

Kodak Plus-X, Another Expired Film Treasure (Abandoned Films 10)

 

Oh oh, trouble. I experimented with another famous discontinued film. I had not used Kodak Plus-X since the 1980s or maybe the 1990s. My photography friend, Jim Grey, sent me two rolls and said go forth and photograph. How could I resist! I loaded the first roll in my Pentax Spotmatic F and rated it at exposure index (EI) = 100. 

Kodak's Plus-X was a staple of black and white photography in the USA for decades during the mid-20th century (1954-2011). Kodak finally replaced it with TMax 100. Kodak claimed TMax 100 would do everything that Plus-X could and could also replace their famous Panatomic-X film. Well, maybe. But many old-time photographers mourned the loss of the traditional cubic grain films and turned to Ilford for its FP4 Plus and Pan F films. But let us drop that controversy for now.  

Here are some Plus-X examples from around Vicksburg, Mississippi. I used my new/old Pentax Spotmatic F camera (see my previous article).

Former gas station/store on Warrenton Road (28mm ƒ/3.5 SMC Takumar lens)

Monroe Street view south (135mm ƒ/3.5 lens)

Green Street (55mm ƒ/1.8 SMC Takumar lens, yellow filter)

Rough apartment on Bowmar Avenue (55mm ƒ/1.8 SMC Takumar, yellow filter)

Washington Street view south (55mm ƒ/1.8 SMC Takumar lens)

Furniture in the woods, Johnson Street

Unfortunately, this is a common disposal method for old furniture here. It's a shame because River City Rescue will pick up old items and sell them at their store.

728 Johnson Street (no longer extant)

This was a basic 1950s or 1960s house clad with asbestos siding. I opened the door, and a homeless fellow was sleeping inside.

733 Johnson Street (no longer extant)

Many early 20th century houses in Vicksburg were built on steep hillsides. The roads ran along the top of the ridges, and cottages had their front doors at street level. The backs were perched over the slope, supported by wood posts. These lots can not be redeveloped once the house is condemned and torn down. This results in Vicksburg becoming less densely developed over time. But yet the city still needs to maintain roads and utilities. Therefore, maintenance remain high but is supported by fewer properties that generate property tax revenue. 

Delta, Louisiana, from the road on the main stem Mississippi River levee. 35mm ƒ/3.5 Super-Takumar lens, yellow filter.

Summary. Plus-X was a refined traditional cubic-grain film. Fuji Acros, my normal 100 film, looks different and is finer grain. But I would not hesitate to use Plus-X if I wanted a mid-speed emulsion. I wish it were still available fresh. Ilford's FP-4, which is current, is probably similar to Plus-X. I last used FP-4 in the 1980s and need to use it again.  

Appendix

This is a 1948 (I think) Kodak data chart for three of their popular 35mm black and white films. At that time, Kodak rated Plus-X with and exposure index of 50. Later (in the 1960s?), when the ASA standard became the normal method of rating film speeds, most films abruptly doubled their exposure index. This  looked convenient, but many old-time photographers continued to give their film extra exposure to ensure that there would be image information in deep shadows. 

Steel Lustron Houses in Indiana - Guest photographs by Jim Grey

My Indiana friend, Jim Grey, writes Down the Road, an interesting blog on photography and philosophical topics. He explores the byroads and historical neighborhoods of Indiana. When he saw my September article on the Lustron houses in Jackson and Albany, he said he knew of some examples in Indiana and generously took some photographs for me. The houses below are from the Broad Ripple neighborhood of Indianapolis.

Jim took these photographs on Kodak TMax 100 film using a trusty Pentax Spotmatic II camera and the 50mm ƒ/1.4 Super-Multi-Coated Takumar lens (one of the legendary lenses from the 1970s).

1908 Kessler Boulevard East Drive

2079 Broad Ripple Avenue

5638 Indianola Avenue

6466 Central Avenue

Oops, this roof looks like a major tree limb crashed down on it. Do any replacement steel roof tiles exist?

6435 Riverview Drive

6321 Central Avenue

6212 Central Avenue

Thanks for the photographs Jim! Jim wrote his own article on the Broad Ripple Lustron homes in his blog, Down the Road. 

And as a final treat, an advertising photograph from the heyday of the Lustron era.

Wow, the curtains match the easy chair!! Love the jade green chair. I recall my mom had a dress that looked like that in the late-1950s.

The Mississippi Delta 35: Belzoni

Belzoni is the county seat for Humphreys County, Mississippi. According to Wikipedia, the town was named for Giovanni Battista Belzoni, a 19th-century Italian archaeologist and explorer. How did he end up in the Mississippi Delta? In the 1970s, Belzoni was known as the Catfish Capital of the United States for having a greater percentage of acreage used for catfish production than any other county. I do not know if this is still true, but the city does play up the catfish heritage with statues of smiling catfish at various street corners.

Former catfish factory, Hwy US 49E, Belzoni (Kodak TMax 100 film, Pentax Spotmatic camera, 35mm ƒ/3.5 Super-Takumar lens)

Former catfish packing factory, US 49E (Fuji Acros film, Leica IIIC, 5 cm ƒ/2 Summitar lens, yellow filter)

Sadly, the big catfish packing plant has been closed for many years. Many jobs must have been lost when it shut.

Farmers' Grain Terminal (Panatomic-X film, Fuji GW690II camera, 90mm ƒ/3.5 lens, yellow filter)

Approaching Belzoni from the south on US 49E, the very impressive Farmers' Grain Terminal complex at 509 Silver City Road dominates the skyline. At some time, these circles were covered with a huge cloth tent and contained corn.

Silver City Rd., Belzoni (Fuji Acros film, Leica IIIC, 5cm ƒ/2 Summitar lens, yellow filter)

Silver City Rd., Belzoni (Panatomic-X film, Fuji GW690II camera, 90mm ƒ/3.5 lens, yellow filter)

Silver City Rd. (Tmax 100 film, Pentax Spotmatic, 35mm ƒ/3.5 Super-Takumar lens)

Unused gin, Silver City Road, Belzoni (Tmax 100 film, 35mm ƒ/3.5 Super-Takumar lens)

Tamale store (Fuji X-E1 digital file)

Head further into town on Silver City Road and you pass miscellaneous housing, old stores, a closed gin, and an unused silo complex.

W. Jackson St., Belzoni (Fuji Acros film, Leica IIIC, 5cm ƒ/2 Summitar lens, yellow filter)

Liquor store on W. Jackson St. (Fuji Acros film, Leica IIIC, 5cm ƒ/2 Summitar lens, yellow filter)

E. Jackson St., Belzoni (Fuji Acros film, Leica IIIC, 5cm ƒ/2 Summitar lens, yellow filter)

Jackson Street runs E-W through town and may be the traditional "main drag."

Western Auto, East Jackson Street (Moto G5 digital file)

I was pleased that many of the shops are open and conducting some sort of business. There is even a Western Auto still open. I have not seen a Western Auto in a least a decade. According to Wikipedia,

Western Auto Supply Company—known more widely as Western Auto—was a specialty retail chain of stores that supplied automobile parts and accessories. It operated approximately 1200 stores across the United States. It was started in 1909 in Kansas City, Missouri, by George Pepperdine and Don Abnor Davis. Pepperdine later founded Pepperdine University. Western Auto was bought by Beneficial Corporation in 1961; Western Auto's management led a leveraged buyout in 1985, leading three years later to a sale to Sears. Sears sold most of the company to Advance Auto Parts in 1998, and by 2003, the resulting merger had led to the end of the Western Auto brand and its product distribution network.

One of the founders also founded Pepperdine University? Impressive.

Renee's Beauty Supply, 120 E. Jackson St., Belzoni (Tmax 100 film, Pentax Spotmatic, 35mm ƒ/3.5 Super-Takumar lens)

The charming proprietor of Renee's Beauty Supply generously let me take a picture of the healthy beauties outside of her store. I was glad to see on my 2020 visit that Renee's is still open and operating, despite the slowdown from the virus.

Crescent Theater, Hayden Street, Belzoni

The Cresent Theatre on Hayden Street is closed and may be for sale. I was surprised to find a photograph in the Library of Congress archives taken in 1939 by Marion Post Wolcott of the very same side stairway on the Crescent. In the segregated era, it was common for African American patrons to be seated in the balcony. Notice the sign on the narrow door that states "White Men Only."

Segregated movie house, October 1939, by Marion Post Wolcott (Image from the United States Library of Congress Prints and photographs division, digital ID ppmsca.12888)

This has been our short tour of Belzoni, Mississippi. It is an interesting place and worth a visit if you are in the central Mississippi Delta. Thank you for coming along this short trip.

Expired Film Treasure: 135-size Kodak Panatomic-X (Abandoned Films 05)

Introduction

Oh, oh, trouble. A fellow on eBay advertised a brick of Kodak Panatomic-X film in 135 size (for regular 35mm cameras) that he said had been frozen. Long-term readers know that I have been using my dwindling stash of 120-size Panatomic-X for the last few years with great success (please click the link). Many photographers on the web claim to miss it. And now I could try some of this classic film in my 35mm cameras? This was too good to resist; I bought six rolls and loaded a camera. 

Eastman Kodak introduced Panatomic in 1933. It was designed to be an extremely fine grain film, which meant it could be enlarged for large prints and still retain details. The early version was on nitrate base, but around 1937, Kodak reformulated it on safety base, renaming it Panatomic-X. Sadly, Kodak discontinued this well-loved product around 1988 or 1989, claiming that TMax 100 could serve as a substitute. Maybe this is true, but many photographers regretted the loss of the older film. Used with top-grade lenses and careful technique (that means a tripod), the detail in a Panatomic-X negative is remarkable, even in this age of high-megapixel digital cameras.

There is always a risk with using expired film, but slow speed black and white emulsions usually age well with minimal fog problems. If the films have been refrigerated or frozen, they typically are completely usable. Long-term readers may recall that I had great results with 1960s GAF Verapan film packs that had been frozen for 50 years. Color film is much more susceptible to color shifts and other issues, but if you find some old black and white film, by all means try it.

Here are scenes from in and around Vicksburg, Mississippi, from my new/old Panatomic-X film. Judge for yourself if you like the look or tonality. I resized to 1600 pixels on the long dimension. Click a picture to enlarge it. Please comment if you have some observations.

Levee Street

Former cotton compress, Levee Street (35mm ƒ/3.5 Super-Takumar lens, yellow filter, ¼ ƒ/11.5, overcast with drizzle)

Former tank farm, Levee Street (28mm ƒ/3.5 SMC Takumar lens, yellow-green filter, ⅛ ƒ/8)

Tugs on Yazoo Canal (28mm ƒ/3.5 SMC Takumar lens, yellow-green filter, ⅛ ƒ/8)

Levee Street has remnants of Vicksburg's industrial infrastructure. There is a lot of barge traffic on the Yazoo Canal. The old tank farm in the photograph above has been unused for at least three decades, but in late 2020 I saw that one of the tanks had been removed and the piping had been cleaned and painted. These photographs are from an overcast day with occasional drizzle.

KCS rail yard, Levee St. (Leica IIIC, 50mm ƒ/2 Jupiter-8 lens, yellow filter, 1/20 ƒ/11)

Second Street

This stucco-clad house on the corner of Second and National Streets has been uninhabited for three decades, but it is not abandoned. Someone painted the exterior not long ago. A neighbor came over when I was photographing and said the sheriff pays him to mow the grass. The old Plymouth and pickup truck have been in the carport for decades. Status: unknown.

Yazoo Street

Yazoo Street (35mm ƒ/3.5 Super-Takumar lens, 1/30 ƒ/4.0, hand-held)

Yazoo Street runs south from Army-Navy Drive past the City workshops and dead ends almost under the North Frontage Road bridge. Decades ago, you could see more houses in this quiet corner of town, but now only this one house remains. The air was misty, accounting for the glow in the tree canopy.

Clay Street

Adolph Rose Antiques, 717 Clay Street (Leica M2, 35mm ƒ/2 Summicron lens, 1 sec. exposure)

Thank you, Malcolm and Karen, for letting me take some photographs in the interesting Adolph Rose Antiques. 

Lot behind 1220 Washington Street (Leica M2, 25mm ƒ/4 Color-Skopar lens, ¼ sec. ƒ/8.0½)

Lower Clay Street, near the Yazoo Canal, was once lined with commercial buildings and warehouses. A few still exist. Just west of Washington Street, an alley gives access to the back lots of some of the old commercial buildings. 

Washington Street

 

2016 Washington Street (35 mm ƒ/2 Summicron lens, yellow filter, 1/125 ƒ/2.8½)

This forlorn building is one of the few commercial buildings remaining just south of downtown. Notice the brickwork on the right unit, evidence of fine construction a century ago. 

Rifle Range Road

Abandoned (or forgotten) timber rail cars (55mm ƒ/1.8 Super-Takumar lens)

These rail cars are parked on the tracks next to Halcros Chemical, just south of Rifle Range Road. Status: unknown.

US 61 South

Church, 3922 US 61 South, Vicksburg (Leica 50mm Summicron-DR lens, yellow-green filter)

Natchez

C&M Crawfish, US 98, Natchez (25mm ƒ/4 Color-Skopar lens)

This is another former gas station on US 98 a few miles northeast of Natchez. I liked the light shining on the cracked driveway. 

Jackson

Pump house at Mississippi River Basin Model, Buddy Butts Park, Jackson (25mm ƒ/4 Color-Skopar lens)

This is a pump house at the US Army Corps of Engineers' Mississippi River Basin Model, the largest hydraulic model of a watershed ever built. The site has been neglected for decades and is finally being cleaned by the Friends of the Mississippi River Basin Model non-profit organization. I have written about the model many times; please use the search button to find older posts.

Conclusions

This is another pleasant surprise! This long-expired Panatomic-X film appears to be totally viable. 

I cannot recommend one way or the other if you should seek out rolls of Panatomic-X. But if you find a stash in a relative's house or closet, go for it. I suggest you expose it at EI=20, making this largely a tripod film. It certainly is not as convenient to use as Fuji Acros or Kodak TMax 100, but the Panatomic-X has a different look (Sorry, I cannot describe it any differently). 

This is another example of the sophistication and precision of photographic film manufacture that was achieved more than a half century ago. Don't let anyone tell you that film is primitive or obsolete. 

My friend, Mike, from Photography & Vintage Film Cameras in Albuquerque shot one of these rolls and also got excellent results. Click the link for his interesting blog.

This is no. 5 of my irregular series on Abandoned Films ("Films from the Dead").