Industrial archaeology: Redstone Quarry, North Conway, NH (2003 with film)

Flooded quarry pit

Background

New Hampshire is known as the "Granite State," and for good reason. Granite outcrops are found throughout the state, as well as the adjoining states of Maine and Vermont. In the past, numerous quarries mined the hard and durable stone, sending the products throughout the northeast United States. Redstone Quarry in North Conway (formerly its own town of Redstone) operated from the mid-1800s until 1948. It featured both pink and green granite at one site, which is unusual. For many years, the Boston and Maine Railroad owned the quarry. The railroad used finished stone for train stations, while rubble and waste product served as track bedding. The quarry sent columns and finished blocks to Boston and other cities.

Panatomic-X film

I previously wrote about Redstone in 2012. That time, I posted digital images from autumn 2012. Oddly, that has been one of my most accessed blog posts. It was time to retrieve my older film negatives and present them here. I took these photographs in June of 2003, exposing Kodak Panatomic-X film in my Rolleiflex 3.5E with a 75mm ƒ/3.5 Xenotar lens, all tripod-mounted. I also used another Rolleiflex with Kodak Ektar 25 color film. My North Conway friend loaned me a tripod. It was a stifling summer day, and I noted in my field book that the temperature was 35° C. In my opinion, these black and white film frames are more powerful than the 2012 digital images.

This is one of the few wood buildings still on the site. It may be a former dormitory for quarry workers.

These two frames are from the old forge. I read that early in the 20th century, the cutting tools needed sharpening and re-tempering constantly. The forge-master was a busy fellow. Tungsten steel and other specialty metals would have reduced the need for sharpening, but those improvements came late in the history of this quarry.

This was the face of the larger rock lathe. This machine would have been used to turn stone columns  of the type used on banks or other major buildings in cities. The roof was open to allow a hoist to position a piece of stone in the right position before being attached to the lathe. Consider that this lathe could support tens of tons of rock. The lower picture is a close-up with the help of a Rolleinar close-up diopter.

This was part of a smaller rock lathe. The men who operated these lathes were true craftsmen, but they died at young ages because of silicosis (lung disease).

More machinery of unknown purpose.

Here is the pulley at the main pit (see the first photograph). I am amazed that some of the booms are still standing and supported by these rusting steel cables.

Ektar 25 film

I also took pictures with Kodak Ektar 25 film the same day. This was one of the finest-grain color negative films ever marketed. I liked it for technical work like this. It required the best lenses and methodical technique.

This is the same pulley at the edge of the main pit. The color film shows how the pulley has rusted.

 This is the forge that I showed above.

Face of small lathe

Finally, this is the building that may have been a dormitory for quarry workers.

These are the last of my Redstone Quarry photographs. Click any frame to see it in more detail. Someday I would like to return to the site. Thank you Peter and Holly for hosting me during this trip.

Kodak Panatomic-X: the Best Black and White Film*

Introduction

This is the first of an irregular series of posts on discontinued film types ("Films from the Dead").

Bad news, there is only one brick of 120-size Kodak Panatomic-X film left in my freezer. So it goes - all good things must eventually end. I bought several bricks in the late-1990s from an eBay seller in California. As promised, they were in perfect condition. I was unaware when Kodak discontinued the product and therefore did not buy any stock at that time. The fellow in California was a lot smarter than I was. 

*Note: My title needs to be qualified. Panatomic-X might have been the best fine-grain black and white film, but the old standby, Kodak Tri-X, is superb when you need faster speed and do not need as fine grain. Film users have other favorites, such as TMax 100, Ilford Delta 100, or Fuji Acros.

120-size box from 1961, courtesy of Pacific Rim Camera

1951 box for 828 size Panatomic-X, courtesy of Pacific Rim Camera

1937 box for 3¼×4¼" pack film, courtesy of Pacific Rim Camera

Eastman Kodak Company introduced Panatomic in 1933 and discontinued it in 1987. The earliest version of Panatomic (not X) was on nitrate base, but the X version was on safety base, probably around 1937. Kodak packaged it in roll film sizes 117, 616, 620, 120, 127, 135 (standard metal cassettes), and 828 as well as in several film pack sizes. 

It was designed to be an extremely fine grain film, which meant it could be enlarged for large prints and still retain details. This was of value to architectural, fine-art, and aerial photographers. Some 5- inch and 9-inch aerial photography film was a version of Panatomic-X known as AERECON II). 

Kodak reformulated the film during its five-decade existence, and my late production was different than the original. My 1980s version in 120 size was rated at ISO 32, but I shoot it at 20 or 25 and develop it in Agfa Rodinal at 1:50 dilution. Agfa's Rodinal is a developer that retains the grain structure and therefore looks "sharp" (i.e., it does not have solvent action to partly dissolve the edges of the grain clumps). Used with good lenses and careful technique (that means a tripod), the detail in a Panatomic-X negative is astonishing, even in this age of 36-megapixel digital cameras.

From the Archives

This is a photograph that my dad took somewhere in Burma on the Irrawaddy River. He used early Panatomic-X with his Leica IIIC rangefinder camera (still in operation).

1980s and 1990s Examples

These are 1982 examples from a farm in Clifton, Virginia. I had just bought a Rolleiflex 3.5E twin-lens reflex camera and was experimenting with different films. I wanted fine grain for architecture, and Panatomic-X was still in production. After experimenting, I settled on shooting it at EI (exposure index) 25 and developing it in Rodinal 1:50. I also experimented with Agfapan 25 but could never get the contrast right (but that was my error - Agfapan was a fine film).

My new 1959-vintage Rolleiflex 3.5E with 5-element 75mm ƒ/3.5 Schneider Xenotar lens

This is my present Rolleiflex 3.5E camera. It is similar to the one I used in the 1980s, which I should have never sold. The earlier one had a selenium light meter in the slot below the word "Rolleiflex." But my new one has better resolution; everything in its production chain worked out just right. In the 1950s and early 1960s, the factory tested every Rolleiflex camera with film before releasing the unit for sale. If there were any issues, the camera went back for adjustment or installation of new lenses. Rollei precisely matched the taking and viewing lenses in focal length.

Residence room in the Junius Ward YMCA, Clay Street, Vicksburg, Mississippi, early 1990

Panatomic-X film was excellent for detailed photography in old buildings, but you needed a tripod to support the camera for long exposures. In this example, I found an old chair in the hall and placed the camera on it. The Rolleiflex is suited for this work because it does not have a moving mirror and is therefore vibration-free.

Cemetery in Kalavrita, Greece, 1998, Leica M2 35mm camera.

I occasionally used Panatomic-X in 35mm cameras. This is an example from Kalavrita, a town in the Peloponnese of southern Greece. I should have used the 135 size film more often. (Update: Click the link for my 2021 article on 135-size Panatomic-X.)

2000s Examples

Shotgun houses in Grayson Court, Jackson, Mississippi, 2004

Grayson Court in Jackson was an old-fashioned alley with shotgun houses facing the common road. It has been torn down although the property owner did some renovating in the early 2000s. I took this photograph with my Fuji GW690II camera (the "Texas Leica") and its Fuji 90mm f/3.5 lens. The 6×9 negative (real size 54×82mm) scans to a 100 mbyte 16-bit TIFF file. More Fuji examples are below.

Junius Ward YMCA on Clay Street, Vicksburg, 2004. The Old Courthouse Museum is in the distance.

Shotgun houses on Bowmar Avenue, Vicksburg, 2005. Both have been torn down.

The New21 Club on Hwy 61, Valley Park, Mississippi, 2016

Blue Front Cafe, Bentonia, Mississippi, 2010

Administration building (1936) at former Bonner Campbell Institute, Edwards, Mississippi (click to see 2400 pixel frame) 

Unused Teen Center, 407 West Green Street, Tallulah, Louisiana, December 2016. Fuji GW690II camera.

Unused church in Hermanville, Mississippi, January 2017. Rolleiflex 3.5E camera.

Little Bayou Pierre, Port Gibson, Mississippi, February 2017. Rolleiflex 3.5E with 75mm Xenotar lens.

Port Gibson is the town that General Ulysses Grant did not burn during the U.S. Civil War because he admired the architecture so much. 

Crushing mill, Rte 3, Redwood, Mississippi, 2017. Rolleiflex 3.5E with 75mm Xenotar lens.

This is some sort of early 20th century crushing mill, long abandoned in the woods just off Hwy. 3 in Redwood. This is a 1 sec exposure at f/11. I resized this frame to 2400 pixels, so click the picture to see more detail.

2020s Examples

Private cemetery within Vicksburg National military Park. Rolleiflex 3.5E, yellow-green filter

Closing Notes

Kodak likely discontinued Panatomic-X for several reasons:

• Even by the 1980s, most photographers wanted faster film so that they would not need to use a tripod in low light. 
• Newer T-grain or tabular films like Kodak T-Max or Ilford Delta 100 offered almost as fine grain but with faster speed. (Note: many old-time photographers preferred the genuine Panatomic-X.)
• A friend from Rochester, who has worked with Kodak, said there was a toxic chemical used in the Panatomic-X production (possibly cadmium). I have read the same pertaining to Agfapan 25, so maybe slow fine grain films required some chemical technology that manufacturers cannot use today.

Readers know I like film. One reason is I used film for 50 years and am comfortable with it. Another reason is it has a familiar look that we saw in prints, magazines, exhibits, and movies for decades, and it works well for recording urban decay. The self-professed "experts" (I am trying to be polite) on forums like Dpreview hate film because they think they are so superior with their new super digital capture devices. To each his own. Still, if you have aspirations to be a photographer, you owe it to yourself to use the traditional medium, learn how to calculate exposure manually, and contemplate each picture carefully. You need to think with film; no spray and pray that you might achieve a meaningful "shot." And you cannot chimp (review the pictures on the camera's screen) as you see in tourist sites around the world. Read an interesting interview on The Phoblogger with the Richard Photo Lab about how film is appealing to more and more photographers of all ages and skill levels. Used film cameras are cheap acceptable price and many emulsions are still available - just go do it.

Update March 2019

A reader in Photrio found this 1934 announcement from the British Journal Photographic Almanac. Thank you for the detective work.

Update November 2019

Here are examples of industrial machinery at the abandoned Redstone Quarry in North Conway, New Hampshire. I used my Rolleiflex 3.5F with 5-element 75mm ƒ/3.5 Planar lens, all tripod-mounted. Click any picture to see more detail.

Update October 2020

I bought some 35mm Panatomic-X from a seller on eBay. It expired in 1991 and proved to be fine, if possibly more grainy than when new.

Machine shop, Levee Street, Vicksburg, Mississippi (Pentax Spotmatic camera, 28mm ƒ/3.5 Super-Multi-Coated Takumar lens)

Please click this link for more examples of this 1991-vintage 35mm Panatomic-X inVicksburg and Louisiana.

Update July 2022

Good news! I bought ten more rolls of 120 Panatomic-X from the same gent who sold me rolls in the 1990s. 

Industrial archaeology: Redstone Quarry, North Conway, New Hampshire

New Hampshire is known as the "Granite State," and no wonder! There are granite outcrops throughout the state. Since the 1800s, quarries in New Hampshire and adjoining Vermont have provided hard, durable, and beautiful igneous rock for buildings, street paving blocks, monuments, and breakwaters throughout the east coast and even internationally.

Redstone Quarry, in North Conway, operated from 1887 until 1948. The remnants of machinery, derricks, and buildings constitute one of the more interesting industrial archaeological sites in New Hampshire. The most detailed description of the site is at the excellent WhiteMountainHistory.org web site. Some fascinating pre-1948 photographs are posted there.

The Redstone Quarry is at the base of Rattlesnake Mountain in Redstone (part of the town of Conway). The woods have grown so thickly, there is little to see from the highway, and you have to walk on dirt paths to see the remains.

One of the few standing buildings is the old latrine and bath house.

Further uphill is the blacksmith's forge and tool conveyor belt. I am not sure of its function, but the little buckets are so sturdy, I assume they were designed to hold hot objects. Possibly tools went through a quenching bath after they had been sharpened or heated.

This is the remains of a boiler. I have not seen the engine house, which would have contained larger boilers, but the White Mountain History web site (link above) shows a photo of a collapsed roof.

Now we come to one of the most interesting sites, the machine building that housed the polishing rock lathe. The wood building is incomplete and is missing some of its roof. I am not sure where the boiler building was located that provided power for the lathes, but it must have been nearby.

This is the 5-ft Face Plate of the polishing lathe and the spindle to hold a rotating column of granite. Can you imagine polishing a column of rock over 5 ft in diameter? Astonishing what craftsmen could do a century ago with equipment that we today consider primitive.

Outside on the ground are remains of the rough turning lathe. You can see where belts (leather?) would have run across different-size pulleys to provide power.

Look at this heavy-duty universal joint, an example of precision machining from almost a century ago. This is how we built a nation: hard work, pride, and precision workmanship.

Not far away in the woods are mounts for wood booms, used to swing rock around the work site. I read that the spruce booms came from the Pacific Northwest on special railroad cars (at that time, timber of sufficient size no longer grew in the US Northeast).

Walk further uphill and you reach the pink quarry. The pit is filled with water, but some of the booms are still standing!

Much of the debris in the pink quarry has tumbled down and is highly unstable. The clean rock face gives you an idea of the quality of the granite from this source.

As you walk west back to town, you come across a dormitory building in surprisingly intact condition. But vandals have added artwork to the inside.

There are examples of the pink granite all around North Conway. This planter is made from pink slabs.

And you see granite fence-posts in town and in area farms. No danger of these posts ever rotting.

This is the Hale cemetery on West Side Road, near the town of Conway. Look at the size of these remarkable granite slabs used as a wall. These may be grey granite from another site, but it was difficult to tell in the waning evening light.

This is a 1920s photograph of a rock lathe from the web page quarriesandbeyond.org. Notice the stoneman is not wearing eye or head protection. Many of these stone workers died young from silicosis, a terrible disease.

On a more cheerful note, autumn in New England is spectacular. The changing leaves are a visual delight. If you have never seen them, you must make this a life goal. This is Pudding Pond, and the tracks once served the Redstone Quarry.

These are digital files from a Panasonic G1 digital camera with 14-45 mm Panasonic Lumix and 9-18 mm and 40-150 mm Olympus lenses, tripod-mounted. I thank my North Conway friends for showing me these unusual sites. I have some older medium-format film negatives of the quarry that I need to scan and post some day.

Update Nov. 2019: I scanned my 2003 medium format film negatives and wrote a new article on Redstone Quarry. Please click the link to go to the new article. I thank all you readers.