Small Towns in Washington: Shelton

Shelton is the westernmost city in Puget Sound. It is northwest of Olympia at the western end of Oakland Bay. Travelers taking US 101 north to Port Townsend or Port Angeles at the north side of the Olympia Peninsula would pass right by Shelton. 

In the early-mid 20th century, Shelton's economy included logging, farming, dairying, ranching, and oyster cultivation. Logging was the heavy industry, and the Simpson Timber Company operated a mill complex at the waterfront of Oakland Bay. Formerly, trains carried logs out onto a man-made peninsula, where they were dumped into the bay. From there, tugboats moved log booms to other processing centers and mills, such as the huge mill in Everett. 

Frontier Antiques, S. First Street, Shelton

Bob's Tavern, S. First Street, Shelton

South First Street carries a lot of traffic, but the stores did not look too prosperous.

Rail yard off S. First Street with mill complex in the distance

Timber rail cars off S. First Street

From Google Maps, I could see the remnant of the lumber dump at the waterfront. But I could not personally get to the waterfront because it was it was part of the Sierra Pacific Industries work yard. Only employees were allowed in past security. 

Boathouse, Oakland Bay Marine

This was a rather frustrating visit because I could not reach the industrial waterfront. And the June sky was brilliantly clear but featureless (boring). But Shelton will be worth further exploring. Not far away, the High Steel Bridge over the south fork of the Skokomish River will be worth a visit. 

Dear readers, you know where this is going. What do you do after a few hours exploring and photographing? Well, that's obvious, go to the Cabin Tavern to eat Fish 'n Chips and drink cider. 

Post-photography health food at the Cabin Tavern, Shelton

Don't do it in the water

I took the black and white photographs on Kodak Panatomic-X film with my "Texas Leica," the Fuji GW690II camera. It has a superb 5-element Fujinon 90mm ƒ/3.5 lens that equals the lenses on my Rolleiflex and Hasselblad. I used medium yellow, dark yellow, and yellow-green filters to darken the sky. Praus Productions in Rochester, New York, developed the film.