Showing posts with label Ilford. Show all posts
Showing posts with label Ilford. Show all posts

Tuesday, May 1, 2018

The Country Fair - gambling, food, drinking, and fun (Nepal 2017-16)

During the first couple of days in Bhachchek, we kept hearing that schools would be closed on Wednesday. It was not a national holiday, so what was going on? Well, a country fair would be held at a bridge crossing over the Chepe Khola (river) at an elevation of about 900m. From Bhachchek, we had to descend about 900m to reach the crossing. (Note, click any picture to enlarge it.)
Rice fields below Bhachchek, approx. 1500m elevation. Exposed with a med. yellow filter to enhance contrast.
Vertical change in Nepal is especially interesting because you pass through different botanical zones. Near Bhachchek, the forest was thick with hardwoods and Rhododendron. Then about half way down into the valley, terraces with rice fields appeared. The villagers labor heroically on these terraced platforms carved out of the hillsides by generations of farmers.
Finally, we reached the Chepe Khola and crossed the suspension bridge. Nepal has many bridges like this. They are not suited for vehicles, but local folks often push motor scooters over them, along with the occasional goat and donkey. This bridge was packed with people from the surrounding towns coming to enjoy the fair.
The tents were set up on the right bank of the river below some rice fields. The boulders show that occasionally, an immense flood roars down this valley, carrying along bus-sized boulders. The river runs clear here, showing that it has descended from a rocky mountainous area.
The gents love to gamble at these gatherings. In the upper photograph, they throw rings and win prizes. In the lower picture, the fellow rolls cubes with the same symbols as are on the mat. I gave him a few rupees and lost (surprise!).
The food vendors do a roaring business. They use portable propane stoves. I am not sure how they get all the supplies to the site.
The young ladies show up in their city clothes, checking out the scene.
Finally, for our return to Bhachchek, we took a jeep uphill, loaded with not only with our group but also some village ladies. In rural Nepal, jeep rented by foreigners = free transportation. We lurched, banged, and sloshed our way uphill, getting out at the worst mud pits while the driver negotiated his way through the muck. These Mahindra Bolero jeeps are rugged. One of our soft, sissified, leather-seated play-SUVs would not last more than a couple of kilometers on a Nepali mountain road. Mahindra almost totally dominates the market for pickups and jeeps, along with an occasional Suzuki and Toyota.
On Friday, we loaded into the Boleros and ground downhill on the spine-jarring track. Oops, a siren. Some Nepali soldiers were heading downhill in a hurry in a rather nice pickup. In a couple of minutes, there they were, axle deep in mud, rear wheels spinning vigorously. The soldiers got out with their guns, looking on as the driver continued to spin rear wheels. We suggested he engage 4WD. He said it was. No, the front wheels were not pulling at all. Perhaps he didn't turn the locking hubs? While the soldiers watched, the American tourists carried gravel and rocks to the puddle. There was no effort among the seven idle soldiers to push in a coordinated manner, as a US team would. We asked our Nepali school construction coordinator what they would do if they had to go to war? "They don't have the capacity."

Eight hours later, we beat our way into Kathmandu through the dense traffic. The mud was easier.

I took the black and white photographs with Ilford Delta 100 film using a Leica IIIC rangefinder camera and a 5cm f/2.0 Summitar lens (in the family since 1949). This little Leica is a handy and reliable travel camera, and is inconspicuous and un-intimidating compared to a monstrous contemporary DSLR cameras.

Dear Readers, this  is the last of my 2017 Nepal entries. I hope they were of interest. On to other topics, other places, other adventures....

Thursday, April 26, 2018

Schools in rural Gorkha (Nepal 2017-15)

The Gorkha District of Nepal was the epicenter of the 2015 earthquake. The earthquake knocked down thousands of homes, shops, schools, and other structures. They were especially vulnerable because many were built of un-mortared brick or stone with no reinforcing. The walls simply crumbled in the shaking.

One of our projects in the area around the town of Bhachchek was to visit rebuilt schools. Some of the reconstruction was funded by the Gorkha Foundation, which developed innovative school buildings with translucent fiberglass walls. We also visited some schools to donate dental supplies to the children and teachers.
At the elementary school in Bhachchek, the children line up and do some exercises before class starts. The children we saw were well-behaved and cheerful.
We tried to instruct the children about dental hygiene. They were familiar with the concept of tooth brushing, but flossing was a bit too complicated for the little kids. But they were thrilled with their packets of tooth supplies.
While hiking uphill to the village of Siran Danda, we saw children in gray uniforms and neckties. These children go to a private school, not the elementary school in the previous pictures. These students were also fascinated by the odd lumpy Westerners.
The second day, we walked to a construction site in the town of Birauta, where the Gorkha Foundation had built one of their buildings. The village elders fed us a hearty mid-morning snack. Our host was a former UK army officer, Sub. Gobinda Gurung. He had been very organized and effective in 2015 when the earthquake struck, and lobbied the government effectively for relief supplies and other assistance for his townspeople. The children thought we were very odd (well, we are).
Courtesy of the Gorkha Foundation, April 2018
This is a construction photograph from Birauta. The bottom part of each wall is made of stone held together with concrete. A steel framework supports the fiberglas roof panels and translucent walls. In an earthquake, the upper portion of the building has some flex. One problem: we were told that at lower altitude, the buildings are hot in the midday sun.
Telling the students in Nepani about tooth hygiene. The guys responded to a hint that girls like fellows with good clean teeth. 
Talking to the teachers about kits that let young ladies continue to attend school when they have their periods. This is a Gorkha Foundation building with translucent sides.
From Birauta,we descended steeply through the forest/jungle to the Shree Nepane Secondary School in Siranchok.
I was impressed by the range of ages. It is a secondary school, but the teachers bring their little ones to work with them. The older students learn English and high school-level material. Mixing all ages reminds me of some Montessori schools, where older students help instruct the younger ones.

The last photograph, of the young laughing ladies, is my favorite frame from the 2017 Nepal trip. I took it with a Leica IIIC rangefinder camera and 5cm ƒ/2.0 Summitar lens on Ilford Delta 100 film, exposed at E.I of 80. The Leica is small and unobtrusive, and the shutter release makes a subtle "click." I think it is much less intimidating than a modern DSLR, which looks like the photographer is pointing a cannon at its victims.

Wednesday, April 18, 2018

Into the Hills, Bhachchek in Gorkha District (Nepal 2017-14)

We rode in a minivan west out of the Kathmandu valley on the winding, rutted, bumpy Kathmandu-Pokkhara highway. The road is choked with truck traffic because this is the major supply route for goods and petroleum products imported from India. All fuel used in Kathmandu is trucked in, which, as you can imagine, leads to miserable traffic jams on the twisty mountain roads and nasty diesel emissions along the way.
We lunched (dahl baht of course) in Anbu Khaireni, a bustling commercial town in Gorkha District. We had been following the Trisuli river downstream. We saw groups in kayaks and rafts, but the high levels of pollution and sewage dumping would make me dubious of the pleasures of rafting this waterway. In Anbu Khaireni, we switched from the comfortable minivan to hard-riding Mahindra Bolero jeeps.
After a few hours pounding uphill, it was time for tea break in Amppipal, a dusty little town in the foothills in the Gorkha District. There is a hospital in the town operated by a German NGO.
Finally, we reached our destination, the village of Bhachchek at 1790 m (5,900 ft) elevation. Tourists are uncommon here; the local folks were unfailingly friendly but thought we were a bit odd. Children especially found us fascinating. The streets are packed mud. I would hate to be here in the wet season.
A surprising number of small shops line the streets. They sell beer and goods from India, such as plastic ware, tools, biscuits, clothing, cooking oil, and simple cosmetics.
From what we could tell, many of the goods come up the mountain in wagons pulled by these sturdy Mahindra tractors. The wagons do not have suspension (just rubber tires), and as a result, they clang and bang noisily.
Dusk usually meant darkness and extra chickens taking their evening constitutional before heading for the roost. Some days featured a few hours of mains electricity, some days none. One night I woke up with a light shining in my face because the power had started up.
We stayed in these little cabins. The lady who ran the place cooked heroically for us, but we could tell she was unfamiliar with tourists. For example, if we wanted extra tea or eggs, she often had to send a boy to a nearby shop to fetch a package. The shower water was cold, but a large wood-fired boiling pot was set up near the huts. The toilets were rough (surprise...). My hut was the one on the very left, behind a white shirt on the line. Just beyond the corrugated metal barrier was a chicken coop. The rooster made his 04:00 noises, followed by clucking and scratching. The country life....

The black and white photographs are from Ilford Delta 100 film exposed in a Leica IIIC camera with 5cm f/2.0 Summitar lens (both from 1949). The last picture is from a Nexus 4 mobile.

Tuesday, December 19, 2017

That SINKing feeling in Jackson, Mississippi

Round, rectangle, octagonal - take your pick.
Old House Depot is an architectural salvage store at 639 Monroe Street in Jackson, a block north of the State Fairgrounds. Old House is a great place to explore if you are restoring a historical house and want to use authentic fittings, door knobs, windows, or lumber in your project. My experience with renovating an older house is it is almost hopeless to find the right parts at a chain big box store.
Late on a sunny afternoon, Old House was closing, but they generously let me linger and photograph their collection of sinks and plumbing bits in the side lot.
This was top quality porcelain manufacture in its day. Note the unusual U-shaped sink in the top picture - Art Deco elements?
Here is a handy double header.
This is a practical design: a wide apron so that you can splash and gurgle without dripping water on the floor. Note the modern streamlined valve and handle.
An interesting oval wall-mounted sink with backsplash but it has separate valves.
The wasps lived in this loo. I opted not to use it.
Moving away from the toilets and sinks, here is a choice of window sashes for your project. This is an interesting place. Support your local businesses.

These photographs were taken with a Pentax Spotmatic 35mm camera using Ilford Delta 100 film. Most frames were with the 35mm f/3.5 lens, but the two of the entrance area were with the 24mm f/3.5 lens. The film was too contrasty for these brilliant white objects, and I had trouble scanning the frames. In the future, I will request N-1 development for Delta 100 for sunny conditions. However, note, for a gloomy rainy day, the Delta was perfect, as per my test in Edwards, Mississippi.

Saturday, October 7, 2017

Small Towns in Mississippi: Return to Edwards (B&W film)

Kansas City Southern railroad and Front Street, Edwards, Mississippi
Edwards, Mississippi, is a small town just south of Interstate 20, near a bend of the Big Black River. Before World War II, the Big Black was a Federal navigation project and was dredged and kept clear of snags, but now it is no longer maintained for commercial traffic. Like many small Mississippi towns, Edwards was prosperous up through the 1970s, but has slipped into a multi-decade decline and population loss. As usual, I do not understand the causes, considering the town is on the Kansas City Southern rail line between Vicksburg and Jackson and has easy road access to I-20. It is a mystery.
Walker Evans (American, 1903 - 1975) Railroad Station, Edwards, Mississippi, 1936, Gelatin silver print 19.3 x 24.2 cm (7 5/8 x 9 1/2 in.). The J. Paul Getty Museum, Los Angeles
This is supposed to be a picture of Edwards taken in 1936 by Walker Edwards. Was it taken from the same bridge as my photograph no. 1 above? Was there once another bridge or crossover from which Evans took this frame? Where is the church on the left? I think the 1936 photograph may be mis-labeled and show another town. But it is not Bolton nor Bovina.
Front Street parallels the KCS tracks. The city hall is there, with the police department a short distance away.
103 Magnolia St., Edwards, MS
205 Magnolia St., Edwards, MS
Magnolia Street has some gracious old houses, demonstrating former wealth in the town.
This is the former Dodge automobile dealer, at the corner where old U.S. 80 makes a sharp right-angle turn. An old-timer in town told me that Edwards was prosperous enough in the 1970s to have two car dealerships. (Update April 21, 2018: the old car shop is being demolished)
The high school gymnasium was designed by architect James Manly Spain in the Art Moderne style. It was completed just before we entered World War II in 1941 by the National Youth Administration (from the Mississippi Department of Archives and History). I have photographed this building before, and there has been no change in status.
The water tower is a prominent feature at the corner of U.S. 80 and Main Street. I was surprised it was over a century old. The big rivets are an example of early 20th century steel and iron construction. This was solid construction, intended to last the ages.
Main Street, which runs north-south, was once, well, the main street, with stores and small companies.
Both the east and west sides of South Main have stores with collapsed roofs. (Update April 21, 2018: this southernmost building has been demolished)
On Main Street north of the tracks, the former Woodmen of America building was in poor condition in 2008. A former coworker from the Waterways Experiment Station had bought the historic building to preserve it, but the task may have been too much for her. It is now gone. Other historic buildings on Main Street were demolished in the mid-2000s, with the bricks salvaged for use in McMansion construction (recall, this was in the last gasp of the construction orgy before the 2007-2008 housing collapse).  Much of Utica's former commercial core suffered the same fate.
Drive around the streets and the scene is pretty depressing. Joe's Lounge on Utica Street is a short distance from a collapsed store. (Update April 21, 2018: the collapsed store is gone and the lot is empty.)
On Williams Drive, a store of modern construction, also closed.
Just off I-20, the fellow who restores old cars still has interesting Detroit iron in his yard. I am not sure if all these very cars are still there because the lot looks a bit more empty now. I have not seen any Edsels recently, but there may be some in there under the kudzu.

I took the 2017 photographs with my Yashica Electro 35CC compact rangefinder camera on Ilford Delta 100 film. There was rain and drizzle, and the contrast worked out perfectly with this film and development. I bought this little Yashica as a convenient walkabout camera for an upcoming trip to Nepal. The 35mm ƒ/1.8 Color Yashinon-DX lens, a Sonnar type, is very high quality. Praus Productions in Rochester, NY developed the film.

The 2008 frame of the old Chevrolets is from Kodak Panatomic-X film, taken with a Fujifilm GW690II medium format camera.