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US 80 west of Delhi, Louisiana (Fuji X-E1 digital file)
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We continue our trip west on The Dixie Overland Highway, now called US 80.
Coming out of Delhi, 80 continues through a mixture of farm fields and an
occasional forest patch.
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Former service station, 1580 US 80, Dunn, LA (GAF Versapan film, 90mm ƒ/6.8 Schneider Angulon lens)
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I came across some remnants of the old 80 that may have served travelers during the
pre-interstate era.
These two abandoned stores were at the corner of Weems Road and US 80 in Dunn.
As in so many rural areas, old country stores have been abandoned and left to
the weather and vines.
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On the road to Rayville, US 80 (Fuji X-E1 digital file) |
As in these other small towns along US 80, the Kansas City Southern trains thunder through several times a day. There was no depot that I could see.
The main road through town is Harrison Street, which is also US 80. A restaurant at the corner was pretty busy, but I was concerned about the virus and did not go in to get lunch. I was pleased to see that most people were rigorous about wearing masks, more so than in Mississippi.
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Joy Theater, Harrison Street, Rayville (Fuji X-E1 digital file)
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The old Joy Theater on Harrison Street was a classic 1930s theater of the type you would have seen in many towns. The facade was interesting, but unfortunately, the building is a wreck. In the first picture, you can see a tree growing out of the interior.
One last picture, and this one stays in color: Robinson's Meat Market at 402 Madeline Street. What a great folk art advertisement, with lobsters, steaks, and sausages. The proprietor said a fellow from New Orleans painted it.
Most of these images are from a Fuji X-E1 digital camera on which I mounted an Olympus OM 35mm ƒ/2.8 Zuiko Shift lens. The shift function let me correct for converging lines optically at the time of taking the picture (as opposed to using software after the fact to correct convergence). Most pictures of buildings that you see on the web show converging vertical lines, such as the edges of the building. But when you look at the scene with your eyes, your brain accommodates the convergence and the lines appear straight. Nikon and Canon make modern shift lenses, but very few contemporary users buy these rather technical lenses. I expect that most never used a large format camera, where you can shift the front standard upwards to correct the convergence.
In the next article, we will continue west on US 80. Thank you for riding along!