Vintage Station and a few from Bessemer, Alabama (B&W film)

Bessemer is a suburb of Birmingham, formerly a major steel production town. According to Wikipedia,

The town was founded in the postbellum era by the Bessemer Land and Improvement Company, named after Henry Bessemer and owned by coal magnate Henry F. DeBardeleben. He had inherited Daniel Pratt's investments.[7] The mayor and councilmen voted to incorporate the city of Bessemer on September 9, 1887.[8] Located 16 miles southwest of Birmingham, Bessemer grew rapidly and its promoters believed that it might overtake the other city in economic power.

Given the iron ore, coal and limestone deposits in the area, the city became a center of steelmaking from about 1890 through the 20th century. It attracted rural migrants from across the South, as well as European immigrants. By the 1950s, the city was majority African American in population.

The industry went through considerable restructuring in the late 20th century, and jobs moved out of the area. Steel is no longer made there.

4th Alley, Bessemer, Alabama (80mm Planar lens)

8th Ave. at 20th Street, Bessemer, Alabama (80mm Planar lens)

Today, the town has a rather rough reputation, but I stopped on my 2017 road trip and took a few photographs. The alleys were surprisingly clean and uninteresting.

There is some well-preserved early 20th century architecture, like this elegant 1907 library, now used by the Chamber of Commerce. Note the Moorish arches. Well-done, indeed.

I drove to the rail line and stopped at Carolina Alley. The train really does thunder through town at high speed.

An interesting architectural salvage company! The Vintage Station occupied a big old warehouse next to the tracks at 18th Street. It had just relocated after its previous warehouse burned in March of 2017. The owner. Mr. Brad Watkins, also used the business as a Christian counseling ministry for unemployed men and for teaching job skills. Mr. Watkins was killed in January, 2018, when a stray bullet from a drive-by shooting entered his third floor room at a Fairfield hotel. I do not know if Vintage is open now (November 2019). It was a fun place to photograph.

These photographs are from Kodak Tri-X 400 film, exposed with a Hasselblad 501CM camera with 50mm and 80mm lenses. Please click any frame to expand it to 1600 pixels wide.

Big Industrial Remains: Sloss Furnaces, Birmingham, Alabama

If you like industrial remains, the Sloss Furnaces National Historic Landmark in Birmingham, Alabama, is about as interesting as it gets. The site is at 20 32nd Street North, right in the city and easy to reach from the interstate. According to the Sloss web page:

Sloss Furnaces was once the largest manufacturer of pig iron in the world. It stands today just as it did in the late 19th century — a monument to the Industrial Revolution. With its web of pipes and towering stoves, this unique National Historic Landmark provides visitors a glimpse into Birmingham’s rich industrial heritage. It stands with pride and is a symbol of where the “Magic” began for Birmingham.

Sloss Furnaces operated from 1882-1970 making it the longest continually running blast furnace in Birmingham’s history. 

It is a fascinating site for photography, and amateur photographers can work without paying a fee.  I spent a rewarding morning there in 2017 with my then newly-acquired Hasselblad medium-format camera and Kodak Tri-X film.

You drive in from the east (see photograph 1 above). Abandoned railroad tracks parallel the modern rail shunting yard.

Once you check in at the visitor center, you start walking through the works and can see the enormity of the complex. Thousands of employees once worked here. The noise, heat, and fumes must have been overwhelming.

These were crude, old-fashioned massive girders and castings. Some of the foundations do not look too sound to me. I expect that this site will be open for many years until the machinery corrodes or geotechnical conditions become unsafe. Then parts of the site will progressively close to the public.

Some of the darker interior areas required 1-sec exposures. These are from my 50mm f/4.0 Distagon lens, made in 1985 in West Germany. The last picture is a crop of no. 2 to show how much detail was recorded on the Tri-X film.

Some of the former office or laboratory buildings look like they have been reinforced (see the steel beam in the upper left).

Sloss Furnaces National Historic Landmark is a rare opportunity to walk in and around factory machinery. It is part of our industrial heritage. Make a point to visit. Take your camera (use film) and a tripod.

Superb Alabama Folk Art: Snuffy Smith's of Wilmer

Snuffy Smith's, 1990, Kodachrome slide, Leica M3, 50mm lens

Snuffy Smith's gasoline station and antique emporium was a familiar sight on U.S. Highway 98 near the Mississippi-Alabama state line. Google gives the address as 14860 Moffett Rd, Wilmer, AL 36587, but I am not sure if that is correct. Regardless, it is an example of folk art magifique.

I found two 4×5" Fujichrome frames from 1990. The large negatives, of course, preserve a lot of detail (click the pictures to enlarge to 1600 pixels wide). There is surprisingly little information on the web about this site. A 2009-vintage blog states that "Snuffy's got its name from a previous owner, Arthur Drake Smith, who dipped snuff."

1995 Kodachrome slide, Leica M3, 50mm lens

Notice a few changes between 1990 and 1995. A new armored man is on patrol guarding the gasoline pumps. And an antique blue pump has been placed on the left of the island, replacing an overflowing trash can.

This amazing example of home-made art may be gone. I did not see it the last time I drove on U.S. 98, but maybe I simply missed it. If any readers have information, please advise.

From the archives: Country Stores, Roosters, and other Oddities

Dear Readers, I recently found in my too-many boxes a plastic slide holder with some slides that I sent as a submission to Leica Fotografie International. They never published my essay and returned my slides, but I never got around to filing them away. I decided to scan them first and show you some samples. Store fronts and home-made signs have always interested me. They demonstrate merchants advertising their wares and trying to attract customers, a form of folk-art. So here we go, in chronological order, but no specific geographical order.

Front Street, Morgan City, Louisiana (Leica IIIC, 5cm f/2.0 Summitar lens)

Front Street, Morgan City, Louisiana (Leica IIIC, 5cm ƒ/2 Summitar lens)

In the early 1980s, I worked for a marine geotechnical company. We had steamed (dieseled) in to Morgan City after a couple of weeks offshore in the Gulf of Mexico. I had never been to Morgan City before and found the floodwall a convenient viewpoint of the old downtown.

Jerry's, Corpus Christi, Texas (Rollei 35S, 40mm ƒ/2.8 Sonnar lens)

A relative lived in Corpus Christi. This pottery company offered a wealth of garden art. I should have bought that pink donkey, or maybe the leopard.

Galveston, Texas (Leica M3, 50mm ƒ/2.8 Elmar-M lens)

Hurricane Alicia was a powerful hurricane that caused major damage in coastal Texas in August of 1983. The eye passed directly over Houston. We drove to Galveston to see what had happened. Many cottages on the beaches had been damaged, but others, like this beach shop, were intact.

Bremond, Texas (Rollei 35S, 40mm ƒ/2.8 Sonnar lens)

Bremond was a typical agricultural/cattle town northwest of Houston. Even in the 1980s, many of these small towns were quiet, with closed stores along the main strips. That is when I first became interested in photographing urban decay. Bremond looked like it was doing a bit better than many other Texas towns, but I have no idea of its status now.

Mendenhall, Mississippi (Olympus OM1 camera, 35mm ƒ/2.8 shift lens)

In 1990, on my way to Mobile, I decided to stop in Mendenhall and look around. There was an old theater/cinema in reasonably sound condition near the courthouse. Do any readers know if the theater is still existent? (Update: the building burned down.)

Rooster-mobile, Mary Esther, Florida (Olympus OM1, 35mm ƒ/2.8 shift lens)

Mary Esther, Florida, had a rooster car, as well as some pig- and cow-mobiles. And the rooster was built onto an old Chevrolet El Camino. Maybe I should have offered to buy it and drive it home to Vicksburg. El Caminos now fetch serious prices (and a rooster may enhance the value).

Crossroads store, Reganton, Mississippi (Leica, 50mm ƒ/2.8 Elmar-M lens)

The venerable Crossroads store is on Old Port Gibson Road in Reganton, near the Big Black River, about 20 miles south of Vicksburg. I have visited on and off over the years, most recently in 2018.

Biloxi, Mississippi (Leica M3, 50mm lens)

Before Hurricane Katrina, US 90 along the Mississippi Gulf coast featured many beachy shops, including this pink palace. But I prefer the gorilla on Alberti's Italian Restaurant. I wonder if he swam to safety in Katrina?

Snuffy Smith's, Wilmer, Alabama (Leica M3, 50mm lens)

Snuffy Smith's antiques and gasoline was a famous landmark on Moffett Road in Wilmer, Alabama. Classic folk art - I stopped several times to photograph. But the last time I drove through Wilmer, I did not see Snuffy's. Is it gone, or did I just drive by too quickly?

Original Oyster House, Gulf Shores, Alabama (Leica 50mm lens)

The Original Oyster House, as I recall, had excellent seafood (and alligator, if you were interested), along with condiments from Greece. I assume the owners were Greek, which usually bodes well for a restaurant. Is this still existent?

Santa in Seminary (Nikon F3, 50mm ƒ/1.8 Nikkor lens)

Finally, the well-traveled Santa Claus comes to Seminary, Mississippi, via tractor. Good choice in a farming community.

Madison St. (Old Hwy 80), Bolton, Mississippi (Leica M3, Kodachrome film)

Well, Santa can relax with a brew or a Bud at Mack's Cafe in Bolton.

This is the end of our short random tour of southern stores, rooster-mobiles, and other oddities. All photographs were from Kodachrome film, mostly K25. Using Kodachrome was a bit clumsy because you needed to mail the exposed film to one of the few processing laboratories in the United States that could handle the highly specialized processing and dye chemicals. The ISO 25 emulsion was unsurpassed in grain size and resolution. Also, Kodachrome had excellent archival properties when stored in the dark in reasonable climate control. As you can see, the examples above scanned well and the colors are still vibrant.

Sadly, Kodachrome manufacture ended in 2009, after 7 (seven) decades of production. The last processing was in December of 2010 at Dwayne's Photo in Parsons, Kansas. The movie, "Kodachrome," is about this last processing and a road trip to Parsons. In the poster, you can see that Ed Harris is wearing a Leica.