Chehalis River basin (based on USGS National Map data, from Wikimedia Commons) |
The Chehalis River drains a broad area of western Washington's coastal hills and lowlands. This was an immensely rich timber area from the late-1800s to the mid-20th century. Logs were floated down the river in vast quantities to timber mills and processing companies along the riverfront between Aberdeen and South Aberdeen.
2004 aerial photograph of South Aberdeen, with the Chehalis River in the foreground |
This is a view from 2004, when a friend flew me from Olympia to the coast. In 2004, the waterfront just to the right of the highway bridge was occupied by a mill and lumber storage. Today, the Grays Harbor Historical Seaport occupies at least one building, and a roof truss company is in another.
Chehalis River view east or upriver |
Concrete building of unknown purpose |
Fun viewing at Rte 107 and Minkler Road |
Never-finished Satsop nuclear power plant |
Continue upriver, and you reach the astonishing concrete monoliths that were once intended to become the Satsop nuclear power plant units WNP-3 and WNP-5. The State of Washington intended to build five nuclear power plants. One was completed and went into operation. The other four were bogged down with massive cost overruns, managerial failures, incompetence, and technical changes. In 1983, the Washington Public Power Supply System (WPPSS), better known as "Whoops," became the biggest municipal bond default of all-times.
Today, two monumental cooling towers loom over the valley at Satsop. The incomplete containment buildings look like brutalism architecture run extreme. When our society collapses and we lose history records, future residents of the valley will look at these monoliths and wonder if aliens or the gods built them. What were they for? Were they religious structures? Is a King buried beneath?
I plan to return to the site. It is not quite an urban decay topic. These things will not decay; they are too strong. The concrete will harden for centuries, millennia. But they are grotesque.
The black and white photographs above are Kodak Tri-X 400 from my Fuji GW690II camera, the "Texas Leica," with a 5-element Fujinon 90mm ƒ/3.5 lens. Praus Productions in Rochester, NY, developed the film in Xtol.