Showing posts with label Pan-F. Show all posts
Showing posts with label Pan-F. Show all posts

Tuesday, March 23, 2021

Another Film Treasure: Ilford Pan-F Plus

This short review is for a film that is still in production (yes, I do sometimes use modern film):  Ilford Pan F Plus. According to the manufacturer:

ILFORD PAN F PLUS is a slow speed, high contrast, black & white film offering exceptionally fine grain, sharpness and detail.

Suitable for bright conditions from sunny days to controlled studio lighting. It suits subjects ranging from architecture and still-life to portraiture and fashion.

PAN F PLUS is perfect for enlargements as negatives show an outstanding range of tone, high-edge contrast and extreme sharpness. It is therefore also suitable for a range of specialist or scientific applications such as photomicrography or the production of black and white slides.

This is a traditional cubic grain film, like the Kodak Panatomic-X that I normally use when I want a fine-grain traditional film. Pan-F has been in production for decades, but for some reason, I never tried it. My friend in Indiana, Jim Grey generously sent me a roll of Verichrome Pan film, but he also included a roll of Pan-F in 120 size and said Go At It. Most reviewers write that it is contrasty, so I loaded it in my Hasselblad and set out for Port Gibson on the last day of 2020, a gloomy day with drizzle (my favorite light). Because of the low light, these are all tripod-mounted exposures. I exposed it at EI (exposure index) of 32.

I sent the film to Northeast Photographic in Bath, Maine, to develop and scanned the negatives with my Minolta medium format film scanner. To the eye, the negatives looked too contrasty. But the Silverfast Ai scanning software has a profile for Pan-F, and the resulting scans looked just about right, with little need to manually adjust the contrast. Here are some examples, all full-frame scans. Click any frame to expand it. Please tell me what you think via the comments.

US 61


Unusual shed at 3316 US 61S, Vicksburg (80mm Planar lens)
Unknown shop or warehouse at Cedars Road, Vicksburg
Former Sonny's BBQ and gasoline, Yokena
I remember driving by this shop/gas station many times and thinking I should take some photographs. But I never did and now it is closed. Bogus.

Port Gibson


Fixer-upper truck, 1097 Shiloh Road, Port Gibson (50mm ƒ/4 Distagon lens, ⅛ ƒ/11)
Fixer-upper cottage, Back Grand Gulf Road (50mm Distagon, ⅛ ƒ/8, minor fill flash)
North of Port Gibson, some shaded narrow roads wind through the woods. One of these leads past the popular Warner Tully YMCA summer camp, known by generations of summer campers. I want to go back and explore some more. You see a lot of trailers with beat-up cars and trucks abandoned on the lots.
Abandoned cottage, Vandeventer Street, Port Gibson (80mm Planar-CB, ⅛ ƒ/11)
Abandoned house, Vandeventer Street (80mm Planar-CB, ⅛ ƒ/11
Store/commercial building, Carrol Street
Port Gibson is pretty rough. Despite its fine architectural heritage, much of the town looks beat-up and dirty. The downtown has hollowed-out, like so many small towns in the US heartland.
House belonging to an artist, Farmer Street (80mm Planar-CB, ⅛ ƒ/11, minor fill flash)
I chatted with the gent who lives here. He graciously let me take a picture of his house. He had interesting items on the porch and in the yard.
Old Hwy 61 bridge over Little Bayou Pierre
This is the old Highway 61 bridge. Looking west, you see it from the current 61 bridge. I tried to find a viewpoint. Some gents at a car shop/garage graciously escorted me through the shop to the muddy banks of the Little Bayou Pierre. I slipped - mud everywhere. They said when the river overtops its banks, they get nasty water in their garage (and snakes). Note the water level stains of the concrete pier.

This is the end of my short experiment with Ilford Pan-F. This is nice film! It is very fine grain, similar to the Kodak Panatomic-X that I like. On this overcast, drizzly day, I did not have any issues with contrast, and cannot comment on its performance on a sunny day. Of course, you can modify development to make a black and white film more or less contrasty. I am not sure if I will use it in the future because I still have 10 or 12 rolls of Panatomic-X in the freezer, as well as some Fuji Acros 100 film and even some Agfapan 25. For hand-held use, Tri-X is more convenient. Regardless, thanks, Jim Grey, for sending me a roll of this Pan-F!

This is no. 07 of my irregular series on different films, but this product is still in production, unlike the other emulsions in the series.