Classic B&W Film
My Indiana friend, Jim Grey, sent me some 3-packs of a type of Fuji film I had never used before, Presto 400. This was the Japanese name for their Neopan 400 Professional, a high-speed, black and white negative film with an ISO speed of 400. I read that Fuji originally aimed this product at sports and documentary photography. Sadly, Fuji discontinued it in 2013.

This film reached me via one of the handy connectivity functions that the internet can provide (sometimes). A fellow in North Carolina wrote to Hamish Gill of 35MMC.com that he wanted to donate some film to help fund the web page. But there was a minor problem. The film was in North Carolina, and Hamish was in the United Kingdom. Hamish emailed some of his regular US contacts, and, by amazing coincidence, Jim Grey was heading to North Carolina on business in a week. Jim went to see the donor and found a refrigerator full of film that had been imported from Japan. I do not know the details, but Jim sent half the film to Hamish and distributed the rest in USA. Jim generously sent some packs to me.
Tacoma, Washington
I like Tacoma! The waterfront is full of interesting industrial and railroad subject matter. On a rainy-drizzly day, I wandered around the waterfront with Presto in my Pentax MG camera. I set the exposure index at 320. Click any picture to see more details.
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BNSF rail yard from East D Street (50mm ƒ/2 Pentax-A lens) |
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Turntable, BNSF rail yard |
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BNSF rail yard (50mm ƒ/2 Pentax-A lens) |
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East D Street view south (toning as a result of scanning as RGB full color; 135mm ƒ/3.5 Pentax-M lens) |
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Berg scaffolding company (35mm ƒ/2.8 Pentax-A lens) |
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Berg scaffolding company (35mm ƒ/2.8 Pentax-A lens) |
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Crossing tracks, J Street (35mm ƒ/2.8 Pentax-A lens) |
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Rail cars, J Street (50mm ƒ/2 Pentax-A lens) |
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Wood warehouse, East D Street, from under the 11th Street bridge |
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East D Street from the 11th Street bridge (35mm ƒ/2.8 Pentax-A lens) |
This Presto 400, I love it! It is grainy, like 1970s and 1980s Kodak Tri-X (pre T-grain technology). This Presto has a gritty sharpness to it. I hate to use the term "sharp"because it has become a semi-useless buzzword among internet photo posters ("Is my lens sharp enough?"). But I am referring to contrast and edge distinction. Regardless of nomenclature, I plan to use more Presto in the future. Thanks, again, Jim!
This is Abandoned Films no. 14b. I used Presto earlier this year when I took portraits at the Not My Presidents Day protest. Please use the search button if you are interested in other long-lost films.
Another milestone: this is Urban Decay's 800th post.