The Rolleiflex twin-lens reflex camera is a lot bigger then the Trip 35, but it also can be hand-held and is very convenient. I thought, why not load it with some Kodak Tri-X 400, walk downtown, and photograph whatever caught my fancy? What follows below is a walk along Drummond Street heading north, towards downtown Vicksburg. This was early 2020, before the Trump Virus semi-confined us to home. I added a few frames from other dates. In the future, I will write an article about some of the architecture along Drummond Street.
This one of the many crepe myrtle trees. These grow quickly and make pretty blossoms that last for weeks during the mid-summer. They add a nice splash of color to the scene.
Welcome Mississippi style. This 1920s cottage at 2904 Drummond was empty for several years but has been nicely restored. A gent name Mr. Moses lived here many years ago. He told me he was a refugee from a famine in Palestine.
Top Five, corner of Drummond and Bowmar Streets (Leica IIIC, 50mm ƒ/1.4 Canon lens, BW400CN film) |
The Top Five gets a lot of business. It may be the only grocery store for several miles (excluding the Quick Stop a few blocks north). There is an occasional shooting here, but I now see some video cameras on the power poles pointing towards the store.
Bowmar Ave. near Drummond Street (Tri-X film, 4×5" Tachihara camera, 180 mm ƒ/5.6 Caltar IIN lens) |
This is a 1988 photograph of Bowmar Ave near the intersection with Drummond. The Top Five is at the middle right. A friend lived in the apartments on the left in the 1970s. They look pretty rough now.
Continue north and at least two of the Victorian-era houses still have their original fences. The architect must have specified the length of the fence units and then assembled them when he completed the brick retaining wall. Nice workmanship.This is a view west along Speed Street, which intersects Drummond. The concrete pattern indicates that this is original concrete street from the 1920s. Oddly, while taking this picture, I experienced one of the very rare times that someone objected to photography. A short, pugnacious, Type A white guy confronted me and ranted away for awhile. Then he left. I am sure he felt very macho, penile, and powerful for the rest of the day.
The bees liked this post box. I hope the postman saw the danger before he tried to use it. This looks like an old-fashioned box but is recent.
Letitia Street in 1997 (Agfa Scala film, Leica M3, 50mm ƒ/2 Summicron lens, yellow filter) |
Cottage off Letitia Street (Tri-X, 4×5" Tachihara camera, 180mm ƒ/5.6 Caltar IIN lens) |
Kansas City Southern rail line after ice storm, photograph from Monroe St. bridge (Tri-X film, 4×5" Tachihara camera, 180mm ƒ/5.6 Caltar IIN lens) |
Kansas City Southern rail line, photograph from Belmont Street (Tri-X film, 4×5" Tachihara camera, 135mm ƒ/4.5 Schneider Xenar lens, green filter) |
Cottages below West Pine Street (Tri-X 400 film, Leica M3 camera, 90mm ƒ/2.8 Tele-Elmarit lens, green filter) |
This is a 1996 tele view of some of the cottages on the slope. Compare with the 2002 photograph above, where the lowest cottage has been totally enveloped with kudzu.
2 comments:
Very nice work here, Andrew. I especially like the photograph of Speed Street and the one of Letitia Street.
Thank you for the comment. The Letitia Street photograph was from 1997 just after an ice storm. The sun was just peaking out and the ice disappeared from the trees by that evening.
Post a Comment