Vicksburg's Seale-Lily Ice Cream Parlor and Tire Emporium (B&W film)

Tri-State Tire, at 2209 Washington Street, Vicksburg, Mississippi, occupies an unusual old shop with decorated pillars and big plate glass windows. This was a former Seale-Lily ice cream parlor. Preservation Mississippi has written about Seale-Lily stores in Jackson, but I found little information about a Vicksburg store. In 1943, a cash prize winner filed a lawsuit because he claimed that the Seale-Lily Vicksburg store did not award him the prize. The summary of the lawsuit did confirm the address of 2209 Washington Street. I buy tires at Tri-State, and my friends there generously let me take some photographs when my tires were being replaced. One of them said the Seale parlor closed in 1958 or 1959.

2209 Washington Street, Vicksburg, MS

View of Washington Street looking north.

I am not sure what this style of architecture is called. The arches have a vaguely Mediterranean  appearance, but the tiles along the roof facing give it a Southwestern look. As you can see, the glass windows once went to the top of the arched frames but were changed some time in the past. Tri-State has been here since the 1980s, and before that, a tire re-capping business occupied the premises.

The building was decorated with medallions and a checked pattern on the facade. The current owners have recently painted. I wish they could return to the original round-top windows.

These are ½ sec. exposures taken with my 24mm Super-Multi-Coated Takumar lens. I placed the camera on a shelf or beam and set the self-timer to eliminate vibration. As you can see, the fluorescent lights create some odd blooming. Still, I am pleased with this 1970s lens and am surprised how much detail the film recorded in the black tires.

The tire technicians told me that many years ago, there was a tall stainless steel tank in the middle of the room where the tire racks are located. I assume the Seale operation made ice cream in it.

I think they really do not want customers to wander around in the shop.... (Photographers exempted?)

This is the former Coca Cola bottling factory at 2133 Washington Street, about a half block north of Tri-State Tires. The 1938-vintage building has been leased by several users since Coca Cola vacated the premises about 20 years ago. The current tenant (or owner) sells furniture and gift items now.

I took these photographs on March 6, 2018, on Kodak TMax 100 film with a 1971 Pentax Spotmatic camera. The sepia image is from a Moto G5 mobile phone. The interior views are with a 24mm ƒ/3.5 SMC Takumar lens.

Photographing the Cotton Compress of Vicksburg with the Texas Leica (Panatomic-X B&W film)

Background

Dear Readers, for many years, I have used a splendid bear of a camera, the Fuji GW690II rangefinder, also known as the Texas Leica. It has a similar morphology to a Leica rangefinder, except it is, well, really big. The name is most appropriate. As you know, everything in Texas is larger: the vast open spaces across which you must drive, the enormous pickup trucks with dual rear wheels, the oil pumped from the  Permian Basin, the out-sized personalities like President Lyndon Johnson, the magnificent mansions in the River Oaks section of Houston, and the credit card bills of the ladies who occupy said mansions.

Notes on the Fuji Rangefinders

Fuji's original medium format cameras using 120/220 film were the Fujica G690 and GL690 from the late 1960s and mid-1970s. These had interchangeable lenses, and examples in good condition are highly coveted now. They provided a generous 6×9 negative area (actually, about 55×82mm). The GW690 Professional followed in 1978. This differed from the earlier models by having a fixed 90mm f/3.5 lens. The GSW690 Professional had the same body but was equipped with a wide-angle 65mm f/5.6 lens.

In 1985, Fuji made minor revisions and introduced the GW690II, GSW690II, and GW670II. My Texas Leica is the GW690II, which I bought new in 1991.

In 1992, Fuji introduced version III in sizes 6×7, 6×8, and 6×9. It is confusing to keep them all straight, but all are excellent picture machines; choose the negative size you want and look for an example in good condition. The leaf shutter is in the lens, and all controls are on the lens. On mine, filter size is 67mm.

The GW690II camera is a handful. The rangefinder is not as contrasty as one in a Leica, but the Fuji one works well. The body does not have the über-precise meticulous craftsmanship feel of a Rolleiflex or a Hasselblad, but the optical results from the 90mm f/3.5 EBC Fujinon lens are stunning. It is a five-element design with  four groups, all multi-coated. The film moves flat across the film gate and may lie flatter than in the Rolleiflex or Hasselblad. With the 690, you get 8 exposures on a roll of 120 film. When 220 film was in production, a roll would yield 16 exposures.

The main feature I miss in the GW690II is a self-timer. Because I often take pictures in old factories or buildings, I like to place the camera on a shelf or platform for a long exposure. But the lack of a timer means I need a cable release to avoid vibrating the camera. The older Rolleiflex is more handy in this respect.

The classic Panatomic-X Film

My favorite black and white film is the long-discontinued Panatomic-X. Eastman Kodak Company introduced Panatomic-X in 1933 and discontinued it in 1987. The film had been reformulated during its five-decade existence, so my late production was different than the original. It was designed to be an extremely fine grain film, which meant it could be enlarged for large prints and still retain details. This was of value to architectural, fine-art, and aerial photographers. Some 9-inch aerial photography film was a version of Panatomic-X. The version I have in 120 size was rated at ISO 32, but I shoot it at 20 and develop it in Rodinal at 1:50 dilution. Agfa’s Rodinal was a developer that retained the grain structure and therefore looks “sharp” (i.e., it does not have solvent action to partly dissolve the edges of the grain clumps). Used with good lenses and careful technique (that means a tripod), the detail in a Panatomic-X negative is astonishing, even in this age of 36-megapixel digital cameras.

My stock of Panatomic-X expired in 1989, but the rolls have been in the freezer and seem to be perfect. Unfortunately, only 15 rolls are left. Eventually, all good things come to an end. And honestly, Kodak TMax 100 or Ilford Delta 100 are almost as fine grain and will be a suitable replacement.

The Vicksburg Cotton Compress

A cotton compress was a facility that compressed raw cotton into dense bales. Early compress facilities were steam-powered and were active in Autumn, when the cotton was being harvested. Decades ago, compresses were found throughout the US South, when cotton was king. The cotton bales were transported away by rail or by steamboat. When I visited Łódź, Poland, a major textile and industrial center in the 1800s and early 1900s, I was surprised to learn that much of their raw cotton had once come from the USA South. I assume cotton bales from towns like Vicksburg were shipped down the Mississippi River and then transferred to ocean-going vessels in Baton Rouge or New Orleans.

In recent years, cotton production in Mississippi has greatly reduced and has been replaced with corn (for ethanol) or soybeans (export to China). The Vicksburg compress at 2400 Levee Street was in business through the late 1990s or early 2000s. I wish I had asked the operators if I could take photographs when it was in action. 

The historic brick buildings at the Vicksburg Cotton Compress at 2400 Levee Street are almost completely gone. Around 2010-2011, a company bought the buildings and removed the bricks for use somewhere else. Newer steel sheds are still standing but abandoned. There is no obvious action to reuse them.

I took the black and white film photographs in this article on a cold, gloomy day in late December of 2010. I also used a Sony DSC-R1 for digital photographs, which I have shown before (click the link). (Also click any photograph to enlarge it.)

I especially liked the textures and complexity of the tool benches and storage bins. These were old and well-used - from an era when we made things in the USA.

I think this was the machine that compressed cotton into mashed bales. I do not know how it all worked, and I wish I had asked to see the process when the compress was open in the 1980s and 1990s.

Cooper Postcard Collection, courtesy of Mississippi Department of Archives and History. Date not specified.

Vicksburg compress, from the Cooper Postcard Collection, courtesy Mississippi Department of  Archives and History.  Date not specified.

 I hope these massive old timbers were recycled. These were probably old-growth pine or cypress.

An interesting pedestal sink with a single metal support post. I could have a traditional sink like this at home.

Photographs technical:

Film: Kodak Panatomic-X film, which has been out of production since the late 1980s. I developed the film in Agfa Rodinal 1:50.
Camera: Fuji GW690II 6×9 rangefinder camera with a 90mm ƒ/3.5 EBC Fujinon lens.
Exposures: I exposed at EI=20, so all frames were tripod-mounted, and many exposures were ½, 1, or more sec. long.
Scanning: Minolta Scan Multi medium-format film scanner, operated with Silverfast Ai software, film profile set at Tri-X 400 setting.
Clean-up: I used the heal tool in Photoshop CS5 to clean up lint and other marks.

When Film goes Bad (expired Ektar 25 film)

Former Edwards High School gymnasium, Magnolia Street, Edwards, Mississippi

I finally used the last of my stock of long-frozen Kodak Ektar 25 color negative film. It was quirky and a bit hard to use, but had a unique color palette. As a test, I bought two rolls from a fellow on eBay who claimed they had been refrigerated. I tried one of the rolls and it was fine. Then I bought two more rolls from another seller who honestly said he did not know the storage conditions. Many of these expired films come from estate sales, where a buyer opens an old camera bag and finds film. This time, the film was clearly ruined. Of a roll of 12 exposures from my Rolleiflex 3.5E, most were grossly underexposed, and I could only extract 5 frames. I used an exposure index (EI) of 12, but possibly if I tried EI 4 or 6, I might have saved a couple more frames. Regardless, I discarded the other roll. Really, it does not make sense to buy expired color film unless the seller can guarantee it has been frozen.

Expired black and white film is more forgiving because, of course, you do not have a color shift. I am still using 3-decade-old Kodak Panatomic-X film, which has been frozen all this time.

Crossroads store, Old Port Gibson Road, Reganton, Mississippi

The venerable Crossroads Store in Reganton, on Old Port Gibson Road, has been in business for a century. It is an example of the type of country store that once served farmers and workers who did not have access to a car in an era before strip malls and supermarkets. The day I took this picture, the store was hosting a crawfish boil, and everyone was having a good time. They invited me to eat!

Unoccupied house on Old Port Gibson Road, Reganton, Mississippi

Templeton Grocery, Jack Road, Hazelhurst, Mississippi

Templeton Grocery, Jack Road, Hazelhurst, Mississippi

The old Templeton Grocery at the intersection of Jack and Dentville Roads, northwest of Hazelhurst, is another example of an old neighborhood country store. This one was sheathed with asphalt shingles. These were similar to roof tiles and were equally durable, and were often made to resemble bricks or stone. Asphalt sheathing was popular mid-20th century but now is typically associated with low-income neighborhoods or old industrial or mill towns in the northeast.

Shack-Up Inn, Clarksdale, Mississippi

Finally, we have a frame from the Shack-up Inn in Clarksdale. This is a Blues-oriented inn where the guests stay in old farm silos or shotgun shacks. Here I tried another roll of Ektar 25 from an eBay vendor who claimed the film had been frozen. Most frames turned out all right, but some clearly showed that the film had aged. Too many years have gone by since Kodak discontinued Ektar 25. Sadly, it is time to move on to a contemporary medium format color negative film.

These photographs are from a medium format Rolleiflex 3.5E twin-lens reflex camera with a 75mm ƒ/3.5 Schneider Xenotar lens. All frames tripod-mounted. I scanned the film with a Minolta Scan Multi film scanner at 2820 dpi.

This is no. 02e of my irregular series on Abandoned Films.

Mouldering away, the Levee Street Tank Farm, Vicksburg, Mississippi

A petroleum tank farm sits at the junction of Levee and Fairground Streets. The facility has been unused since before I moved to Vicksburg in the mid-1980s. For many years, the fence was intact and the gate closed. Then, for several years, I saw a "For Sale" by the General Services Administration sign. The GSA is the agency that manages real estate and other property (like motor vehicles) of the US Government. Then there were no signs at all for a few years.

Levee Street tank farm, April 7, 2018

In April, the gate was open, no one was around - it was too good to resist.

Former compressor building? 

The brick building on the right in the photograph above once must have contained compressors or other heavy industrial machinery. Evidence for this are the concrete supports, now semi-engulfed by vines and jungle. I have watched this building for years as its roof collapsed. 

View of Fairground Street Keystone Bridge, April 8, 1990, 4×5" Fujichrome transparency from Tachihara camera, 75mm f/8 Schneider Super-Angulon lens

Many years ago, my daughter and I climbed one of the metal stairs to the top of a tank. I carried up my 4×5"camera and tripod. There was a pungent smell of petroleum products coming from open valves. No one cared about fumes in 1990? From the top was a great view of the old Fairground Street Keystone bridge. The bridge still stands, but it has been closed to car and pedestrian traffic for 20 years and part of the approach on the west side has collapsed.

This is another 1990 view of tanks and piping, taken on Fujichrome 4×5" film with a 75mm f/8 Schneider Super-Angulon lens. Surprisingly, last week, when I biked by the site, I saw a fellow on a lawnmower cutting the grass. Someone is doing some maintenance there.

The 2018 black and white photographs are from Kodak TMax 100 film with a Pentax Spotmatic camera and the 24mm f/3.5 Super-Multi-Coated Takumar lens. This is fine early-1970s equipment. This version of the lens was made from 1972 to 1976, has 9 elements in 8 groups, and features multi-coating on the glass surfaces to reduce flare and reflections from the internal air-glass surfaces. I mounted the camera on a tripod.

Small Towns in Mississippi: Bolton

Madison St. (Old US 80), Bolton, Mississippi

Bolton is an old agricultural town in Hinds County on the east-west Kansas City Southern railroad line between Jackson and Vicksburg. Many Vicksburgers who go to school in Raymond take the exit from I-20 and pass through Bolton in a hurry, likely not paying much attention. Like many other small towns, Bolton has faded. The small commercial strip is mostly empty, the shops and nearby houses rather run-down. It is sad.

The gas station at the corner of Old US 80 and Bolton-Raymond Road is now a fast food joint.

I do not know if Bolton ever had a passenger depot. This old railroad warehouse or shed is at the crossing of the Bolton-Raymond Road. I have photographed it several times over the years. The tracks and bedding are in good maintenance because this is the main Kansas City Southern east-west line.

Jackie's Beauty Boutique is just a few steps from the railroad warehouse. On January 9, 2014, the Hon. Bennie G. Thompson in the House of Representatives asked his colleagues to recognize Ms. Jackie Bailey for her contributions to the community (Congressional Record, 113th Congress, Second Session, Volume 160-Part 1) 

East of Bolton, Old US 80 runs through woods interspersed with farm fields. I am not sure how much of the route is the real 80, the former Dixie Overland Highway, and how much is 1970s-vintage frontage road.

Proceed west on Madison Street, which is also Old US 80, and you reach the police station in a tiny modern office. Across the street is a closed gas station.

Continue west, and we have cottages and shotgun houses in various states of habitation and maintenance. I like the symmetry of these older cottages. Unfortunately, there is not much more to see in Bolton.

I took most of the black and white photographs with an Olympus Trip 35 compact 35mm camera on Kodak film. I wrote about the Trip 35 in January. I also wrote about the Trip 35 on the 35MMC blog.

Update: I found a 1996 Kodachrome slide of Bolton.

Madison St., Bolton (Kodachrome 25 film, Leica M3, 90mm ƒ/2.8 Tele-Elmarit lens)

The Mississippi Delta 25: Avon (Ektar 25 film)

Avon is an unincorporated community - really just a cluster of houses and a big cotton gin - off  Highway 1 in Washington County, Mississippi. It is only 12 miles south of Greenville, and most travelers on Hwy. 1 probably rush on by. One cold December day, I had been birding and found myself in Avon. The light was soft and mellow, a roll of Ektar 25 was in my camera, and I could not resist documenting some more of the Mississippi Delta.

The Maddox Grocery was closed, but it may be a worthwhile stop during a work day to sample some of the bar-b-que.

The Avon Depot looks like a railroad depot, but I did not see any evidence of old tracks.

This drainage ditch off Riverside Road is typical of the state of infrastructure in the USA. What has happened to us?

Further east on Riverside Road was this closed and abandoned restaurant.

Avon Gin was a big complex of warehouses and sheds, with a lone shotgun house on the property.

A short distance south, Possum Ridge Road joins Rte. 1. A lone farm workers' house sits in a field. This photograph was at dusk with an exposure of 1 sec. at ƒ/8.0.

I photographed this same little house in 2005 with Panatomic-X black and white film. At that time, there was a child's bicycle inside and some old signs.

The color photographs are from the long-discontinued Kodak Ektar 25 film. Mine expired in 1995, but it has been frozen all these years and seems to be fine. The Ektar 25 works especially well in soft light, drizzle, or snow, and the contrasty palette brings out colors. It was the finest-grain color negative film ever made and benefited from careful technique and top-grade lenses. I exposed it in my tripod-mounted Hasselblad 501CM camera with 80mm CB and 50mm CF lenses. I scanned the negatives in a Minolta Scan Multi medium format film scanner using SilverFast Ai software. The 2005 frames are from Kodak Panatomic-X film from my Fuji GW690II camera.

This is no. 02b of my irregular series on Abandoned Films.