Kodak Panatomic-X: the Best Black and White Film*

Introduction

This is the first of an irregular series of posts on discontinued film types ("Films from the Dead").

Bad news, there is only one brick of 120-size Kodak Panatomic-X film left in my freezer. So it goes - all good things must eventually end. I bought several bricks in the late-1990s from an eBay seller in California. As promised, they were in perfect condition. I was unaware when Kodak discontinued the product and therefore did not buy any stock at that time. The fellow in California was a lot smarter than I was. 

*Note: My title needs to be qualified. Panatomic-X might have been the best fine-grain black and white film, but the old standby, Kodak Tri-X, is superb when you need faster speed and do not need as fine grain. Film users have other favorites, such as TMax 100, Ilford Delta 100, or Fuji Acros.

120-size box from 1961, courtesy of Pacific Rim Camera

1951 box for 828 size Panatomic-X, courtesy of Pacific Rim Camera

1937 box for 3¼×4¼" pack film, courtesy of Pacific Rim Camera

Eastman Kodak Company introduced Panatomic in 1933 and discontinued it in 1987. The earliest version of Panatomic (not X) was on nitrate base, but the X version was on safety base, probably around 1937. Kodak packaged it in roll film sizes 117, 616, 620, 120, 127, 135 (standard metal cassettes), and 828 as well as in several film pack sizes. 

It was designed to be an extremely fine grain film, which meant it could be enlarged for large prints and still retain details. This was of value to architectural, fine-art, and aerial photographers. Some 5- inch and 9-inch aerial photography film was a version of Panatomic-X known as AERECON II). 

Kodak reformulated the film during its five-decade existence, and my late production was different than the original. My 1980s version in 120 size was rated at ISO 32, but I shoot it at 20 or 25 and develop it in Agfa Rodinal at 1:50 dilution. Agfa's Rodinal is a developer that retains the grain structure and therefore looks "sharp" (i.e., it does not have solvent action to partly dissolve the edges of the grain clumps). Used with good lenses and careful technique (that means a tripod), the detail in a Panatomic-X negative is astonishing, even in this age of 36-megapixel digital cameras.

From the Archives

This is a photograph that my dad took somewhere in Burma on the Irrawaddy River. He used early Panatomic-X with his Leica IIIC rangefinder camera (still in operation).

1980s and 1990s Examples

These are 1982 examples from a farm in Clifton, Virginia. I had just bought a Rolleiflex 3.5E twin-lens reflex camera and was experimenting with different films. I wanted fine grain for architecture, and Panatomic-X was still in production. After experimenting, I settled on shooting it at EI (exposure index) 25 and developing it in Rodinal 1:50. I also experimented with Agfapan 25 but could never get the contrast right (but that was my error - Agfapan was a fine film).

My new 1959-vintage Rolleiflex 3.5E with 5-element 75mm ƒ/3.5 Schneider Xenotar lens

This is my present Rolleiflex 3.5E camera. It is similar to the one I used in the 1980s, which I should have never sold. The earlier one had a selenium light meter in the slot below the word "Rolleiflex." But my new one has better resolution; everything in its production chain worked out just right. In the 1950s and early 1960s, the factory tested every Rolleiflex camera with film before releasing the unit for sale. If there were any issues, the camera went back for adjustment or installation of new lenses. Rollei precisely matched the taking and viewing lenses in focal length.

Residence room in the Junius Ward YMCA, Clay Street, Vicksburg, Mississippi, early 1990

Panatomic-X film was excellent for detailed photography in old buildings, but you needed a tripod to support the camera for long exposures. In this example, I found an old chair in the hall and placed the camera on it. The Rolleiflex is suited for this work because it does not have a moving mirror and is therefore vibration-free.

Cemetery in Kalavrita, Greece, 1998, Leica M2 35mm camera.

I occasionally used Panatomic-X in 35mm cameras. This is an example from Kalavrita, a town in the Peloponnese of southern Greece. I should have used the 135 size film more often. (Update: Click the link for my 2021 article on 135-size Panatomic-X.)

2000s Examples

Shotgun houses in Grayson Court, Jackson, Mississippi, 2004

Grayson Court in Jackson was an old-fashioned alley with shotgun houses facing the common road. It has been torn down although the property owner did some renovating in the early 2000s. I took this photograph with my Fuji GW690II camera (the "Texas Leica") and its Fuji 90mm f/3.5 lens. The 6×9 negative (real size 54×82mm) scans to a 100 mbyte 16-bit TIFF file. More Fuji examples are below.

Junius Ward YMCA on Clay Street, Vicksburg, 2004. The Old Courthouse Museum is in the distance.

Shotgun houses on Bowmar Avenue, Vicksburg, 2005. Both have been torn down.

The New21 Club on Hwy 61, Valley Park, Mississippi, 2016

Blue Front Cafe, Bentonia, Mississippi, 2010

Administration building (1936) at former Bonner Campbell Institute, Edwards, Mississippi (click to see 2400 pixel frame) 

Unused Teen Center, 407 West Green Street, Tallulah, Louisiana, December 2016. Fuji GW690II camera.

Unused church in Hermanville, Mississippi, January 2017. Rolleiflex 3.5E camera.

Little Bayou Pierre, Port Gibson, Mississippi, February 2017. Rolleiflex 3.5E with 75mm Xenotar lens.

Port Gibson is the town that General Ulysses Grant did not burn during the U.S. Civil War because he admired the architecture so much. 

Crushing mill, Rte 3, Redwood, Mississippi, 2017. Rolleiflex 3.5E with 75mm Xenotar lens.

This is some sort of early 20th century crushing mill, long abandoned in the woods just off Hwy. 3 in Redwood. This is a 1 sec exposure at f/11. I resized this frame to 2400 pixels, so click the picture to see more detail.

2020s Examples

Private cemetery within Vicksburg National military Park. Rolleiflex 3.5E, yellow-green filter

Closing Notes

Kodak likely discontinued Panatomic-X for several reasons:

• Even by the 1980s, most photographers wanted faster film so that they would not need to use a tripod in low light. 
• Newer T-grain or tabular films like Kodak T-Max or Ilford Delta 100 offered almost as fine grain but with faster speed. (Note: many old-time photographers preferred the genuine Panatomic-X.)
• A friend from Rochester, who has worked with Kodak, said there was a toxic chemical used in the Panatomic-X production (possibly cadmium). I have read the same pertaining to Agfapan 25, so maybe slow fine grain films required some chemical technology that manufacturers cannot use today.

Readers know I like film. One reason is I used film for 50 years and am comfortable with it. Another reason is it has a familiar look that we saw in prints, magazines, exhibits, and movies for decades, and it works well for recording urban decay. The self-professed "experts" (I am trying to be polite) on forums like Dpreview hate film because they think they are so superior with their new super digital capture devices. To each his own. Still, if you have aspirations to be a photographer, you owe it to yourself to use the traditional medium, learn how to calculate exposure manually, and contemplate each picture carefully. You need to think with film; no spray and pray that you might achieve a meaningful "shot." And you cannot chimp (review the pictures on the camera's screen) as you see in tourist sites around the world. Read an interesting interview on The Phoblogger with the Richard Photo Lab about how film is appealing to more and more photographers of all ages and skill levels. Used film cameras are cheap acceptable price and many emulsions are still available - just go do it.

Update March 2019

A reader in Photrio found this 1934 announcement from the British Journal Photographic Almanac. Thank you for the detective work.

Update November 2019

Here are examples of industrial machinery at the abandoned Redstone Quarry in North Conway, New Hampshire. I used my Rolleiflex 3.5F with 5-element 75mm ƒ/3.5 Planar lens, all tripod-mounted. Click any picture to see more detail.

Update October 2020

I bought some 35mm Panatomic-X from a seller on eBay. It expired in 1991 and proved to be fine, if possibly more grainy than when new.

Machine shop, Levee Street, Vicksburg, Mississippi (Pentax Spotmatic camera, 28mm ƒ/3.5 Super-Multi-Coated Takumar lens)

Please click this link for more examples of this 1991-vintage 35mm Panatomic-X inVicksburg and Louisiana.

Update July 2022

Good news! I bought ten more rolls of 120 Panatomic-X from the same gent who sold me rolls in the 1990s. 

Decay and loss, Port Gibson, Mississippi

Dear readers, happy and prosperous 2016 to you all!

EL Malvaney writes these great articles in Preservation in Mississippi about preservation efforts around the state as well as the all-too-common failures. The December 31, 2015 article was about Friends We Lost in 2015. The article mentioned a building in Port Gibson that burned in September. I was out of the country then and totally missed the news. But the article jogged my feeble memory and I found a 2012 photograph in my archives.

This was the former gasoline station at 200 Carroll Street, one of the buildings that burned. I took this photograph from a park across the street with a long lens. Some dudes drove up in a black SUV and waited for awhile. Then other dudes drove by, chatted for awhile, and exchanged packages. Sigh, another example of decay in America.

This is the old Trace Theatre on Main Street. I do not know if it is used.

This was a former grocery store on Carroll Street, also long deserted.

A short distance west of town is Vandeventer Street, with a number of houses that had seen better days a long time ago.

The reason I drove to Port Gibson that cold day in early 2012 was to see the remnants of the cotton seed oil mill on Anthony Street. The brick building in the center of the upper photograph dates to the 1800s.

A work crew was dismantling the machinery in this part of the mill. They said the machinery was being shipped to a factory in Nigeria.

East of Port Gibson on Hwy 18 is (or was) this pink club. The owner said she did not allow any trouble in her place. 

I need to return to Port Gibson before the rest of the town falls down or is dismantled. The 2012 photographs were taken with a Panasonic G1 camera with various lenses. The gas station and brick grocery were with a 50 mm Leica Summicron lens on the G1. Raw files processed in PhotoNinja software.