Really Good Things in Small Packages: My Leica IIIG Camera

Background

The stock market behaved as every economist predicted in response to the chaotic tariff regulations. Our family assets sink with each burp of the markets. That is sure making America great again...... The popular photo blogger, Kirk Tuck, recommended folks buy any cameras they might want immediately. Hmmm.....  

I like that advice!! I suffered another bout of GAS (Gear Acquisition Syndrome) and ordered a camera I have thought about for some years, the Leica IIIG rangefinder. A sale of Leica goodies at Tamarkin Camera in Chicago was too good to resist. The 'Bay lists tens of IIIGs for sale, mostly from Japan. But the Tamarkin price was a bit lower, and all his camera bodies have been checked, cleaned, and adjusted as needed.

The Leica IIIG

The IIIG is the last iteration of the famous Leica thread-mount camera line. Leica made this beauty from 1957 to 1960, with production of only about 40,000 units. Ernst Leitz GMBH had recovered from the war and was selling their top quality cameras and lenses around the world. Leitz had introduced their fantastic M3 camera in 1954, and the IIIG was their last and most sophisticated version of the older thread mount series. Unlike all the previous III models, the IIIG had a viewfinder with movable frame bars to show the coverage of a 50mm lens. It was a major improvement, although not nearly as sophisticated as the finder in the M cameras. 

Framing the scene that a lens will project on the 24×36 mm piece of film is always imprecise with viewfinder cameras. In the past, I have been frustrated with cameras that have a viewfinder only, such as my Vito BL, Kodak Retina IIa, and Leica IIIC. Depending on where I placed my eye, the frame shifted left or right. The projected frame bars in my Leica M2 and my Canonet cameras are a major improvement in aiming more accurately. Therefore, my new IIIG provides this improved function also (see, I just justified GAS). 

 

Leica IIIG viewfinder windows including small window to illuminate viewfinder frame bars

Like the older thread-mount cameras, the IIIG has two shutter speed controls. The dial on the front is for B (bulb) and 1 to 1/30 sec. The dial on the top controls 1/30 to 1/1000 sec. The self-timer is the lever on the front. 

Immaculate engraving and machining

The IIIG is somewhat of an anachronism today, being a mechanical camera that takes film and has no light meter. But it is more compact than my M2 camera, has a hand-crafted jewel-like precision, and has a fun factor that today's electronic cameras lack. And film has certainly enjoyed a revival compared to the early 2010s. Whether it lasts, I cannot predict. 

Loading contemporary film in current 35mm cassettes requires some preparation. You need to trim the film leader to have a tongue about 10cm long, similar to the way film was supplied in the 1960s. You load the film from the bottom. Lacking a back film door, the body is especially rigid.

I already had three 50mm thread-mount lenses that I used with my 1949 IIIC: 

• 1949 5 cm ƒ/2 Leitz Summitar (in the photos above)
• 1962 Soviet 50 mm ƒ/2 Jupiter-8 (a Sonnar type of lens)
• 1950s 50 mm ƒ/1.8 Canon (late production model) 

So, of course, too many camera toys....   

Note: In 1999, Leica issued their 50mm ƒ/2 modern Summicron lens in a thread-mount version. Hmmm... 

Olympic Peninsula, Washington

On a sunny and cheerful April day, my wife and I set out north into the Olympic Peninsula. I mounted my 1949 5 cm ƒ/2 Summitar lens on the body and loaded a roll of Kodak Portra 160. Leitz designed this 7-element lens before the war and continued production until 1953 or 1954. My example is coated and unscratched. I measured light with my Gossen Luna Pro digital meter, set at Exposure Index 100. Here are some examples. Please click any picture to see details.

Hunter Farm, Rte 106, Union

Fix me up, Center Road, Quilcene (1/250 ƒ/5.6)

Fixer-upper house, Center Road, Quilcene

Waiting for repair with a bit of fungus, Rte 101, Quilcene

Skeleton man on patrol, Quilcene

Also waiting for repair, Rte 101, Quilcene

Rte 101 bridge over Hamma Hamma River (1/125 ƒ/8.0½)

Motel, Rte 101, Lilliwaup (1/60 ƒ/4.0½)

Country store, Rte 101, Lilliwaup

Oh, oh, no coffee here, Rte 101, Lilliwaup

Summary

OK, I am thrilled. This  IIIG certainly passes the test. The body looks great, the finder is clear and clean, film spacing is even, and exposure is uniform across the frame (meaning the shutter curtains are running smoothly). 

The old Summitar lens is contrasty on a bright sunny day. The center of the frame is high resolution. But it has serious field curvature and is not as uniform across the frame as a modern lens. On the scale of internet display, the frames look fine. The entire package is fun to use, with a mechanical watch-like precision. 

My recommendation: Buy a Leica thread-mount camera and get back to the basics of film photography! Have fun! 

Reading

One of the best reviews of the IIIG camera is by Mike Eckman. 

Appendix - Leather Case

Genuine E. Leitz case for Leica IIIG with short or collapsing lens

Tamarkin Camera included a traditional ever-ready ("never-ready") leather case. Such cases were ubiquitous pre-1975 or so, but they fell out of favor with most photographers. I had enormous bulbous leather cases for my Nikkormat and Nikon F cameras in the 1970s. 

I stopped using cases for most 35mm cameras years ago. However, the one for my Retina IIa was useful and compact, and the square one for my Rolleiflex 3.5E adds almost no bulk. Despite the criticisms, cases can be handy because you can walk around in a rain and have your camera protected. But the camera remains easily accessible. And, you can toss it into a backpack or the floor of your car, and it will be reasonably padded. 

The case above is beautifully made of molded brown leather. And this one still has good stitching. It is a compact model with short lens snout, probably intended for collapsing lenses or a small unit like the 35mm Summaron. My Summitar fits when collapsed. 

Leitz also made taller cases that, I assume, were designed to hold the camera and a mounted selenium light meter.

Would this be handy for a bicycle outing? The leather straps are old and need to be replaced for safety, and a light meter will need to be in another pouch or a pocket. Hmmm, something to consider.

On the Waterfront, Raymond, Washington (2024)

Raymond is on an estuary of the Willapa River near South Bend in Pacific County, Washington. Much of the city was built on piles on the tidelands. Like many rural Washington cities, it was originally a lumber mill town with adjacent farming in the river valley. Early in the 20th century, the city was bustling with lumber mills and freshly cut logs trains. Ocean-going ships took lumber to distant ports. Like many Pacific Northwest towns, the Great Depression devastated the local economy. The economy revived during World War II and during the post-war housing construction boom. Logging began to diminish in the 1970s, and the town fell on hard times. Today, it is part of the Evergreen Coast and has partly reformed itself as a tourist and museum town.

Willapa River (Kodak Panatomic-X film, 80mm ƒ/2.8 Planar-CB lens, dark yellow filter)

Weyerhaeuser Raymond Sawmill (250mm ƒ/5.6 Sonnar lens, yellow-green filter)

Raymond Trestle swing bridge, Willapa River (40mm ƒ/4 Distagon lens)

Detail, railroad swing bridge (100mm ƒ/3.5 Planar lens)

The Raymond trestle is another example of the impressive engineering that railroads achieved early in the 20th century. The control house was wood and has partly collapsed. The bridge is part of the Willapa Hills Trail, but the trail needs to divert through town instead of cross the river here. 

Stan Hatfield South Fork Industrial Park (50mm ƒ/4 Distagon lens)

Stan Hatfield South Fork Industrial Park

The Port of Willapa Bay runs several industrial parks with buildings rented to tenants. I do not know what this machinery once did.

Commercial Street, Raymond 

I plan to return to Raymond and look around some more. It is revitalizing, but there is old architecture and housing that I want to photograph.

The 2024 photographs are from Kodak Panatomic-X film and my Hasselblad 501CM camera. Praus Productions in Rochester, New York, developed the film in Xtol.

Inexpensive Gem: My $13.50 Canonet GIII QL17 Camera (Oly 18)

Long-term readers know that I periodically suffer from uncontrollable episodes of GAS. That is Gear Acquisition Syndrome, an ailment that most photographers suffer. 

Well-used Canonet G-III QL17 camera

Background

I have been bicycling more, and with the approach of dry spring weather, a compact bicycle camera might be handy. A logical choice is one of the compact rangefinder cameras from the 1970s and 1980s. But which model? The Japanese companies made millions of these cameras. But many have succumbed to age, fungus, moisture, corroded batteries, or gummed up lubricants. They were designed as mid-range consumer products, and it is amazing that so many are still functional 50 years later. 

The best summary of compact rangefinder cameras is on Steve Gandy's Cameraquest site. PetaPixel presented a summary of the Canonet models. 

I have experience with compact cameras:

• Some four decades ago, I used a Rollei 35S with an excellent 40mm ƒ/2.8 Sonnar lens. Why did I sell it? 
• About 20 years ago, I had a Canon Canonet QL19 camera, which took superb Kodachrome slides. But I sold it in the foolish days when I thought I would switch to digital. 
• For a few years, I used a Yashica Electro 35CC, but it failed via the infamous "pad of death." 
• My Olympus Trip 35 developed a lens alignment issue, so off it went. 
• My Voigtländer Vito BL is compact but has small fonts on the controls and has only a ƒ/3.5 lens. Optically, it is superb, but a bit too fiddly.
• Last but not least, my 1949 Leica IIIC is a compact jewel, but is also fiddly in the field. It is a deliberate tool, so maybe not quite right for a bicycle grab-and-take camera.

Being familiar with my Canonet of 20 years ago, I decided to try one again. Some of the later models cost serious $$$ from KEH and other vendors. The days of finding such a camera at a garage sale for $5 are long gone! On a whim, I bought a GIII QL17 for $13.50 plus minor shipping from the big auction site. $13.50?

Canon made a series of these fixed lens rangefinder Canonet cameras starting in 1961. They were  outstanding commercial successes. The earlier Canonets were big and heavy cameras. In 1969, the company redesigned the line to be smaller and lighter. Canon sold 1.2 million of the last version, the GIII QL17. QL meant Quick Load, a clever mechanism to make loading the film easier. And 17 represented the maximum aperture of ƒ/1.7. Canon also sold lower price 19 and 28 models. All had excellent coated lenses. The lens on the ƒ/1.7 model is a 6-element double-Gauss design, single coated.

A problem with all of these 1960s and 1970s cameras is they depended on 1.35 volt mercury batteries to power the light meters. The mercury battery had a steady voltage output until the cell was close to exhaustion. As a replacement, many people now use a Wein Cell, which is 1.4 volts. Hearing aide batteries, which are inexpensive, also work. 

Clean design with settings visible from above

Film path with Quick Load panel on the right. I removed the old foam light seals.

My camera was dirty, but some alcohol wipes cleaned it. The foam light seal strips had deteriorated into a sticky tar. Alcohol on Q-Tips and some toothpicks cleaned most of the glop. Although the viewfinder was a bit hazy, the rangefinder was accurate horizontally and aligned vertically. Best of all, this body did not suffer from the common sticky Canon shutter blade syndrome. The shutter speeds from 1/4 to 1/500 sounded reasonable, especially after some exercise. Even the self-timer was reliable.

Trouble: the light meter was comatose. I cleaned the contacts in the battery compartment, but there was no electrical activity of any kind. Instead, I can temporarily use my Reflx Lab light meter, a compact unit that slides into the flash shoe. At least ten Chinese companies have recently introduced small shoe-mount light meters with various types of displays and button configurations. I assume many of these meters share a sensing unit and integrated electronic package. 

Olympia

One early morning in March, after breakfast at Bread Peddler and while waiting for a car repair, I walked around 4th avenue and Capital Way. The light was soft. I loaded a roll of Kodak Ektar 100 in the Canonet. (Click any picture to expand it to 2400 pixels wide)

The parking lot located off Capitol Way at the alley that runs between State and 4th Avenues is usually dirty and trashed. But the graffiti is colorful. 

116 State Avenue

Capital Way view south

Capital Way power box

Conclusions

The 40mm ƒ/1.7 lens on this little Canonet is terrific! It is high resolution and shows little or no distortion. No complaints here. However, Canon used a filter mount of 48mm, which was semi-unique to Canon products. I ordered a 48mm vented hood from one of the Chinese vendors.

The Ektar 100 film was a pleasant surprise. In the past, I had trouble with the Ektar colors in bright sunny conditions. But in overcast, the contrast and bright colors are just right. I scanned these negatives on my Nikon Coolscan 5000 film scanner, while with previous rolls, I used a Plustek 7600. Possibly, the Nikon does some internal data processing in a different way, more suited to the Ektar color palette. Regardless, I'm pleased and will use Ektar 100 again.  

  

Informal review: Zeiss ZM Biogon 21mm ƒ/4.5 Wide-angle Lens in Olympia (Oly 16)

21mm ƒ/4.5 Biogon lens with hood. The Leica M2 body is from 1967.

My New Biogon Lens

Dear Readers, once again, I failed to curb my GAS (Gear Acquisition Syndrome). I bought a Zeiss ZM* 21mm ƒ/4.5 C Biogon lens for Leica M mount. 

Decades ago, I had a 20mm ƒ/5.6 Russar lens, a pioneering optical design from the Soviet Union. It worked well, but I sold it in the early-2000s when I was reducing my photography stuff. 

But I missed a really wide view for 35mm and had eyed this Biogon for a while. LensRentals sent an email about a 20% off sale, and they offered one of these lenses. That was too good to resist. The lens looked absolutely new, and, I assume, they seldom, if ever, rented this particular unit. After ordering a 21mm Leitz viewfinder from Tamarkin Camera, I was ready to go. (I recommend both LensRentals and Tamarkin Camera for good condition equipment and honest service.)

Zeiss made two 21mm lenses for the Leica M mount, this ƒ/4.5 C (Compact) model and an ƒ/2.8 version. The C lens is a compact gem and is intended for use on film cameras. It is almost distortion-free, meaning that straight lines remain straight. It takes 46mm filters, which are larger than the 39mm filters for my other Leitz lenses. The rectangle hood clips on the outside of the lens, and if you use filters, they must be the correct 46mm diameter to fit inside the hood.   

Finally, you need a 21mm external viewfinder to see what the lens covers. The built-in finder on my M2 camera has frame lines for 35mm, 50mm, 90mm, and 135mm lenses, but it is much too inaccurate to try to guess the coverage of a 21mm lens by looking at the edges of the viewfinder. The best external finders come from Leitz (Leica), Zeiss, and Voigtlander. The Leica unit was the only one with an offset shoe such that the mounted finder does not overhang the shutter speed dial (see the photo above). 

Kodak T400CN Examples, Olympia, Washington

One October morning with misty light, I walked around downtown Olympia. Here are some examples of how this 21mm lens can take in the big picture. Please click any photo to see it enlarged.

View south on Capital Way (21mm ƒ/4.5 Biogon lens, 1/15 sec.)

Capital Way sidewalk

Art alley parallel to 4th Avenue

Olympia Federal Savings parking lot (1/30 ƒ/5.6). Note the straight lines.

Mid-century architecture, Olympia Federal Savings bank

Olympia has a good selection of mid-century architecture. The city must have enjoyed a period of prosperity after the war, resulting in a burst of commercial construction. Some of this architecture has aged well, but some of it looks dismal.

Legion Way view west (1/30 ƒ/5.6)

Sylvester Park from Dancing Goats Coffee

Capital Way sidewalk

5th Avenue

Olympia's downtown core is grungy and dirty. I wish the city would do a serious cleaning, pressure wash the sidewalks, remove graffiti, remove the homeless, and install more effective street drains. It is disgraceful considering it is the state capital. 

Morning on East Bay

Many mornings, especially after a storm, the light on East Bay is just magic. This is my view during my morning coffee.

Fuji Acros 100 Film

Washington State Capitol (May 3, 2024)

State of Washington General Administration office building from Columbia Street SW

This 1956 office building is an example of International Style architecture, emphasizing horizontal lines and severe lack of external ornamentation. 

"The building was designed by prominent Tacoma architect, A. Gordon Lumm, in the International style distinctive for its horizontal cubical form and spare ornamentation. Its exterior minimalist appearance and interior architectural flexibility, including movable aluminum wall panels, demonstrate a growing aesthetic for modular space able to easily accommodate changing space and technology requirements."

This sounds like an early form of the cube farm. The building has been unoccupied since 2018 because the wiring, plumbing, and structure no longer meet building codes. Six years later, I do not see any work on demolition. Some planning documents state it will be replaced by a parking lot and restroom???

1970 (approx.) postcard of General Services Building.

This is a postcard from the University of Idaho's Northwest Historical Postcards Collection. The building did not look too bad back then. 

Summary

I am thrilled with my 21mm Biogon lens. It is high contrast and distortion-free. Resolution is remarkable on fine-grain film. It is compact enough to easily fit in a camera bag with the rest of the Leica kit. You need to be careful in framing to avoid converging lines, such as in the photograph of the General Services building. It is fine wide open at ƒ/4.5. You need the correct 46mm screw-in filters, but the mounts can be regular thickness (slim-mount not necessary). And you need the correct Zeiss rectangle hood. 

Summary: Highly-recommended!

* The Zeiss ZM lenses are made for use on Leica-M mount camera bodies. Most lenses are made in Japan, but a few are from Germany. Many reviewers state that the ZM lenses are as good optically as genuine Leica lenses but are much less expensive. The 21mm ƒ/4.5 Biogon that I bought is out of production, so if you want one, grab one now. 

The 50mm ƒ/1.5 Sonnar is a modern version of the classic large aperture Sonnar lens, first made a century ago. I already have one Sonnar lens, a 1962-vintage Soviet 50mm ƒ/2 Jupiter-8. These Sonnars produce a different "look" than most contemporary 50mm lenses. 

The Zeiss ZM 25mm Biogon lens has a superlative reputation. But I won't buy one, I promise...... 

(Coming soon: 21 mm scenes in Athens and Istanbul.)

Trains Through Chehalis, Washington

Chehalis is the County Seat of Lewis County, Washington. It is south of Centralia and is overshadowed economically by the larger city. But Chehalis has a well-preserved downtown with late 1800s and early 20th century buildings. It was primarily a logging and railroad town in the late 1800s.  It also hosts the BNSF rail line, which cuts right through the center of town. 

Thundering through, get out of the way! (West Main Street, March 23, 2024, Panatomic-X film, 50mm ƒ/4 Distagon lens, yellow filter)

These enormous freight trains come thundering through town. The lights flash at the West Main Street crossing, the barrier arms swing down, and you wait. The ground starts to vibrate, and these trains roar through at 40? 50? 60 miles per hour?

Track debris

Milky Way dairy transportation company

Milky Way is the largest milk hauling company in the Pacific Northwest. One of their terminals is right next to the rail line off West Main Street.

DrinkAMugAMilkAMeal (Samsung mobile phone photo converted to black and white)

Line off Prindle Street (250mm ƒ/5.6 Sonnar lens, dark yellow filter)

Chehalis is a nice little town. The Willapa Hills bicycle trail starts here and continues west to Pe Ell. Eventually, it will be graded and paved all the way to Raymond. I need to explore Chehalis in more detail.

I took most of the photographs with a Hasselblad 501CM camera using Kodak Panatomic-X film, all frames tripod-mounted.