Footloose around Vicksburg, Mississippi, with Kodak Ektar 25 Color Film

Dear readers, I had one last roll of the long-discontinued Kodak Ektar 25 color negative film in 120 size. I loaded it in the Hasselblad and wandered around Vicksburg. The Ektar is quite contrasty, so I prefer to use it when the light is overcast, or, best of all, foggy or rainy. Vicksburg offers plenty of topography and interesting architecture, so we will take a semi-random tour around town. (Click any photograph to enlarge it).

Clay Street, Vicksburg, view east, 250mm ƒ/5.6 Sonnar lens.

Let us start this short tour with Clay Street, a major east-west thoroughfare. This is the first view of Vicksburg that many tourists see when they exit I-20. A friend called this the ugliest street in America. That is a bit harsh, but much of it certainly qualifies as the typical ghastly American commercial strip with crummy fast food joints, steel buildings, car parts stores, and Dollar stores.

My friends at Warfield's Servicenter kindly let me take pictures. They have kept the family cars running for many years. Highly recommended.

Jackson Street, Vicksburg, view east, 250mm Sonnar lens.

Three blocks to the north is Jackson Street, which still retains its brick paving blocks. Many of the houses are a century old. The photograph shows how the street follows the hills and valleys of the local terrain.

Walnut Street is also in the oldest part of town. This is a 1992 photograph I found in my archives.

Veto Street runs from Monroe Street (behind me) west towards Mulberry Street. It is an odd curved road. Did a streetcar once run on it? This 1992 photograph shows the Warren County library in the distance. I took it from the roof of the former Vicksburg Hospital. The hospital was demolished two decades ago and the Vicksburg police station in now on this footpad.

Former "Colored Motel," US 80, east of Mount Albans Road, 50mm Distagon lens.

Before the interstate was built in the early 1970s, Highway US 80 was the main road between Vicksburg and Jackson. Just east of the intersection with Mount Albans road, a pink motel is almost covered with kudzu. In the early 1980s, you could still see a big sign stating "Colored Motel." Somewhere in my negatives I may have a photograph, but that is a project for another day.

East of town on Culkin Road is the former Culkin Academy. It has been empty for at least two decades. A worm farmer rented the premises for a few years.

In downtown Vicksburg, the neighborhood near the junction of Marcus Street and Halls Ferry Road is known as Marcus Bottom. Many of the cottages here have been demolished over the years.  This photograph is from the Halls Ferry Road bridge where it crosses Stouts Bayou.

These shotgun houses are on East Avenue. The slope in the foreground drops down into Stouts Bayou.

Grammar Street once had 10 or 12 of these little shotgun houses. Only two remain now. Even a decade ago, they were pretty nasty.

Union Avenue descends from Sherman Avenue south towards the Vicksburg Military Park. This is not the Union Avenue within the park, but possibly it once connected in the era when there were multiple park entrances. And this outside Union Avenue is a bit odd. The west side is City of Vicksburg, while the east side is Warren County. Residents on the west get their water from the City, while residents on the east get it from Culkin Water District. The old Chevrolet and the house with blue tarp roof in the photographs above are in Warren County.

I found a 2010 photograph of this same Bellaire. Since then it moved across the street to the Warren County side.

Ford Road, Vicksburg, March 16, 2018

Near the flood crest, March 16, 2018.

Young Alley (off Ford Road), March 16, 2018.

Finally, here are some scenes from the spring flood, when high water forced some of the residents in the Ford subdivision to evacuate. The crest on the Vicksburg Gage was 49.90 ft on 03/16/2018 (from the National Weather Service). This area west of North Washington Street and just north of the Anderson Tully wood mill has always been vulnerable to flooding. Over the years, many houses have been bought via a FEMA program and demolished.

These photographs were taken on Kodak Ektar 25 film with a Hasselblad 501CM camera, with 50mm, 80mm, and 250mm Zeiss lenses. All pictures were tripod-mounted. The film was expired and the colors are off. My scanner software does not have a profile for Ektar 25, so I use the Ektar 100 one instead. Is it "accurate?" Who knows? Can you really remember how the scene looked weeks after you were on the site? If you want boring perfection and "accuracy," use digital.

This is no. 02d of my irregular series on Abandoned Films.

Typical shotgun houses: Arcadia Place, Vicksburg, Mississippi

Arcadia place is a dead-end street a few blocks west of Drummond Street. It features a set of almost-identical shotgun houses. I have photographed here before and occasionally walk by to see if they have changed. They are an excellent example of modest early-20th century architecture, low-cost homes built for workers. Much has been written about the American shotgun house, but I am not an architect or sociologist and am unfamiliar with the literature. These little houses are disappearing from the South, and I try to photograph them when I can. I previously wrote about these houses in 2010. This 2017 photograph is a Kodak Ektar 25 frame from a Hasselblad camera.

Arcadia Place, 4×5" Fujichrome Astia film, 135mm Schneider Xenar lens.

Arcadia Place, Kodak Panatomic-X film, Fujifilm GW690II 6×9 camera. 

The little houses in 2003 and 2004 looked about the same as now, but the porches were open then. These were film frames taken with a 4×5" Tachihara camera and a 6×9 Fujifilm GW690II medium format camera.

This is the view from the east across Stouts Bayou (below the rip rap in the foreground). I do not know if the Bayou ever rises enough to flood the yard and the street beyond. The houses are up about 2 ft on their post and beam foundations, so they are probably safe from flooding.

Fading quickly: Fortification Street, Jackson, Mississippi (B&W film)

Fortification Street is one of the main east-west thoroughfares through downtown Jackson. East Fortification, between the I-55 exit and North State Street, passes through the Belhaven neighborhood, a traditional 1920s and 1930s residential area. The highly respected New State Theater is just a block north. But drive west of North State Street, and the scene gets scummy quickly. Let us take a short short tour of the area, starting just west of North State and proceeding west. Most photographs are from Kodak TMax 100 film taken with a compact Olympus Trip 35 camera.

513 East Fortification Street

Garage at 513 East Fortification Street

The neighborhood was once residential, with handsome 1920s and older cottages. The huge Baptist Hospital complex is just to the north. Its footprint gobbled up many former residential blocks. Now, because of the heavy traffic, living on Fortification would be noisy and unpleasant.

427 East Fortification Street

A sign at the back of the handsome Queen Anne cottage at 427 identifies it as the Galloway-Williams House, 1895. The Mississippi Department of Archives and History (MDAH) fact sheet describes it as:

The Galloway-Williams House is one of Jackson's finest examples of a Queen Anne style cottage with Eastlake-inspired ornament. Both its external and internal character are almost completely intact. It is one of only a very few such structures remaining in an area of Jackson which was once dominated by similar late-nineteenth-century residences. Its site is an especially important one, directly across Fortification Street from the fastidiously restored Gothic Revival Manship House, one of Jackson's most notable historic structures.

930 North Congress Street

A short diversion onto North Congress Street reveals a semi-residential semi-professional neighborhood. This big 2-storey house was unoccupied.

395 East Fortification Street

1009 North West Street

At the corner of West Street and Fortification, we have the typical gas station-convenience store-strip mall. Not too inspiring. I wonder if it replaced a neighborhood grocery store?

998 North Lamar Street

1107 North Lamar Street

Let's walk another block west and turn left onto North Lamar Street. Again we see a residential neighborhood with some occupied houses and many abandoned units. It is sad.

Cohea Street

I did see a number of modest new houses or townhouses on Cohea Street, so some degree of revival underway. Maybe a reader can let me know who is funding this project or what is happening.

Grayson Court, no longer extant

A couple blocks west and we reach what is left of Grayson Court. This was once a double row of shotgun houses. In 2004, they were pretty nasty, although I met a workman there who was painting and repairing. They have all been torn down, and even the lane is hard to see.

Just south of Fortification Street overpass is a complex of steel buildings and sheds. I think these were once a soybean processing facility. It has been closed for many years. At one time, many of the men in the Farish Street district to the south may have worked in the plant.

Canadian National Railway shunting yard, view north from Fortification Street overpass

View northwest to Wood Street from Fortification Street overpass.

Continuing west, Fortification Street rises over the Canadian National Railways rail yard on a 4-lane overpass. There is a good view of the tracks from here. To the west, a broad area of debris and brush was, I assume once industrial. Now it looks like an area to dump bricks, gravel, and brush. And maybe an occasional body?

Salem Street cottages

Just south of the Fortification overpass is a group of cottages along Salem Street. I saw the standard Pit Bull dogs tied up and decided I better not venture into the area alone.

Bell Street

Walking north on Wood Street, the first cross street was Bell. A stream of clear fresh water was flowing in the gutter. In the distance, city workers were repairing the pipes, which had burst in the unusual freeze of early January. The City suffered hundreds of burst pipes, which compounded the problems of aging and ill-maintained pipe infrastructure.

1107 Wood Street

TJ's lounge sits at the corner of Wood and Bell Street. TJ was sitting in a car watching the city workers and the flowing river of fresh drinking water. We chatted. TJ does not allow anyone under 31 or any drugs, hard liquor, smoking, weapons, or firearms in his club. He said many lawyers and professional people came to listen to Blues.

This is the end of this tour. There is plenty more to record in Jackson.

The Mississippi Delta 12b: Return to Clarksdale (with Ektar 25 film)

Shack Up Inn, Clarksdale, Mississippi, Kodak Ektar 25 film, Rolleiflex 3.5E camera, 75mm Xenotar lens

During an Easter weekend road trip through north Mississippi, my wife and I stopped in Clarksdale.

We stayed at the Shack Up Inn, a blues-oriented inn/motel that houses its guests in cabins, silos, and shotgun shacks. It is quite comfortable, and the shacks have been rebuilt and are well-insulated (which was welcome during the night as a cold front passed).

Shack Up has accumulated a large collection of vintage memorabilia - perfect for the photographer with a Rolleiflex.

An unused warehouse was just north of the property. I looked for barn owls but did not find any.

Jade building on Delta Ave., Clarksdale

Deak's Mississippi Saxophones & Blues Emporium, 3rd St., Clarksdale

Art Deco Greyhound Bus terminal, now visitor's center.

I need to return to Clarksdale again and spend more time looking around. There is a wealth of cultural material to record. On my previous visit, wisps of snow and bits of sleet were falling through the gloomy winter sky. Maybe next winter....

The square photographs with brilliant color are from Kodak Ektar 25 film, exposed in my 1959 Rolleiflex 3.5E twin lens camera with a Schneider 75mm ƒ/3.5 Xenotar lens. Click any one of those frames to see the amazing detail. All of the Rolleiflex exposures were tripod-mounted. The duller and more "accurate" photos are from a Moto G5 phone. 

This is no. 02c of my irregular series on Abandoned Films.

1950s Excellence: the Leitz 50mm ƒ/2.0 Type 2 Summicron-DR lens

Leitz 50mm ƒ/2.0 dual range Summicron lens in original box. 

Introduction 

Leica's 50mm Summicron lenses have been famous for optical and mechanical excellence for over 60 years. Leica's term Summicron means a lens with maximum aperture of ƒ/2.0. They have been improved over the decades and are still in production - how many other consumer products have lasted over a half century? Even more amazing, a new lens will fit on a 50-year-old Leica M body, or a 60-year-old lens will work on a brand new film or digital body. When you consider the longevity, Leica lenses are reasonable price, despite the hatred (= envy) from many modern digital users.

A convenient summary with photographs of the different versions is on Ken Rockwell's site.

5cm ƒ/2.0 Summitar lens in extended (ready to photograph) position

Summitar

Ernst Leitz produced the predecessor lens, the 5cm Summitar, from 1939 to 1953, with 170,761 units total. War-time lenses were uncoated, but from 1946 on, they were anti-reflection coated. Eastman Kodak and Zeiss had coated optics for military use during World War II, but coating all air-glass surfaces on general civilian optics became widespread only after the war. The Summitar had a complicated design of 7 elements in 4 groups. Human computers using mechanical calculators and trigonometry tables must have made a heroic effort to compute the ray paths. The Summitar's central sharpness is superb, but the edges fall off and there is field curvature. This can be used creatively, and regardless, "sharpness" is not normally the factor that makes a photograph successful. For examples, please look at some of my 2017 Nepal articles. In 1953, the Summitar lens cost $158 in USA.

Summicron Type 1

E. Leitz introduced the first Summicron, the Type 1, in 1952. It was an update of the Summitar, also mounted in a collapsible barrel. This lens was also manually computed, although surely the workers used electrical tabulating machines. The first electronic computers after World War II were used for ballistics analysis, atomic weapons research, rocket trajectories, and military optics. The 1953 USA cost for the Summicron was $183.

A note on collapsible lenses: When the E. Leitz company introduced its first camera in 1923, it used perforated cine film but doubled the frame size to 24×36 mm. All other cameras then used much larger roll film or individual sheet film. So the new small image surface became known as miniature format. The cameras were intended for travel or adventures like mountain climbing. Therefore, the manufacturers wanted to make the cameras compact and portable. One way to do that was to build a lens in a barrel that could collapse into the body. As the years went by, cameras grew larger and heavier (like automobiles or, most grotesquely, American SUVs). The Zeiss Contarex of 1960 had grown to 910 grams for just the body. The Nikon F with its metering head was a big package, as well. And today, the digital single lens reflex (DSLR) in "full frame" size is a bulbous thing graced with a protruding penile lens that points at its subject like a cannon. Just tell DSLR users that they really have the miniature format.

1963 Type 2 Summicron lens with single focus range.

Summicron Type 2

E. Leitz introduced their Type 2 Summicron in 1956. It was in production until 1968. To improve the precision of the glass alignment, Leitz mounted Type 2 optics in a rigid barrel. It was a masterpiece of mechanical precision and elegance, but the construction of brushed chrome over brass made it heavy. This lens was also hand computed.

Leitz began computer-aided lens computations after about 1960 at their factory in Midland, Ontario, Canada, under the guidance of Dr. Walter Mandler (from Erwin Puts). It is an interesting history of international competition about this time. Japanese optical companies such as Canon, Nikon, and Topcon were also exploring new lens designs with the aide of early computers. They were able to market lenses with almost as refined optical characteristics as Leica but at lower price. The brilliance of the Japanese companies was to bring superb optics to a wide audience at reasonable price.

Leitz made two versions of the Type 2 lens. One had a single focus range covering 1m to infinity. The photograph above shows a 1963 lens that I bought from a friend in town. It was available in M-mount  (63,055 units) as well as the 39mm thread mount (1160 units; now a rare collector item).

1967 Dual range Summicron without goggles.

Dual range Summicron with goggles attached on the flat plate. The lens has been extended to its closest focus distance.

The second version had a dual focus range and is known as the DR. The normal range was 1.0 m to infinity. But if you wanted to focus on a closer object, you slid a spectacle viewfinder attachment onto a flat plate on the top of the lens. The goggles depressed a button, which let the lens focus from 0.48 to 0.88 m. The goggles correct the parallax of the rangefinder view. It was a clever way to let a rangefinder camera focus more closely than the normal 0.8 or 1.0 meter. A reflex camera does not have these limitations, but in the 1950s, most miniature camera photographers were still using rangefinders. Total production was 55,145 units.

Note: the goggle units varied slightly in design over the production period. You must have the correct unit for your lens for it to mount and focus correctly.

My stepdad bought the DR in the pictures above in 1966 or 1967. This lens and M2 camera took family pictures in Greece and traveled to Asia, Africa, the Indian Ocean, and North America. Now it photographs urban decay in Mississippi and Louisiana. This one has pristine coating.

I could not find a complete Leica price booklet from the 1960s, but I found a few prices in US $ for M2 body and lenses:

• M2 w/50mm ƒ/2 rigid Summicron 423.00
• M2 w/50mm ƒ/2 DR Summicron 465.00

Optical unit and focus mount of Summicon-DR lens. Serial numbers must match.

Special note: the optical unit can be unscrewed from the focus unit. If you buy a used DR lens, the serial numbers must match. Do not accept an unmatched lens. 

I also have a Type 4 50mm Summicron from 1984 or 1985 production. I will write about it in a future article. It is mounted in a lighter weight black alloy barrel as opposed to the gorgeous brushed chrome of my DR unit.

Examples with Kodak BW400CN film

On a recent day trip through rural Mississippi south of I-20, I grabbed a roll of Kodak BW400CN. I have had mixed results with this film in the past. Sometimes it looks muddy, but sometimes I like the tonality. Could there be differences in the C-41 chemistry? Regardless, here are a few samples from my Leica M2 and the 50mm Summicron-DR. I was surprised how the film renders green as quite light, but only for long exposures in settings such as dense underbrush. I do not recall seeing this before. The BW is pretty grainy, but I like the effect. (Click any picture to enlarge it.)

Abandoned farm house, Rte 18 in Brandon, Mississippi.

Remains of a gasoline station, Raleigh (with polarizer filter).

Big Smittys, MS Hwy 149, Mendenhall. This is a former Pan-Am filling station. 

Main Street, Mendenhall. Polarizer used to darken sky.

Shop on MS 28 east of Georgetown.

Historic Crossroads Store on Old Port Gibson Road, Reganton.

References

Laney, D. 1994. Leica Camera and Lens Pocket Book, 6th Edition revised and updated, Hove Collectors' Books, East Sussux, UK, 142 p.

Other

An interesting 2007 article about Leica cameras is in The New Yorker, September 24, 2007 issue, Candid Camera, The cult of Leica.

Update Dec. 2020: Here are silos in Delta, Louisiana, taken with long-expired GAF Versapan film. Click to enlarge.

Silos, Levee Road, Delta, Louisiana (GAF Versapan film, Summicron-DR lens, orange filter)