Showing posts with label Acros. Show all posts
Showing posts with label Acros. Show all posts

Monday, January 13, 2020

Railroads of Greece 9: North Coast of the Peloponnese (Greece 2019-05)

The Piraeus, Athens and Peloponnese Railways (known as S.P.A.P., or in French, the Chemin de fer du Pirée-Athènes-Peloponése) was founded in 1882. It owned and operated the 1 m (3 ft 3⅜ in) (metre gauge) railway system connecting Piraeus and Athens to various destinations in the Peloponnese region of Greece.
Peloponnese system map, from poster in rail museum in Diakofto
Service on the 1-m system was abruptly discontinued in 2011 during the Greek economic crisis. Small towns in the central Peloponnese were abruptly left without train service. My family and I were fortunate to take the old train in 1997 from Kato Achaia to Athens. It was slow and rather smelly, a throwback to an earlier era.

Currently, the Athens Suburban Railroad runs from the Eleftherios Venizelos International Airport (ATH) through the northern suburbs of Athens, across the Corinth Canal, and as far west as the town of Kiato. This full gauge rail system is being extended to the western seaport of Patras. In mainland Greece, the new rails use a different right-of-way, but along the narrow Peloponnese coastal plain facing the Gulf of Corinth, the new tracks have buried many stretches of the old single-track line.

During my 2019 visit to Greece, I tried to follow the old 1-m line and see how many railroad stations and work buildings were still standing. In 2011 and  2018, I photographed the railroad station in Corinth, so there was no need to revisit. For this survey, I started further west, near the town of Nerantza, and drove west along the coast.
This was a workshop or possibly a small station near the town of Nerantza. In 2005, the 1-m track was still in regular use and I was lucky to photograph a diesel work car chugging along the line. In 2019, the building was still standing and still intact, but slowly being covered with vines.
In the main town of Xilokastro, I could not find a depot or rail yard. But further west, in the little resort town of Lycoporia, I stumbled on the former depot. It was clean and well-painted.
Diakofto rail yard, 1998 (Kodak Panatomic-X film, Leica M3 camera, 20mm ƒ/5.6 Russar lens)
Workshops at Diakofto, Greece
Unused water tower for steam locomotives, Diakofto, Greece
The town of Diakofto (Greek: Διακοπτό) is the lower terminus of the popular Diakofto–Kalavryta Railway, an 1880s 750 mm gauge Abt rack system that threads the dramatic Voraikos Gorge and ends at the mountain town of Kalavryta. I wrote about the ride in 2012. The 1950s or 1960s-vintage depot is still in use for the 750 mm tourist train, but much of the rail yard has been dug up and rebuilt to accommodate the new full-gauge railroad.
750mm gauge steam locomotive, mgf. by Cail in 1891, in poor condition, Diakofto, Greece
Workshops with 2009-vintage diesel electric Stadler Rail cars on the left and 1960s Deaucaville trainsets on the right 
One traditional stone workshed at Diakofto was clean and fresh. I found neat little workshops or storage sheds like this throughout the system. Many were freshly maintained before the system shutdown in 2011.
A few miles west of Diakofto, I tried to trace the rail line using Google maps. At the town of Elaion, I found the old depot, but the tracks and bed were completely gone. A dirt road that had once been the railroad right-of-way went off to the west, but it was not suitable for a sedan.

Elaion was my westward limit on this excursion. Below a photograph of the former Patras rail station in 1997, when the 1-meter system was still in use. The station was a bit grungy but active. I have not been there recently.
Patras railroad station, 1997 (Kodak Tri-X Professional film, Rolleiflex 3.5E with Xenotar lens) 
The 2019 photographs are from Fuji Acros 100 film, which I used in my Leica M2 camera with 35mm and 50mm ƒ/2 Summicron lenses. I added green or yellow filters on some frames to lighten foliage or enhance the sky. The photograph of the Patras station was from my old Rolleiflex with a 75mm ƒ/3.5 Xenotar lens.

The next post is about the handsome train station in Tripolis.

Tuesday, January 7, 2020

In the Heat of the Day: Summer in Athens (Greece 2019-04)

Athens from Anafiotica, view northwest (Leica 50mm Summicron lens, polarizing filter)

Summertime,
And the livin' is easy
Fish are jumpin'
And the cotton is high

Summer in Athens qualifies as easy living, although there is no cotton as in DuBose Heyward's and George Gershwin's famous lyrics. Summer in Greece means tourists, open-air restaurants, the sea, coffeeshops, and sunshine. Athens can be blazing hot, and I recall July days when the mercury reached 42° C (108° F). Ouch. But August of 2019 was pretty benign, and with the low humidity, it was comfortable. To escape the heat, you can stop for a cool drink almost anywhere or duck into a shop with air conditioning. As usual, when I visit Athens, I take a quick stroll around the Acropolis and through the Pláka. Here are some black and white frames from my last trip; maybe you can appreciate the summer vibe.


Walking towards the Pláka from the Acropolis Museam, you pass narrow streets, looking like they came from an earlier era. The entry to the Acropolis itself is mobbed with tourist groups, especially hoards of Chinese visitors. Thirty years ago, it was Japanese tourists. In the 1950s, it was Americans. Where do Americans travel now? Do they just take soft and air conditioned river cruises?

Creative graffiti. See my previous article for a color view of this alley.

The Anafiotica District is the cluster of tiny island-like houses clustered beneath the limestone massif of the Acropolis. I posted color pictures of this area in article Greece 2019-02.

Temple of the Winds with Mount Lycabettus in the distance, 2019
Temple of the winds, 1951, Canon rangefinder camera, 50mm ƒ/1.9 Serenar lens

Descending to the north from the Anafiotica area, you pass through narrow streets with souvenir shops and archaeological sites.


Souvenir shops abound. I stepped into one and spoke with some college students from the USA, who spend the summer tending the shop with their grandmother, Mrs. Popi. They let me sit while I changed film in my camera.

Electric scooters have come to Athens (Moto G5 digital file)

Monasteraki is a busy and popular plaza a short distance north of the Acropolis. The entrance to the Athens Flea is marked with a modern sign. In the 1950s, the Flea Market really had old machines, metal, and household junk. Now much of the merchandise is commercial and brand new. My dad took pictures in the Market in 1951, and I wrote about the Flea Market in 2013. Warning, Monasteraki is crowded; beware of pickpockets.


Walk north on Athenas Street, and you see snack bars, coffee shops, hardware and electrical vendors, luggage, plumbing, ecclesiastical supplies, and just about anything else. It is safe for tourists, just watch out and beware of traffic. It is an acoustic and visual overload.

Nut and dry fruit stand, Central Market, Athens Street, Athens (Acros film, Leica M2 camera)
Fresh grilled sardines, Central Market, Athens (Moto G5 digital file)

The Central Market is always fun. Buy some spices, nuts, and Greek coffee. And have a meal in one of the tiny tavernas tucked into the side alleys. The prices are for regular people, not jacked up as at the tourist-oriented tavernas in the Plaka.

Bored in the Metro station

After lunch, some glasses of retsina, and a Greek coffee, it is time to walk to the metro at Omonoia Square (architecturally uninspiring) and head home or to your hotel. You will be tired and grubby, time for a shower and long rest.

I took the black and white photographs above on Fuji Acros 100 film with my Leica M2 camera with 35mm and 50mm Summicron lenses. The two sepia images are from a Moto G5 mobile phone. Click any picture to see it enlarged. Thank you for reading.

Wednesday, January 1, 2020

Orthodox Church, UFOs, NATO, and Develis Cave, Mount Penteli, Athens (Greece 2019-03)

Dear Readers,
Happy and prosperous New Year to you all! Thank you for your continued support. This is Part 3 of the summer in Greece series.

Mount Penteli is a triangle-shaped mountain north of Athens. When I was growing up in the 1950s, Penteli was out in the country. Ater a winter storm, Athenians drove to Penteli to play in the snow. Now the urban sprawl of the city goes up to and partly up the flanks. The summit is still crowned by the remains of radar antennas, but I do not know if they are used or manned any more.

The mountain has a long history. In antiquity, miners quarried the clean and pure marble for some of the monumental architecture that you still see around town. Most of the marble in the Parthenon came from Penteli. Scars of ancient and contemporary quarries can be seen from a distance. Followers of Pan (the guy who looked like a goat and played pan pipes) and the nymphs (mythological minor deities (ladies) who lived in the woods and did not wear sufficient clothing) worshipped at the cave.
My nephew told me about a cave to visit. It had been once occupied by an infamous bandit, one Develis (whose real name was Christos Natsios). The cave is also known in paranormal circles for unusual energy, strange lights, and UFOs. Also, some military group, possibly associated with  NATO, did some construction in the cave in the 1977-1983 period. Guards prevented civilians from visiting the site. They dug tunnels to nowhere. In 1983, the workers abandoned the effort and slinked away mysteriously. Well, this was too good to miss, so on a blazing hot August day, we drove up the mountain roads to a gravel road a short distance from the cave. A quick walk took us to the opening. I was surprised to see a Byzantine church under the rock overhang. As of August of 2019, the church was locked and we were unable to see inside. One of the best descriptions of the church interior is from a blog, Churches in Greece (click the link).

The interior of Develis' cave was surprisingly cool and damp, and water dripped from the ceiling. But we did not see lights or UFOs, and neither of us detected energy. Oh well, it was fun.

The black and white photograph is an Acros 100 frame from my Leica M2 camera with 35mm ƒ/2.0 Summicron-M lens.

Sunday, December 15, 2019

Partial Reuse: Cotton Mills of Tupelo, Mississippi (B&W film)

Former Knitting Mill, S. Green St., Tupelo, Mississippi
Knitting Mill from S. Spring St., Tupelo
Dear Readers, I am continuing my ongoing exploration of towns in Mississippi with this short visit to Tupelo.

Tupelo is a city in northeast Mississippi just off the Natchez Trace Parkway. In the early 20th century, the city was a major cotton processing center, as demonstrated by huge brick mills. They are now mostly unused but may have future life as apartments, stores, or wedding/party venues. (I am specifically not using the term "repurposing," which is trendy today.)
These postcards from the Cooper Postcard Collection at the Mississippi Department of Archives and History give you an idea of the industrial power of cotton processing early in the 20th century.

I stayed in Tupelo in May of 2018 and spent a morning exploring.
The Tupelo Cotton Mill (300 Elliott Street) formerly housed a wholesale supplier but now is being used as an event venue. I could not go in but walked around the hulking building.
A shed across the parking lot housed a serious coffee roaster.
The Gravlee Lumber Company on Spring Street has closed. I can't tell if this part of town is being revitalized or not.
Some interesting old industrial equipment was on the lot next to Gravlee Lumber.
Oh oh, Elvis is back. Maybe he never left. After all, he was born here in Tupelo.
The BNSF (Burlington Northern Santa Fe) and KCS (Kansas City Southern) cross lines at an interesting X-crossing just east of Spring Street.

For now, that is all. Tupelo warrants a return for some more exploring. The rectangle black and white photographs are from 35mm Fuji Acros 100 film in my wife's 1971 Pentax Spotmatic camera with various Pentax Takumar lenses. The two square frames are from Ilford Delta 100 film exposed with my Rolleiflex 3.5E medium format camera with its fabulous 75mm ƒ/3.5 Schneider Xenotar lens.