Vicksburg
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The Tomato Place, 3229 US 61 south, Vicksburg, Mississippi (90mm ƒ/6.8 Angulon lens, yellow-green filter; note some irregular development streaks) |
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| The Tomato Place (135mm ƒ/5.6 Caltar-S II lens, yellow-green filter, ½ ƒ/22) |
The Tomato Place is a friendly store with good produce and munchies. Mallory graciously lets me take photographs there. I photographed inside in 2017.
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Ergon refinery, Haining Road, Vicksburg (240mm ƒ/9 G Claron lens, Nikon deep yellow filter, ⅛ ƒ/45) |
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| Mississippi Lime, Haining Road, Vicksburg (240mm ƒ/9 G Claron lens, polarizing filter, ⅛ ƒ/32) |
Louisiana
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Bunge silo, LA 602 , Tallulah, Louisiana (135mm ƒ/5.6 Caltar-S II lens, yellow filter, ¼ ƒ16-22) |
This tall silo is off Louisiana Route 602, where I sometimes bike. I am not sure if it is in use because the siding that leads by the facility is in disrepair. This photograph is from July 4, when a thunderstorm was pending and the sky was dramatic. I only had time for one frame and the drops began to fall. In 2 or 3 minutes, it was monsoon.
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| Silos off US 80, Waverly, Louisiana (90mm ƒ/6.8 Angulon lens, orange filter, ⅒ ƒ/22) |
This Versapan film works well for these industrial buildings, but I need to be careful about overexposing light material, like the gravel.
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Unused cotton gin, LA 568 (Lake Drive), Ferriday, Louisiana (135mm ƒ/4.5 Xenar lens, orange filter, ⅒ ƒ/22); note irregular development streak) |
This was an unused cotton gin in Ferriday, Louisiana. While I was taking this picture, a gent from the agricultural machinery company across the street came over to see my camera. He said the ladies in the office were most perplexed that someone was standing out in the 35º C heat with a camera. He generously offered some cold water, a restroom, and some air conditioning. Louisianans are very accommodating.
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| Delhi water works (180mm ƒ/5.6 Caltar IIN lens, yellow filter, ⅛ ƒ/32) |
Using 50-year-old Versapan film has been a rewarding experience. I am not sure how often I will use it because the thin material is a bit hard to handle. But I am glad to have this option. And I am amazed that 50-year-old film is still so viable. Will our digital files be readable in 50 years?















