The Mississippi Delta 36: Highway MS 12 and Hollandale

After you have enjoyed the "big city" of Belzoni, Mississippi Route 12 heads almost due west across the flat delta farm fields towards Hollandale. At first, the scene was a bit dull, consisting of corn and cotton fields. But the industrial-looking silos caught my eye and became more and more interesting.

Silos, MS 12 west of Belzoni (Kodak Panatomic-X film, Fuji GW690II camera, yellow filter)

Silos, MS 12 west of Belzoni (Panatomic-X film)

The light was harsh, but it rewarded with shadows and patterns on the corrugated siding.

Unused elevator/silo, Sunflower River Road at MS 12, Isola (Panatomic-X film, orange filter)

Poison ivy farm, unused silo complex

This tall unused agglomeration of machinery, concrete, and rusted steel was close to the Sunflower River bridge on Sunflower River Road. While I had my tripod set up, a farmer pulled up in his pickup truck and asked me if I was buying the structure. Hmmm....

Silo, MS 12 east of Hollandale (Fuji Acros film, Leica IIIC, 5cm ƒ/2 Summitar lens, yellow-green filter; note light leak in shutter curtain)

Hollandale is a small town on US 61, the "Blues Highway." I wrote about Hollandale before in The Mississippi Delta 14. By the time I reached town, I did not have much time to explore before heading home. I had forgotten that I had photographed in Hollandale before but then recognized the buildings in the main commercial strip.

Lounge on East Ave., Hollandale (Fuji Acros film, Leica IIIC, 5cm ƒ/2 Summitar lens, yellow filter, 1/200 ƒ/8)

Former gas station and child care center (?), East Ave., Hollandale

East Avenue runs north-south and eventually connect with US 61 south of town. These two buildings caught my eye, and I took a few quick photographs with my Leica IIIC. It was beastly hot and there was no one about outside.

Dead tree in corn fields off US 61, Anguilla (Fuji Acros film, 5 cm ƒ/2 Summitar lens, yellow filter)

This poor old tree near Anguilla had stood proud and tall for who knows how many years, but finally succumbed (I am sure) to lightning. 

This was a rewarding day of exploring despite the heat. It was a nice way to get out and photograph during the semi-shutdown caused by the Covid virus. Standby for future articles on the Mississippi Delta. 

If you like photographs of grain elevators, look at the superb large format film work by the Canadian photographer, Jan Normandale, titled "Wooden Elevators."

The Mississippi Delta 35: Belzoni

Belzoni is the county seat for Humphreys County, Mississippi. According to Wikipedia, the town was named for Giovanni Battista Belzoni, a 19th-century Italian archaeologist and explorer. How did he end up in the Mississippi Delta? In the 1970s, Belzoni was known as the Catfish Capital of the United States for having a greater percentage of acreage used for catfish production than any other county. I do not know if this is still true, but the city does play up the catfish heritage with statues of smiling catfish at various street corners.

Former catfish factory, Hwy US 49E, Belzoni (Kodak TMax 100 film, Pentax Spotmatic camera, 35mm ƒ/3.5 Super-Takumar lens)

Former catfish packing factory, US 49E (Fuji Acros film, Leica IIIC, 5 cm ƒ/2 Summitar lens, yellow filter)

Sadly, the big catfish packing plant has been closed for many years. Many jobs must have been lost when it shut.

Farmers' Grain Terminal (Panatomic-X film, Fuji GW690II camera, 90mm ƒ/3.5 lens, yellow filter)

Approaching Belzoni from the south on US 49E, the very impressive Farmers' Grain Terminal complex at 509 Silver City Road dominates the skyline. At some time, these circles were covered with a huge cloth tent and contained corn.

Silver City Rd., Belzoni (Fuji Acros film, Leica IIIC, 5cm ƒ/2 Summitar lens, yellow filter)

Silver City Rd., Belzoni (Panatomic-X film, Fuji GW690II camera, 90mm ƒ/3.5 lens, yellow filter)

Silver City Rd. (Tmax 100 film, Pentax Spotmatic, 35mm ƒ/3.5 Super-Takumar lens)

Unused gin, Silver City Road, Belzoni (Tmax 100 film, 35mm ƒ/3.5 Super-Takumar lens)

Tamale store (Fuji X-E1 digital file)

Head further into town on Silver City Road and you pass miscellaneous housing, old stores, a closed gin, and an unused silo complex.

W. Jackson St., Belzoni (Fuji Acros film, Leica IIIC, 5cm ƒ/2 Summitar lens, yellow filter)

Liquor store on W. Jackson St. (Fuji Acros film, Leica IIIC, 5cm ƒ/2 Summitar lens, yellow filter)

E. Jackson St., Belzoni (Fuji Acros film, Leica IIIC, 5cm ƒ/2 Summitar lens, yellow filter)

Jackson Street runs E-W through town and may be the traditional "main drag."

Western Auto, East Jackson Street (Moto G5 digital file)

I was pleased that many of the shops are open and conducting some sort of business. There is even a Western Auto still open. I have not seen a Western Auto in a least a decade. According to Wikipedia,

Western Auto Supply Company—known more widely as Western Auto—was a specialty retail chain of stores that supplied automobile parts and accessories. It operated approximately 1200 stores across the United States. It was started in 1909 in Kansas City, Missouri, by George Pepperdine and Don Abnor Davis. Pepperdine later founded Pepperdine University. Western Auto was bought by Beneficial Corporation in 1961; Western Auto's management led a leveraged buyout in 1985, leading three years later to a sale to Sears. Sears sold most of the company to Advance Auto Parts in 1998, and by 2003, the resulting merger had led to the end of the Western Auto brand and its product distribution network.

One of the founders also founded Pepperdine University? Impressive.

Renee's Beauty Supply, 120 E. Jackson St., Belzoni (Tmax 100 film, Pentax Spotmatic, 35mm ƒ/3.5 Super-Takumar lens)

The charming proprietor of Renee's Beauty Supply generously let me take a picture of the healthy beauties outside of her store. I was glad to see on my 2020 visit that Renee's is still open and operating, despite the slowdown from the virus.

Crescent Theater, Hayden Street, Belzoni

The Cresent Theatre on Hayden Street is closed and may be for sale. I was surprised to find a photograph in the Library of Congress archives taken in 1939 by Marion Post Wolcott of the very same side stairway on the Crescent. In the segregated era, it was common for African American patrons to be seated in the balcony. Notice the sign on the narrow door that states "White Men Only."

Segregated movie house, October 1939, by Marion Post Wolcott (Image from the United States Library of Congress Prints and photographs division, digital ID ppmsca.12888)

This has been our short tour of Belzoni, Mississippi. It is an interesting place and worth a visit if you are in the central Mississippi Delta. Thank you for coming along this short trip.

1960s Excellence: the Canon 50mm ƒ/1.4 Leica Thread Mount (ltm) lens

Leica IIIC camera with 1960s-vintage Canon 50mm ƒ/1.4 ltm lens

Background

Long-term readers recall that I have used my dad's Leica IIIC rangefinder camera for decades. He bought it at the Post Exchange in Guam in 1949 and used it for family photos in Asia and Europe. It was equipped with a Leitz Summitar 5 cm ƒ/2.0 collapsible-barrel lens. The Summitar was a remarkable 7-element optic of pre-WWII design. My sample has noticeable field curvature and displays a lot of aberrations at ƒ/2.0 and ƒ/2.8. That can be used creatively for certain types of work. By ƒ/4.0 or smaller, the aberrations are barely noticeable.

But I often take pictures of architecture and wanted a lens that was more uniform over the entire field and maybe offered better resolution. But which lens to choose? Tens or hundreds of Leica thread-mount (ltm) lenses were made in the 20th century by German, Russian, and Japanese optical companies.

Alternate lenses

If money were no object (you know that fairy tale), Leica issued a limited production of their superb Type 5 50mm Summicron in 1999 with the 39mm thread mount rather than the bayonet M mount used in their current cameras. I checked eBay and saw copies being sold by Hong Kong companies for over $2000 (Hong Kong is the place to look for unusual collector items like this). The extra-rare Leica 50mm ƒ/1.4 Summilux Type V is $3400. OK, above my budget. (2024 Update: That $2000 now looks pretty reasonable.)

Leica also issued their Type 2 Summicron in thread mount from 1960-1963. But this is another rare collector (= expensive) item. I have a Type 2 Summicron-DR in M mount, but there is no way that an M-mount lens can be fitted to the older thread-mount camera bodies.

I wanted a vintage lens as opposed to one of the modern Voigtlander (= Cosina) or Konica ltm lenses, which meant a 1950s or 1960s optic. It surprised me that the 1950s and 1960s ltm lenses from Minolta (Rokkor), Fujinon, Topcor, Tanaka (Tanar), Yashica, and Konica Hexar sell for hundreds, I suppose because of their rarity.

Soviet ltm lenses physically fit the Leica bodies but often have focusing issues because of a difference in the standard used for the focal length. Many users claim no issues, but I decided to stick with a lens specifically made for the Leica standard. Also, Soviet lenses suffer from highly variable quality control and material selection.

The Canon Camera Company made excellent interchangeable lens rangefinder cameras from the mid-1940s through 1972. The V series were especially innovative, according to Cameraquest. By the late-1960s, the single lens reflex (SLR) camera was dominant in the marketplace and Canon ended production of their innovative Canon 7S rangefinder camera in 1972. Leica and some of the Eastern Block companies continued to make interchangeable lens rangefinder cameras after the late-1960s, but most used bayonet-mount lenses. I remember visiting a camera store in Providence, Rhode Island, in 1976 or 1977, and they still had some new Canon ltm lenses in stock.

Thankfully, Canon's 50mm lenses were designed for the exact same mount and focus design as the Leica thread cameras, so they would work correctly on my IIIC. Canon offered 50mm lenses in ƒ/3.5, 2.8, 2.2, 2.0, 1.9, 1.8, 1.5, 1.4, and 1.2 maximum apertures. A remarkable ƒ/0.95 version only fit on the Canon 7 bodies. The early post-war lenses were very heavy, with chrome-plated brass bodies. I wanted one of the later and lighter-weight versions, so that meant theType 2 ƒ/2.2, ƒ/1.8, or ƒ/1.4 models.

For more information about ltm lenses:

• Canonrangefinder.org
• Camerapedia
• Summary of ltm lenses from various companies on Cameraquest
• Summary of Canon ltm lenses on Cameraquest
• Summary of Canon's 50mm lenses from canonrangefinder.org

The ƒ/1.8 and ƒ/1.4 models were by far the most common, which directed my search. But I learned that a majority of the Type 2 ƒ/1.8 lenses suffer from haze on the glass element behind the aperture. No one has a solid answer why this develops, but the haze or scum etches the coating and even the glass. That left one choice: the gorgeous and well-regarded ƒ/1.4 lens. Japanese and Hong Kong eBay vendors offer these lenses in varying conditions.

After a bit of searching, I bought this beauty from a Japanese eBay seller. He claimed there were some scratches on the coating, but I cannot see them. The coating is single layer, not multi as in 1970s and newer lenses. Mine is a Type 2, but I do not know the exact date because I have been unable to find a chronology of older Canon lens serial numbers. The lens is a modified Gaussian design with six elements in four groups. The aperture ranges from ƒ/1.4 to f/22 with nice precise clicks. The filter size is 48mm. I ordered a vented hood from one of the Chinese eBay vendors (about $3) as well as some filters, and I was ready to take pictures.

Some other reviews of the Canon 50mm ƒ/1.4:

• A blogger, Jason Howe, wrote a detail description of this lens.
• Hamish Gill, the editor of the 35MMC blog, presented nice examples.
• A review by Kevin Shorter.
• Some portraits of Carlos Santana. 

It is difficult to tell what the 1.4 lens cost when it was current. A 1963 Modern Photography showed $210. But a 1968 Modern showed only $126.

Note: As of 2019, Leica is still making their superb M-A film rangefinder camera, and sales have increased with the revival of film. In 2023, Leica reintroduced their Leica M6 camera.  

Initial test film

Wow, new lens, so exciting. I loaded some Kodak BW400CN film in the IIIC and headed to the countryside south of Interstate 20 in central Mississippi.

Front porch, April 14, 2019, Sontag, Mississippi (hand-held, approx. ƒ/8)

Abandoned mid-century cottage, Sontag-Nola Road, Mississippi

Truck and farm yard, Sontag-Nola Road, Mississippi

Former filling station, Beauregard, Mississippi

Closed gasoline station on Hwy 27 near Utica (ƒ/11 or ƒ/16); note detail foreground and back

Apartment complex with unusual architecture between Clay Street and Baldwin Ferry Road, Vicksburg (medium yellow filter)

Detail (original size) of sign on left center of the previous photograph.

Holly Beach, Louisiana. I hope that truck has large enough tires to impress the ladies.

Old Country Store, Lorman, Mississippi (Fuji Acros 100 film, long exposure braced on ledge)

Historic cottage at 706 Harris Street, Vicksburg, Mississippi (with med. yellow filter)

Minister on Washington Street, Vicksburg (Fuji Acros film)

Summary

This is a beautiful optic with nice rendering, even on BW400CN film. This was a top-grade lens in the 1960s, an example of Japanese optical and mechanical excellence. I will test it with fine-grain film; if I can find some 135 size Panatomic-X, that would give a genuine old-school appearance to my negatives. This lens is large enough to block some of the viewfinder, and I need to compose carefully. One solution is to use a 50 mm auxiliary finder. I just bought a Canon version.  

Final conclusion: if you want a classic lens for a Leica ltm rangefinder camera, definitely consider the Canon thread-mount lenses.

Quick Visit to the Imperial Capital, Washington, DC (B&W film)

The protest sign man, Pennsylvania Avenue, directly in front of the White House

Business took me to Washington, DC, in September of 2018. I had not been to Washington for many years, and it was fun to walk around and see some sights that were new. I have always liked Washington. As a visitor, it is exciting to be at the seat of imperial power. These centers of empire (present or past) are always interesting because you see the trappings of power, the grandiose buildings, the monuments to heroes, and the souvenirs of colonialism or the souvenirs purchased with vast wealth (think of Moscow, Vienna, Berlin, Rome, Paris, or London as other examples).

But in Washington, it is challenging to do much creative photography in a short trip. Historic neighborhoods have largely been torn down or gentrified, and the cell phone crowd takes a million snaps of the monuments every day.

Room with a view: 17th Street from the Mayflower Hotel

My hosts reserved rooms for us at the Mayflower Hotel. Nice place! I appreciated seeing photographs of Harry Truman and other notable guests. Even Nikita Khrushchev stayed there (no nasty budget people's hotel for those Soviets).

FBI building, Pennsylvania Avenue (Leitz GGr yellow/green filter to lighten foliage)

Salad greens, Rosa Mexicana restaurant, 7th Street NW

I saw an interesting idea: grow the salad greens in plant boxes where the customers sit. Certainly fresh and wholesome.

Checking in, National Gallery of Art

The National Gallery of Art is always rewarding. To think, you can see Rembrants and daVincis for free.

Mirrored pyramids occupy the concourse between the east and west buildings of the National Gallery.  Selfies have been taken here since long before the cell phone era. In the two frames above, I used the same 1949 Leica IIIC. It is a pity the photographer did not age as gracefully.

7th Street at the Mall

7th Street food truck

Walk along the mall, where you see tourists from around the world walking, eating, taking selfies, and hanging around. The food trucks are a decades-old institution, but I admit I have never tried their culinary specialties.

World War II Memorial

World War II Memorial with Lincoln Memorial in distance 

The World War II Memorial at sunset is a peaceful setting. The Lincoln Memorial is due west in the distance.

Tree trunks, 17th Street SW

Franklin D. Roosevelt Memorial, Washington, DC

The quote above is engraved in the granite panels at the FDR Memorial. It is a somber and meaningful place. Consider this quote when you observe the vile and self-serving man who occupied the White House as 45 and the way we institutionalize abuse of the poor.

This is the end of our short tour around Washington. As with so many other places, I should return and explore in more detail.

The black and white photographs are from Fuji Acros film, taken with my dad's 1949-vintage Leica IIIC rangefinder camera and its 5cm ƒ/2.0 Leitz Summitar lens. I previously showed a comparison of my 70-year old IIIC with the new Leica Monochrom black and white digital camera when I stopped at the Leica Store Washington DC.