Showing posts with label Tallulah. Show all posts
Showing posts with label Tallulah. Show all posts

Thursday, August 31, 2017

Metal-Shingled Gasoline Station, Claude, Texas (Texas Panhandle no. 1)

On our way back home from Santa Fe, we drove on US 287 from Amarillo to Dallas. 287 is not part of the old Route 66, but there are a surprising number of old gas stations, closed business strips, restaurants, and deserted farm houses that provide a 1950s Route 66 ambience. That part of the Texas Panhandle warrants a return trip with a big film camera (Aha, road trip!).
Claude is a small town southeast of Amarillo. We were zipping through town and this little gasoline station caught my eye. Look at the roof tiles: they look like clay but are really steel with (probably) a zinc coating.
Under the overhang, the original zinc ceiling panels are still in place. You still see these in early-20th century commercial buildings, and recreations are available for places that want to replicate the old-timey look.
Inside, a resident! I suppose the gas station attendant is still awaiting customers.
I have seen these zinc roof tiles before. This is the old Tallulah (Louisiana) Terminal, now known as Scott Field. This handsome little terminal was on the original routing of Delta Airlines in the 1930s.
This is a close-up of some of the tiles, photographed from the second floor. Nice workmanship. I am surprised we do not see these types of metal tiles used more on current construction.

An article by Thomas Rosell in Preservation Mississippi provides some advertisements from companies that made metal shingles. Many were from the Montrose Metal Roofing Company of Camden, New Jersey.

The 2017 photographs are from a Fuji X-E1 digital camera. The 1991 is a Fuji Velvia slide taken with a Leica M3 camera and a 50mm f/2.8 Elmar lens (that was the superb 1960s and 1970s version with lanthanum glass and an almost circular diaphragm).

Tuesday, June 20, 2017

Country Stores 15: Poboy Don's, Tallulah, Louisiana

Just east of Tallulah, Louisiana, LA route 602 takes a wide swing through the farm country south of Interstate 20. An old country store sits at the corner of Montrose Road and 602. It was an active little shop and snack bar in 1989 when I took some photographs on 4×5" Fujichrome 50 film. I do not know when the store closed, but my Tallulah friend said he remembered eating there about 20 years ago.
In recent years, my friends and I have been biking on 602 because it passes by ponds with plenty of birds and alligators. But the old store has been closed at least since 2015.

June 11, 2022 Update: While biking on 602, I saw two fellows repairing the siding. They said they will convert it into a hunting camp. One of them said his grandmother built the store in the early 1950s.

Vermilion flycatcher, an occasional and rare winter visitor, LA route 602 near Mound
Smooth bike riding on LA 602 and very little traffic.
Summer wildflowers on LA 602.
I took the 1989 frames with my Tachihara 4×5" camera and 180mm Caltar IIN lens on Fujichrome 50. A generous friend gave me an Epson 3600 Photo scanner, which has a light cover large enough for 4×5, so I am slowly scanning old transparencies and black and white negatives. The 2017 black and white frames are from a medium format Hasselblad with Tri-X professional 320 film.

Sunday, May 21, 2017

Kodak Panatomic-X: the Best Black and White Film*

Introduction


This is the first of an irregular series of posts on discontinued film types ("Films from the Dead").


Bad news, there is only one brick of 120-size Kodak Panatomic-X film left in my freezer. So it goes - all good things must eventually end. I bought several bricks in the late-1990s from an eBay seller in California. As promised, they were in perfect condition. I was unaware when Kodak discontinued the product and therefore did not buy any stock at that time. The fellow in California was a lot smarter than I was. 



*Note: My title needs to be qualified. Panatomic-X might have been the best fine-grain black and white film, but the old standby, Kodak Tri-X, is superb when you need faster speed and do not need as fine grain. Film users have other favorites, such as TMax 100, Ilford Delta 100, or Fuji Acros.

120-size box from 1961, courtesy of Pacific Rim Camera
1951 box for 828 size Panatomic-X, courtesy of Pacific Rim Camera
1937 box for 3¼×4¼" pack film, courtesy of Pacific Rim Camera

Eastman Kodak Company introduced Panatomic in 1933 and discontinued it in 1987. The earliest version of Panatomic (not X) was on nitrate base, but the X version was on safety base, probably around 1937. Kodak packaged it in roll film sizes 117, 616, 620, 120, 127, 135 (standard metal cassettes), and 828 as well as in several film pack sizes. 

It was designed to be an extremely fine grain film, which meant it could be enlarged for large prints and still retain details. This was of value to architectural, fine-art, and aerial photographers. Some 5- inch and 9-inch aerial photography film was a version of Panatomic-X known as AERECON II). 

Kodak reformulated the film during its five-decade existence, and my late production was different than the original. My 1980s version in 120 size was rated at ISO 32, but I shoot it at 20 or 25 and develop it in Agfa Rodinal at 1:50 dilution. Agfa's Rodinal is a developer that retains the grain structure and therefore looks "sharp" (i.e., it does not have solvent action to partly dissolve the edges of the grain clumps). Used with good lenses and careful technique (that means a tripod), the detail in a Panatomic-X negative is astonishing, even in this age of 36-megapixel digital cameras.

From the Archives



This is a photograph that my dad took somewhere in Burma on the Irrawaddy River. He used early Panatomic-X with his Leica IIIC rangefinder camera (still in operation).

1980s and 1990s Examples



These are 1982 examples from a farm in Clifton, Virginia. I had just bought a Rolleiflex 3.5E twin-lens reflex camera and was experimenting with different films. I wanted fine grain for architecture, and Panatomic-X was still in production. After experimenting, I settled on shooting it at EI (exposure index) 25 and developing it in Rodinal 1:50. I also experimented with Agfapan 25 but could never get the contrast right (but that was my error - Agfapan was a fine film).

My new 1959-vintage Rolleiflex 3.5E with 5-element 75mm ƒ/3.5 Schneider Xenotar lens

This is my present Rolleiflex 3.5E camera. It is similar to the one I used in the 1980s, which I should have never sold. The earlier one had a selenium light meter in the slot below the word "Rolleiflex." But my new one has better resolution; everything in its production chain worked out just right. In the 1950s and early 1960s, the factory tested every Rolleiflex camera with film before releasing the unit for sale. If there were any issues, the camera went back for adjustment or installation of new lenses. Rollei precisely matched the taking and viewing lenses in focal length.

Residence room in the Junius Ward YMCA, Clay Street, Vicksburg, Mississippi, early 1990

Panatomic-X film was excellent for detailed photography in old buildings, but you needed a tripod to support the camera for long exposures. In this example, I found an old chair in the hall and placed the camera on it. The Rolleiflex is suited for this work because it does not have a moving mirror and is therefore vibration-free.

Cemetery in Kalavrita, Greece, 1998, Leica M2 35mm camera.

I occasionally used Panatomic-X in 35mm cameras. This is an example from Kalavrita, a town in the Peloponnese of southern Greece. I should have used the 135 size film more often. (Update: Click the link for my 2021 article on 135-size Panatomic-X.)

2000s Examples


Shotgun houses in Grayson Court, Jackson, Mississippi, 2004

Grayson Court in Jackson was an old-fashioned alley with shotgun houses facing the common road. It has been torn down although the property owner did some renovating in the early 2000s. I took this photograph with my Fuji GW690II camera (the "Texas Leica") and its Fuji 90mm f/3.5 lens. The 6×9 negative (real size 54×82mm) scans to a 100 mbyte 16-bit TIFF file. More Fuji examples are below.

Junius Ward YMCA on Clay Street, Vicksburg, 2004. The Old Courthouse Museum is in the distance.
Shotgun houses on Bowmar Avenue, Vicksburg, 2005. Both have been torn down.
The New21 Club on Hwy 61, Valley Park, Mississippi, 2016
Blue Front Cafe, Bentonia, Mississippi, 2010
Administration building (1936) at former Bonner Campbell Institute, Edwards, Mississippi (click to see 2400 pixel frame) 
Unused Teen Center, 407 West Green Street, Tallulah, Louisiana, December 2016. Fuji GW690II camera.
Unused church in Hermanville, Mississippi, January 2017. Rolleiflex 3.5E camera.
Little Bayou Pierre, Port Gibson, Mississippi, February 2017. Rolleiflex 3.5E with 75mm Xenotar lens.

Port Gibson is the town that General Ulysses Grant did not burn during the U.S. Civil War because he admired the architecture so much. 

Crushing mill, Rte 3, Redwood, Mississippi, 2017. Rolleiflex 3.5E with 75mm Xenotar lens.

This is some sort of early 20th century crushing mill, long abandoned in the woods just off Hwy. 3 in Redwood. This is a 1 sec exposure at f/11. I resized this frame to 2400 pixels, so click the picture to see more detail.

2020s Examples


Private cemetery within Vicksburg National military Park. Rolleiflex 3.5E, yellow-green filter

Closing Notes


Kodak likely discontinued Panatomic-X for several reasons:
  • Even by the 1980s, most photographers wanted faster film so that they would not need to use a tripod in low light. 
  • Newer T-grain or tabular films like Kodak T-Max or Ilford Delta 100 offered almost as fine grain but with faster speed. (Note: many old-time photographers preferred the genuine Panatomic-X.)
  • A friend from Rochester, who has worked with Kodak, said there was a toxic chemical used in the Panatomic-X production (possibly cadmium). I have read the same pertaining to Agfapan 25, so maybe slow fine grain films required some chemical technology that manufacturers cannot use today.
Readers know I like film. One reason is I used film for 50 years and am comfortable with it. Another reason is it has a familiar look that we saw in prints, magazines, exhibits, and movies for decades, and it works well for recording urban decay. The self-professed "experts" (I am trying to be polite) on forums like Dpreview hate film because they think they are so superior with their new super digital capture devices. To each his own. Still, if you have aspirations to be a photographer, you owe it to yourself to use the traditional medium, learn how to calculate exposure manually, and contemplate each picture carefully. You need to think with film; no spray and pray that you might achieve a meaningful "shot." And you cannot chimp (review the pictures on the camera's screen) as you see in tourist sites around the world. Read an interesting interview on The Phoblogger with the Richard Photo Lab about how film is appealing to more and more photographers of all ages and skill levels. Used film cameras are cheap acceptable price and many emulsions are still available - just go do it.

Update March 2019


A reader in Photrio found this 1934 announcement from the British Journal Photographic Almanac. Thank you for the detective work.


Update November 2019


Here are examples of industrial machinery at the abandoned Redstone Quarry in North Conway, New Hampshire. I used my Rolleiflex 3.5F with 5-element 75mm ƒ/3.5 Planar lens, all tripod-mounted. Click any picture to see more detail.


Update October 2020


I bought some 35mm Panatomic-X from a seller on eBay. It expired in 1991 and proved to be fine, if possibly more grainy than when new.

Machine shop, Levee Street, Vicksburg, Mississippi (Pentax Spotmatic camera, 28mm ƒ/3.5 Super-Multi-Coated Takumar lens)

Please click this link for more examples of this 1991-vintage 35mm Panatomic-X inVicksburg and Louisiana.

Update July 2022


Good news! I bought ten more rolls of 120 Panatomic-X from the same gent who sold me rolls in the 1990s. 



Thursday, November 7, 2013

Ongoing Decay: Tallulah, Louisiana

Tallulah is the parish seat of Madison Parish, in northwest Louisiana. It is about 20 minutes west of the Mississippi River via Interstate 20.  Like many agricultural towns in this part of the country, it must have been active and prosperous up through the 1950s or 1960s.  The downtown had a business district along Depot Street, and the courthouse was set on a broad lawn with stores lining the surrounding streets. Nice houses lined Walnut Bayou.

Today, Tallulah is a sad shell of its former self, with closed stores, a crumbling downtown, seedy houses, and a general air of despondence. Farm communities in the northern Great Plains have experienced a land and farm commodities boom in the last decade (especially for corn), but this prosperity looks like it totally bypassed Tallulah.
East Green Street - U.S. 80 - view west
Before Interstate 20 was built south of town, Highway US 80 was the main east-west thoroughfare through northern Louisiana.  It passed through town on Green Street.
Today, many of the businesses on East Green Street look semi-derelict.  Fast food restaurants are the only thriving businesses.
Garage on East Green Street, Tallulah
This is the remains of a garage on East Green Street.  Part of the business may still be operating.

Depot street parallels the railroad tracks, which are active with Kansas City Southern freight through-trains. But the stores have little prosperity now.
These abandoned shops are on North Chestnut, facing the courthouse.

Every year in October, Tallulah hosts a Teddy Bearfest.  The 2013 event, centered at the Madison Parish Courthouse was crowded, and people seemed to be in a good mood.  At the BBQ stand, they even called me "Sir."  About the same time of the year, Rolling Fork, Mississippi, has its own Bear Affair, but I think these two fests are only related in name.

Proceed west out of town along West Green street, and the scene gets worse.  You see closed beer joints and abandoned youth clubs.
Go further west, and you arrive at the Steve Hoyle Rehabilitation Center.  Prisons are a big business in northeast Louisiana.  The cottage and little shotgun shacks were across the street.
Approaching thunderstorm, West Green Street, Tallulah
For a previous post on Tallulah, click the link for Scott Field, where Delta Airlines is reputed to have started service.

All photographs taken with a Panasonic G3 digital camera, nos. 2, 3, and 4 with an Olympus OM Zuiko Shift 35mm f/2.8 lens, the rest with the Lumix 20mm f/1.7 lens.  RAW files were processed with PhotoNinja software and converted to black and white with DXO Filmpack 3.  For most, I used the Tri-X film emulation.  It is not the same as real Tri-X, which makes me think I should go back to using film and a hand-held light meter.  I will need to have my Leica camera cleaned and adjusted.