| On the Avenue, 2004, Kodachrome slide, Nikon F3, 200mm AF-Nikkor ED lens |
This blog documents what remains when we abandon our buildings, homes, schools, and factories. These decaying structures represent our impact on the world: where we lived, worked, and built. The blog also shows examples of where decay was averted or reversed with hard work and imagination.
Tuesday, August 13, 2019
Corner Restaurant, Bailey Avenue, Jackson, Mississippi
Wednesday, August 7, 2019
Baobab Trees and Elephants, Tanzania
| Tarangire National Park, Tanzania (Panasonic G3 digital file, reprocessed with DXO Filmpack 5) |
| Tarangire National Park, Tanzania |
| Tarangire National Park, Tanzania (polarizing filter) |
| Tarangire National Park, Tanzania (polarizing filter) |
| Tarangire National Park, Tanzania |
| Ngorongoro Conservation Area, Tanzania |
| Yellow-billed storks (Mycteria ibis), Ngorongoro Conservation Area |
Note: the Yellow-billed Stork is sometimes called a Wood Ibis, but it is confusingly named because it is a stork, not an ibis.
| Lake Manyara National Park, Tanzania |
| Time for diesel and a broken key, Mto Wa Mbu village, Tanzania |
I took these images with a Panasonic G3 digital camera with the Panasonic Lumix 12-32mm lens and a polarizing filter for scenes with sky. To convert to black and white, I opened the RAW files in Adobe Photoshop Elements (using ACR 7.3), then opened DxO FilmPack 5 to use the Tri-X black and white film emulation. It is OK but not the real thing. I need to return to Tanzania with real cameras with film.
Thursday, August 1, 2019
Long forgotten: the Pinewood Motor Court, Hwy. U.S. 80, Vicksburg
The art moderne building was a restaurant. A 1950s post card labeled it as Cassino's Pinewood Grill."
The sign must have been impressive in its day, blazing with incandescent lights. I wonder if they flashed in a pattern in the direction of the arrow? Unfortunately, the "Pinewood" and "Grill" signs are gone.
When I moved to Vicksburg, the restaurant was still intact, but some of the motel units had been semi-deconstructed. The roofs were off, and you could see the cheerful pink tiles of the showers and lavatories.
In the early 1980s, an office in the middle of the parking lot was still intact.
The attendant in the office could survey the motel units and ensure that proper morals were maintained (or that no African Americans tried to check in).
Here are two samples of the same scene, one color and the other monochrome. Which tells the story better? These are scans of 4×5" Fujichrome 50 and Kodak Tri-X film from a Tachihara camera.
Preservation Mississippi wrote about the Pinewood in 2014. Read some of the comments for background information. A 2005 Vicksburg Post article summarized some of the history:
“My mother and father bought the first few acres in 1939,” said Gay Strong, who owns the Pinewood property on U.S. 80.
At that time, U.S. 80 was the main all-weather, east-west highway from Savannah, Ga., to San Diego. When Richard and Mary Jo Cassino Strong first bought the land from the Dees family, a small grocery occupied the property.
“Dad named it the Parkway Inn,” Strong said.
Though busy before, the highway really became heavily traveled during World War II with convoys of military trucks rumbling through. After the war, the traffic scarcely diminished as more people bought automobiles and personal travel took off. In 1940 and 1941, the Strongs built the first eight motel units on the east end of the property adjacent to the building that housed the restaurant. In the 1950s, they built the 14 units on the west end of the property.
“The restaurant was originally called the Pinewood Gardens,” Strong said. “I guess because we had so many flowers planted around it.”
Later the popular eatery was called the Pinewood Grill. The original restaurant building burned in 1950.
Strong said Mike Guido and Marie Angelo operated the restaurant after the Strongs, and Gay Strong’s uncle Frank Cassino took it over after the 1953 tornado destroyed his Vicksburg Candy Co. Cassino moved his restaurant to Openwood and Jackson street in the 1960s.
“When we first started it, I guess you would call it a family affair,” Strong said. “It was Mama and Daddy and me.” She said the cooks were from the U.S. Army Corps of Engineers fleet.
“We had fresh eggs. We grew our own vegetables,” she said. The intestate highways began being built in this area in the late ’50s and early ’60s, and that wrote the death warrants for the Pinewood and many other motels and restaurants along the old U.S. highway system.
By the 1970s, the Strongs could see the end coming. They tried to stave it off by renting the old motel rooms, which had kitchens, as efficiency apartments, to construction workers by the week and month. The end finally came and they closed the Pinewood in late 1979.The photographs above are from 35mm Kodachrome 25 film, Fujichrome 50 in 4×5" size, and Kodak Tri-X 400.
Wednesday, July 24, 2019
From the Archives: Moscow, Soviet Union, in 1978 (Plus-X film)
| Kremlin walls from the Moscow River in 1978 (Kodak Plus-X film, Leica IIIC, 5cm ƒ/2.0 Summitar lens) |
| Kremlin walls from Bol'shoy Kamennyy Most (bridge) |
| Vodovzvodnaya Tower, Moscow |
As tourists, we were herded into one of the Beryozka shops. These only accepted foreign currency and catered to tourists, diplomats, government officials, and special people (athletes? ballerinas?). The Beryozka shops sold goods that were hard to get in normal shops. Most local people were forbidden to enter the premises, plus they usually did not have any foreign currency. We saw the normal offerings of liquor, cans of caviar, scarves, and some jewelry. I almost bought a Kiev camera but passed.
In the photograph through the arch, the people in the distance are waiting to see Lenin's body. If we tourists wanted to enter the mausoleum, the guards would have put us in front of all those people, but that seemed rude and we did not want to flaunt privilege. So we never did see Lenin's body. Stalin and other notables are buried at the base of the walls. Notice the gents hanging around in "plain" clothes? We assumed we were being tracked, but who knows? Maybe our grumpy Intourist guide was the only official watching our group. In our hotel room, we occasionally said "Hi!" and "How are you today?" to the telephone receiver.
We stayed in an old hotel called the Berlin. It was on Pushechnaya Street and and within walking distance of Red Square and most tourist sites. It dated back to the Czarist era and looked like it had not received much maintenance or cleaning since the 1917 revolution. Sturdy babushka ladies sat at a desk on each floor and gave you your room key while they glared at you. I am not sure if they worked for the KGB, but they certainly had been instructed to report any suspicious happenings.
This was a quick tourist look at Moscow. I am sorry I did not take more pictures of ordinary life. There are some slides in my boxes, but scanning will wait for "some day" (like so many other mythological projects). These black and white frames were from Kodak Plus-X film, exposed with my dad's Leica IIIC camera and 5cm ƒ/2.0 Summitar lens, which I am still using many decades later.
Thursday, July 18, 2019
1950s Excellence: the Canon 50mm ƒ/1.4 Leica Thread Mount (ltm) lens
| Leica IIIC camera with 1960s-vintage Canon 50mm ƒ/1.4 ltm lens |
Background
Long-term readers recall that I have used my dad's Leica IIIC rangefinder camera for decades. He bought it at the Post Exchange in Guam in 1950 and used it for family photos in Asia and Europe. It was equipped with a Leitz Summitar 5 cm ƒ/2.0 collapsible-barrel lens. The Summitar was a remarkable 7-element optic of pre-WWII design. My sample has noticeable field curvature and displays a lot of aberrations at ƒ/2.0 and ƒ/2.8. That can be used creatively for certain types of work. By ƒ/4.0 or smaller, the aberrations are barely noticeable.
But I often take pictures of architecture and wanted a lens that was more uniform over the entire field and maybe offered better resolution. But which lens to choose? German, Russian, and Japanese optical companies made tens or hundreds of Leica thread-mount (ltm) lenses in the 20th century.
Alternate lenses
If money were no object (you know that fairy tale), Leica issued a limited production of their superb Type 5 50mm Summicron in 1999 with the 39mm thread mount rather than the bayonet M mount used in their current cameras. I checked eBay and saw copies being sold by Hong Kong companies for over $2000 (Hong Kong is the place to look for unusual collector items like this). The extra-rare Leica 50mm ƒ/1.4 Summilux Type V is $3400 (Model 11621). OK, above my budget. (2024 Update: That $2000 or $3400 now looks reasonable.)
Leica also issued their Type 2 Summicron in thread mount from 1960-1963. But this is another rare collector (= expensive) item. I have a Type 2 Summicron-DR (dual-range) in M mount, but there is no way that an M-mount lens can be fitted to the older thread-mount camera bodies.
I wanted a vintage lens as opposed to one of the modern Voigtlander (= Cosina) or Konica ltm lenses, which meant a 1950s or 1960s optic. It surprised me that the 1950s and 1960s ltm lenses from Minolta (Rokkor), Fujinon, Topcor, Tanaka (Tanar), Yashica, and Konica Hexar sell for hundreds, I suppose because of their rarity.
Soviet ltm lenses physically fit the Leica bodies but often have focusing issues because of a difference in the standard used for the focal length. Many users claim no issues, but I decided to stick with a lens specifically made for the Leica standard. Also, Soviet lenses suffer from highly variable quality control and material selection.
The Canon Camera Company made excellent interchangeable lens rangefinder cameras from the mid-1940s through 1972. The V series were especially innovative, according to Cameraquest. By the late-1960s, the single lens reflex (SLR) camera was dominant in the marketplace and Canon ended production of their innovative Canon 7S rangefinder camera in 1972. Leica and some of the Eastern Block companies continued to make interchangeable lens rangefinder cameras after the late-1960s, but most used bayonet-mount lenses. I remember visiting a camera store in Providence, Rhode Island, in 1976 or 1977, and they still had some new Canon ltm lenses in stock.
Thankfully, Canon's 50mm lenses were designed for the exact same mount and focus design as the Leica thread cameras, so they would work correctly on my IIIC. Canon offered 50mm lenses in ƒ/3.5, 2.8, 2.2, 2.0, 1.9, 1.8, 1.5, 1.4, and 1.2 maximum apertures. A remarkable ƒ/0.95 version only fit on the Canon 7 bodies. The early post-war lenses were very heavy, with chrome-plated brass bodies. I wanted one of the later and lighter-weight versions, so that meant theType 2 ƒ/2.2, ƒ/1.8, or ƒ/1.4 models.
For more information about ltm lenses:
- Canonrangefinder.org
- Camerapedia
- Summary of ltm lenses from various companies on Cameraquest
- Summary of Canon ltm lenses on Cameraquest
- Summary of Canon's 50mm lenses from canonrangefinder.org
Some other reviews of the Canon 50mm ƒ/1.4:
- A blogger, Jason Howe, wrote a detail description of this lens.
- Hamish Gill, the editor of the 35MMC blog, presented nice examples.
- A review by Kevin Shorter.
- Some portraits of Carlos Santana.
Note: As of 2019, Leica is still making their superb M-A film rangefinder camera, and sales have increased with the revival of film. In 2023, Leica reintroduced their Leica M6 camera.
Initial test film
Wow, new lens, so exciting. I loaded some Kodak BW400CN film in the IIIC and headed to the countryside south of Interstate 20 in central Mississippi.
| Front porch, April 14, 2019, Sontag, Mississippi (hand-held, approx. ƒ/8) |
| Abandoned mid-century cottage, Sontag-Nola Road, Mississippi |
| Truck and farm yard, Sontag-Nola Road, Mississippi |
| Former filling station, Beauregard, Mississippi |
| Closed gasoline station on Hwy 27 near Utica (ƒ/11 or ƒ/16); note detail foreground and back |
| Apartment complex with unusual architecture between Clay Street and Baldwin Ferry Road, Vicksburg (medium yellow filter) |
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| Detail (original size) of sign on left center of the previous photograph. |
| Holly Beach, Louisiana. I hope that truck has large enough tires to impress the ladies. |
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| Old Country Store, Lorman, Mississippi (Fuji Acros 100 film, long exposure braced on ledge) |
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| Historic cottage at 706 Harris Street, Vicksburg, Mississippi (with med. yellow filter) |
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| Minister on Washington Street, Vicksburg (Fuji Acros film) |
Summary
This is a beautiful optic with nice rendering, especially on B&W film. This was a top-grade lens in the 1960s, an example of Japanese optical and mechanical excellence. Some reviewers called it the "Japanese Summilux." I will test it with fine-grain film; if I can find some 135 size Panatomic-X, that would give a genuine old-school appearance to my negatives. This lens is large enough to block some of the viewfinder, and I need to compose carefully. One solution is to use a 50 mm auxiliary finder. I just bought a Canon version.
Final conclusion: If you want a classic lens for a Leica ltm rangefinder camera, definitely consider the Canon thread-mount lenses. But look carefully for the dreaded haze.
Friday, July 12, 2019
Quick Drive on North Washington Street, Vicksburg, Mississippi
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| Washington Street view north. Undated, from Cooper Postcard Collection, Mississippi Department of Archives and History |
| North Washington Street from 61 Coffeehouse, Fuji Acros 100 film, Vito BL camera |
| Warehouse, corner of 1st East and N. Washington Street, Tri-X film |
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| Jo-Anna Motel, from the Cooper Postcard Collection, Mississippi Department of Archives and History |
| Vicksburg Forest Products from Haining Road bridge over railroad, Vito BL camera, Acros 100 film, polarizing filter |
| Corner of Hutson and N. Washington Streets, Olympus Trip 35, TMax 100 film, yellow filter |
| 3112 N. Washington Street, Olympus Trip 35, TMax 100 film, yellow filter |
| 3950 N. Washington Street, Olympus Trip 35, TMax 100 film, yellow filter |
| Former detail shop at corner of Chicasaw Road (digital file) |
| Exact location unknown, N. Washington Street, Kodachrome film |
| Spouts Spring Road, Vicksburg, Hasselblad, 80mm Planar lens, expired Kodak Ektar 25 film |
| Cottages on Spouts Spring Road, Olympus Trip 35, TMax 100 film, yellow filter |
| Margaret's Gro in 1985, 4535 N. Washington Street, Kodachrome 25 slide, Pentax Spotmatic, 28mm lens |
| Margaret's Gro, Fuji Reala film, converted to black and white. |
| Road from sand quarry, Rolleiflex 3.5E camera, Kodak Panatomic-X film |
This ends out short ride down North Washington Street. Thank you for reading.






