Showing posts with label XPan. Show all posts
Showing posts with label XPan. Show all posts

Monday, August 8, 2022

The Wide View in Vicksburg, Dec. 2021 (Hasselblad XPan 05)

Corner of Monroe and China Streets, Vicksburg, MS (30mm ƒ/5.6 lens, center filter, ƒ/8.0½)

Corner of Monroe and China Streets, Vicksburg, MS (30mm ƒ/5.6 lens, center filter, ƒ/8.0½)

When my friend first loaned me his gorgeous XPan panoramic camera, I took sample photographs around Vicksburg with Kodak Tri-X 400 film. 

Over the years, the standard 45mm lens was the most common one for XPan photographers. This was already pretty wide on this format. My friend also has the amazing 30mm ƒ/5.6 lens, which has proven to be a challenge. You need textures or interesting features in the lower foreground to keep the scene from being too boring. I think the first example above is effective, but the second photograph may have too much plain foreground. Click any picture to see it at 2400 pixels wide, and all comments welcome.

Good stuff junk yard, Mt. Albans Road, Vicksburg (30mm ƒ/5.6 lens)

This is the car junk yard on Mt. Albans Road east of Vicksburg. Readers may remember older pictures from here. 

Corner store, Mt. Albans Road (45mm ƒ/4 lens, Fuji Acros film)
Gorilla pawn shop, Washington Street, Vicksburg (45mm lens, med. yellow filter) 

The 45mm ƒ/4 lens has amazing resolution across the frame.  

Cherry Street at Clay, 30mm ƒ/5.6 lens, yellow filter, ƒ/11 (Fuji Acros film)

This little store at the corner of Cherry and Clay Streets housed the Wells & LaHatte appliance business for many decades. The business has moved one block away and the little wood building is for sale. The extra wide 30mm ƒ/5.6 lens is an amazing optic, but I found it works best when stopped down to ƒ/11.

Mt. Heroden Baptist Church, 1117-1119 Clay Street (30mm ƒ/5.6 lens, yellow filter)

Standby for more panoramic scenes in Vicksburg and the surrounding area. Thank you for exploring with me.

Sunday, July 31, 2022

Panoramas on the Dixie Overland Highway - Mound, Tallulah, and Delhi (XPan 04)

As I wrote in the previous article, a generous friend loaned me his fabulous Hasselblad XPan panoramic camera. You may recall that I wrote about using an XPan in western Washington and Seattle during 2004, when I worked there for a few months. 

This offer was much too kind to resist. Loading a roll of Kodak Tri-X 400 film, I crossed the Mississippi River bridge to Louisiana and drove west on historic US 80, once known as the Dixie Overland Highway. I have photographed in Mound and Tallulah before with regular cameras, but the area offers topics for a wide view. Please click any picture to enlarge it. Unenlarged, they look like skinny sideways pictures, especially on a mobile phone.  (An aside: one day I plan to follow the former route of the Dixie Overland all the way to San Diego.)

Delta


Mount Zion BC Church, near Delta, Louisiana (45mm lens, med. yellow filter)

Tallulah


Tallulah is a bit beat-up. I have photographed there over the years and sometimes bicycle through town if I bike the loop on LA 602 and US 80. 

No shopping here, West Green Street (US 80), Tallulah (45mm, med. yellow filter)
No shopping here, either, West Green Street
Waiting for a load, West Green at Fourth Street (45mm at ƒ/8, yellow filter)
Fixer-upper house west of Tallulah, US 80
Willow Bayou Rice & Grain, west of Tallulah, US 80

Delhi


Delhi (Del'-high) is an agricultural town west of Tallulah on US 80 (no, not the Delhi in India - I have been there, too). It looks a bit more prosperous than Tallulah, and the downtown strip has some stores and restaurants.

Mooney's Auto Sales & Repairs, First Street (US 80) at Rundell Street, Delhi
No more pumping, Delhi Water Works
The Air Man of Delhi, First Street (US 80)

I took these photographs on Kodak Tri-X 400 film exposed at EI=320. Northeast Photographic in Bath, Maine, developed the film. Because the frames are 68mm wide, I scanned them in two pieces of 36mm with my Plustek 7600i film scanner and merged them with the Photomerge function in Photoshop CS5. The Tri-X is a bit grainy and does not let these lenses show their true potential.

Thanks, Bill, for letting me use your XPan!

Standby for more Xpan photographs in the future, including examples in color.

Sunday, July 24, 2022

Hasselblad XPan Panoramic Camera: How to Handle the Film? (XPan 03)

Hasselblad XPan camera with 30mm, 45mm, and 90mm lenses
XPan with 30mm ƒ/5.6 lens and special viewfinder
Center filter on 30mm ƒ/5.6 lens


The amazing hardware


A friend in town generously loaned me his fabulous Hasselblad XPan camera with its three unique lenses. The Hasselblad XPan (and the identical Fuji TX-1) were innovative cameras that used regular 35mm film to create a negative that was 24×65 mm in size rather than the usual 24×36 mm frame common in most 35mm cameras. 

For me, the wide frame was a revelation. Through the viewfinder, I could see topics that I might have skipped with a normal camera or would have found boring without the wide frame to show the context of the scene. The wide frame provides a narrative to the main topic. I will post a series of XPan articles in the next few months. 

A recent guest author on Casual Photophile also wrote about how the wide view gave him a new way of viewing his world. An author on 35MMC found his XPan to be his favorite travel camera. But Hamish Gill of 35MMC found that the XPan just did not suit his type of photography enough to keep the valuable camera. It is a specialist tool to be sure.

However, this camera's wide frames require different handling than normal 35mm negatives. I did not see much on the internet about how people process or scan this unusual 24×65 mm frame. This article will describe my procedure.*


XPan negatives (converted to positive). Oh, oh, what to do with the odd shape?

Optical enlarging


If you print in a darkroom optically, any medium format or 4×5" enlarger like a Beseler would be suitable for the XPan negatives. I was surprised to see that Beseler still sells an XPan film holder. It is rather expensive at B&H, but at least is available. 

Years ago, some commercial labs developed XPan negatives and printed 4×12 inch machine prints. Nice. I have some albums with pages just for this size.


4×12 inch prints in plastic album. Lake Union, Seattle, Washington

Some companies made plastic print booklets specifically for the 4×12 prints.

Scanning options


Most people today probably scan the negatives and then post the results on the web or make ink jet prints. But how to scan these odd-size negatives? Some options:

  1. Use a digital camera with macro lens and a copy stand to take a picture of the negative, and then reverse with software. My friend who owns the XPan uses this technique. 
  2. Scan the negatives on a medium format scanner. My Minolta Scan Multi will fit the 65mm length, but I would need to cut a 24×65 mm mask. Minolta may have once sold a frame and mask in this size, but I doubt I could ever find one. Nikon's medium format scanners could be used for Xpan negatives. They used to sell a glass negative carrier that came with a mask for the Xpan format. It worked but was clumsy and very slow. 
  3. Scan left and right frames of 24×36 mm in a regular 35mm film scanner and then combine them with software. I used this method with my Plustek 7600i scanner and then merge the two pieces with Photoshop CS6 (details below). 
  4. Commercial scanning. Some laboratories may offer this service via the Imacon Flextight scanner (alas, no longer available new and staggeringly expensive)

Digital camera scanning



Monument Valley Navajo Tribal Park, Arizona. © Bill Stripling
Acueducto de Segovia, Segovia, Spain. © Bill Stripling
French Pyrenees. © Bill Stripling

This is Method 1 above. These are all scans made with a Nikon Z7 camera and reversed in Lightroom with Negative Lab Pro software. To my eye, these results look fantastic. If you have a high-resolution digital camera, this is an excellent technique. The quality of the light source is important if you are scanning color negatives. For LED sources, the spectrum needs to be as smooth as possible. Gaps or spikes in the spectrum can cause color shifts. 

Merging 24×36 mm scans



Plustek 7600i scanner with 35mm negative holder. Note how one XPan frame overlaps into the second opening.

I use Method 3, where I scan left and right sections of the XPan negative sequentially. For the two frames to blend properly, there must be some overlap (possibly 10-20%). You need to set the exposure and color balance for one of the frames and then be sure to not change those settings for the second frame. What I do:
  1. Preview the left or right section in a 24×36 mm frame (i.e., the full size for this scanner).
  2. Adjust color, gain, and contrast as needed.
  3. Make a final scan at 3600 dpi and save as a 16-bit (full color) TIFF file.
  4. Remove the film holder, pull the XPan frame so that the other side is in the 24×36 opening.
  5. Reinsert the holder in the scanner but leave gain and color unchanged. This means I cannot preview this second piece.
  6. Make a final TIFF scan of this second section.
  7. If needed, clean scratches and chemical blobs with the heal tool in Photoshop.

Assembly


It sounds confusing but is relatively simple. Then I use the >Automate>Photomerge tool in Photoshop CS5 or CS6 to combine the two sections. Make a final check if the wide frame needs some cropping and you are done. It is a bit time-consuming but works well. 

Below is an example from the rail line south of the Amtrak Station in Jackson, Mississippi and one from a junk yard in Edwards.



Pascagoula Street overpass left frame




Pascagoula Street overpass right frame







Final panorama from Pascagoula Street overpass (Kodak Portra 160 film)

I-20 junk yard left frame









Junk yard right frame













Final panorama, I-20 North Frontage Road, Edwards (Portra 160 film, 45mm ƒ/4 lens at ƒ/5.6½)

Despite the work, this Xpan is a lot of fun and an amazing creative tool. Standby for more examples. Thank you, Bill, for letting me use your camera.


* I am not going to use the term "workflow." That is a cliche on photography web pages, especially the infamous DPreview. "I returned from my weekend in Paris and did my special workflow to my 15,000 shots." Bleech.



Sunday, June 12, 2022

Exploring the Capitol (Olympia, Washington) (Oly 02)

Washington State (from netstate)
Olympia and Capitol Lake (Hasselblad XPan camera, 45mm lens, Fuji Reala film)

Olympia is the capitol of Washington State. The city is nicely situated at the south end of Puget Sound about one hour southwest of Seattle (or 2 or more hours during rush hours - which last much of the day). Olympia is a nice little city with a population of about 55,000, but that increases to around 270,000 if you include nearby Lacy and Tumwater. Olympia was only incorporated as a town in 1859, making it a relatively new city compared to where I have lived in the past. 

4th Avenue, view east

The downtown is reasonably well-preserved and active. But it did not strike me as especially dynamic despite being the state capitol. It definitely has a less frenetic pace than Seattle or Tacoma. In the business district, most buildings appear to have tenants, and I saw bars, restaurants, banks, coffee shops, and theaters. Some of the downtown has the look of Old American City, a place that may have enjoyed a more golden era decades ago. 

Railroad bridge over Capitol Lake (35mm ƒ/2 Summicron lens) 

The rail network through the city is a bit complicated. This bridge crosses Capitol Lake (see the aerial panorama above).

7th Avenue Tunnel from Columbia St. SW (50mm Summicron, ƒ/4.0½)

After the rail line crosses Capitol Lake, it turns north and then turns east through the 7th Avenue Tunnel. I met a homeless man emerging from the dark and he said people regularly walk through it (hmmm, not me). A few years ago, a homeless fellow was struck by a train and lost an arm.

7th Avenue Tunnel from Jefferson Street (90mm ƒ/4 Elmar lens, 1/125 ƒ/4.0½)
7th Avenue (50mm Summicron lens)

 It took some looking around to find urban decay topics, but I found some.


When I asked the homeless fellow where the railroad tunnel emerged, he said near the black house. I did not know what he was talking about until I saw this old house coated with black paint. (Update: the house has burnt down.)

Jefferson Street view north (90mm ƒ/4 Elmar lens, 1/125 ƒ/5.6)

The tracks run down Jefferson Street to the Port of Olympia. I thought they were unused until one evening, I heard the familiar clanging and horn of a locomotive. 

Lumber pier, Woodard Bay Natural Resources Conservation Area (90mm Elmar, 1/250 ƒ/8.0)

The Woodard Bay Natural Resources Conservation Area is northeast of downtown. The pier once served Weyerhaeuser Timber Company's rail cars bringing lumber from the south. Formerly known as the South Bay Log Dump, cranes loaded timber onto barges, which then took the wood to mills in Everett. Today, the pier supports colonies of yuma myotis and little brown myotis bats. They forage as far as Capitol Lake and eat tons of insects every night. 

No coffee today, 3525 Shinckle Road

This ends our short tour of Olympia. Type "Olympia" in the search box to see older articles.

The black and white photographs are from Fuji Acros film exposed at EI=80 in my Leica M2 camera. Northeast Photographic in Bath, Maine developed the film, and I scanned it with a Plustek 7600i film scanner. The aerial panorama is from 2004, when I spent a few months in Seattle on a work project at Willapa Bay. A friend flew me over Olympia and to the coast.

Sunday, April 17, 2022

The Wide View in Seattle (Hasselblad XPan 02)

Beer Bust, 14th Street, Seattle

Seattle is a beautiful city nestled between Puget Sound and Lake Washington, with stunning views of Puget Sound and the Olympic Mountains to the west and the Cascades to the east. The city is hilly because of the glacial drumlins, remnants of the glaciers that covered this area during the ice age. 

In the late-1800s, Seattle was a bustling supply station for the Alaska gold miners. The famous (infamous) seamstresses, of which there were thousands, served the clothing and "other" needs of the miners and sailors. Seattle grew into a major timber, ship-building, and shipping city.

The economy grew, and during much of the 20th century, Seattle was a Boeing city, making many of the commercial aircraft used throughout the world. But in 1971, trouble came to Seattle. The US Senate and House of Representatives voted to cancel any further development of Boeing's supersonic transport, originally intended to be a competitor to the European Concorde. Boeing fired thousands of engineers and technicians. The city sank into depression. People joked how the last person out could turn off the lights. I recall that the downtown in the 1970s had the seedy look of an old American city, with tired buildings, dirt, and closed shops.  

When I returned to Seattle for a short assignment in 2004, the economy had turned around. Was this the same city? Seattle had become a tech Mecca, with Microsoft and numerous other computer and electronics firms in Bellevue, just across Lake Washington from the city. Traffic was snarled and dense, all day long. Glass office buildings filled downtown. Housing was expensive even on 2004 standards (and a purchase then would be considered an astonishing investment when you look at today's housing prices). New money parked their Ferraris and Porsche at their lakeside cottages. 

Here are a few photographs of Seattle that I took in 2004 with a Hasselblad XPan panoramic camera, using its 45mm lens. In the previous article, I described the remarkable XPan. Click any picture to see more detail.

Where did all those office towers come from? View south towards downtown Seattle. I-5 is on the left.

South Lake Union district with Space needle in the center

The 184 m-tall Space Needle is an icon for the city.  It was built for the Century 21 Exposition and has remained Seattle's most popular tourist attraction ever since. Elvis even made love (sang) to Joan O'Brien in the needle-top restaurant in "It Happened at the World's Fair" (1963). The movie was a real stinker, but the 1962 views of the Exposition are very interesting. 

The area in the foreground is south of Lake Union. During most of the 20th century, it was known for warehouses, industry, and manufacturing. Now it is trendy, with loft apartments, coffee shops, and condos. Why do I always miss these trends and fail to buy a warehouse or two?

Queen Anne Hill and Lake Union in 2004

If you are really rich (or lucky), you can live on Queen Anne Hill and see Puget Sound to the west, Seattle and the distant Mount Rainier to the south, and Lake Union to the east. It is a bit crowded, and house lots are squashed together, but there is a nice sense of community, with local stores and restaurants. In the early 1900s, a funicular streetcar ascended Queen Anne Avenue. In the photograph above, the snow-capped Olympic Mountains are in the far left of the scene.

Queen Anne Avenue without the funicular (2021 digital file)
Kerry Park, Queen Anne Hill, Seattle (2021 digital file)

Of course you would like to live on Queen Anne Hill if you had this view.

Lake Union, Seattle

Lake Union is a freshwater lake within the city of Seattle. In the mid-20th century, it was rimmed by industrial companies, shipyards, NOAA's ocean survey fleet, and some residences. Today it is a technology hub and trendy center for restaurants and clubs. On a warm afternoon, you will see kayakers, seaplanes, bicyclists, sail boats, and ducks - all having a good time. 

This ends our short look at Seattle. Make time to visit the Pacific Northwest, walk around Seattle, take photographs, eat fish, and drink craft beer.

Some day, I will scan my 1970s negatives of Seattle. Standby.

Sunday, April 10, 2022

The Wide View in Western Washington (Hasselblad XPan 01)

Panoramic Cameras


For years I experimented with panoramas. In the past, I took a series of photographs (usually horizontal) with a normal camera and included about 25 percent overlap on each frame. Then I mounted prints on a long board and made a physical panorama. This worked best with 50mm or longer lenses because they did not suffer from distortion or light fall-off at the edges. 

More recently, I have scanned the negatives and merged them electronically using Adobe Photoshop. The software is amazingly effective, and often you barely see the junctions where the negatives overlap at all. The quality of the merge depends on whether the lens displays darkening or unsharp areas at the edge of each frame. Regular readers may remember panoramas from Lower Manhattan and Logan Airport in Boston (click the links).

For a century, camera makers invented various types of cameras that  exposed a wide piece of film. That way, you did not need to combine separate pieces of film or glue prints on a board.

There are three main types of panoramic cameras:

  1. Stationary lens wide body. The camera body holds a wide piece of film and mounts a lens with sufficient coverage to expose the entire frame. Some examples include Former and Schwing's 7×17 and even 12×20 inch banquet cameras. Can you imagine the size of the latter monster? Mid-century, it was more common to use 6×12 and 6×17 bodies that held 120 film. Some of the best are the gorgeous Linhof models. The disadvantage of these wide bodies is that objects at the sides of the frames become elongated. Think of a round ball that becomes stretched along the axis of the film. That is why most photographers do not use wide angle lenses for group portraits - people at the edge look wide. 
  2. Rotating or swing lens cameras. These are ingenious machines. The lens is on a motorized pivot. The film back is curved, and as the lens moves, it paints the image on the film. With this design, objects at the edge do not become elongated. 
  3. 360º rotation camera. The entire camera rotates through a circle while the film moves at the same speed past the lens. One example is the famous Swiss Roundshot. These provide amazing panoramas from mountain tops or cityscapes from towers. 

An excellent introduction to this type of photography is: Meechem, Joseph,1990. Panoramic Photography, Amphoto, New York, 144p. 


Hasselblad XPan camera with 45mm ƒ/4 lens and center filter

Lens Options


Two other methods let you create panoramas with an ordinary camera.
  1. An anamorphic lens compresses the image in one direction while leaving the other unchanged. These were developed for cinematography when wide-screen movies became popular (think of Cinemascope). The film remained the normal size. At the cinema, an opposite (or anti-) anamorphic projection lens recreated the wide view that had been filmed on the set or in nature. These lenses were originally spectacularly expensive, but some Chinese companies are selling new version. 
  2. A shift lens can be mounted on any 35mm camera. Take one picture with the lens shifted full to the left, then a second frame full to the right, and merge the frames with Photoshop. I still have an Olympus OM 35mm ƒ/2.8 shift lens. I need to buy an inexpensive body and put the lens back into use.

The Hasselblad XPan


Between 1998 and 2006, Fujifilm made a spectacular camera, the TX-1 (and updated it with TX-2). Hasselblad marketed them in the USA and Canada as the XPan and XPan-2. This camera looks like a modern rangefinder body but it is wider. The film opening is 24×65 mm, in contrast to the normal 35mm camera. which exposes only 24×36 mm. Fuji made three superb lenses, 30mm, 45mm, and 90mm. The 30mm and 45mm lenses had optional center filters to even the exposure across the frame.With the recent revival in film photography, TX-1s and XPans are highly coveted and seriously expensive (a 3-lens kit complete with the center filters is a third or half the price of a new car).

Willapa Bay and Grays Harbor, Washington


The coast of Washington has two large estuaries or rias facing the Pacific Ocean. The southern one is Willapa Bay. Grays Harbor (no apostrophe in the name) is a few miles to the north. 

In 2004, I spent a few months working in Seattle on an erosion study of Willapa Bay. A friend offered to fly me to the coast, and I rented an XPan from Glazers Camera. He had a perfect airplane for the trip because the window opened (or maybe it had no window, I can't remember).

Mouth of Willapa Bay, view west to the Pacific Ocean

Willapa Bay faces the Pacific Ocean. Most of the bay is protected from the open ocean by the Long Beach Peninsula, a long sand spit composed of sediment brought down to the ocean by the Colombia River. The mouth of Willapa Bay has been very dynamic and has migrated north more than a kilometer in a century. This northward migration threatened the formerly-protected shellfish grounds used by the Shoalwater Bay Tribe and threatened their homes. 

In 1866, President Andrew Johnson created the 334-acre Shoalwater Reserve for the Willapa Bay Chinook people under the Treaty of Olympia. During the 1990s and 2000s, the village occupied by the tribe (lower right in the photograph above) suffered wave action and threat of severe erosion. The US Army Corps of Engineers conducted a study of hydrodynamics, sediment movement, and geology to evaluate if they could protect the village. If you are interested, Appendix 1, Engineering Analysis and Design of the 2009 study titled, "Shoalwater Bay Shoreline Erosion, Washington, FLOOD AND COASTAL STORM DAMAGE REDUCTION, Shoalwater Bay Indian Reservation" describes the data and analyses used in the study. 

Heading north, Grays Harbor is another large estuary with a dangerous Pacific Ocean mouth. This bay was historically important for the fur trade, fishing, and the timber industry. 


Timber yard, Aberdeen

Grays Harbor's largest city is Aberdeen, located at the east end of the bay at the mouth of the Chehalis River. During the early 20th century, Aberdeen was the world's largest timber port. Much of the timber today is shipped to Asia.

Olympia



Washington State capitol, Olympia


Olympia, in Thurston County, is the capitol of Washington State. The marble dome of Capitol building is said to be the fifth highest masonry dome in the world. This a nice mid-size city, without the congestion and frenetic pace of Seattle, which is about two hours to the northeast. Olympia has a famous Farmers' Market, where you can indulge your wishes for a gastronomic overload of locally-sourced healthy vegetables and fruits. 

Tacoma


Tacoma is an industrial city at the south end of Puget Sound, about an hour south of Seattle. In the 1970s, Tacoma had major steel and paper mills. When the wind blew from the south, we smelled it in Seattle and called it "Aroma of Tacoma." Today, Tacoma has gentrified but remains a major port handling timber, bulk cargoes, petroleum products, and automobiles.   


Tacoma harbor, view west
Fisherman cottage, Tacoma (look out for the tsunami)

What a nice place for a cottage: view of the sea, clang on the buoys, swish of the waves, salty/briny smell of the intertidal flats. But when the Cascadia subduction zone finally has a big slip, the tsunami will rush into Puget Sound and wash away this little cottage. 

Browns Point, NE Tacoma

Browns Point has some nice residences on the bluff top and along the base. I do not know about geotechnical issues for the residents at the top with a view. Still, it would be nice.

Port of Tacoma

Want a car? Take you pick, all the finest from Japan and Germany.

Stand by for panoramas from Seattle in a future article. Please click any photograph to expand it.