Expired Film Treasure: 120-size Kodak Ektar 25 (Abandoned Films 02g)

Dear Readers, I have written about Kodak's ultra-fine resolution Ektar 25 film before. This was the finest-grain color negative film ever made, and when new, had a vivid and contrasty color palette. But it has been out of production for two decades, and most (all?) rolls for sale on ePrey are unusable because they were not stored frozen. Awhile ago, I declared I would not try any more; it was past its time. 

Oh oh, trouble. A friend on the Photrio forum said he had two rolls for me that had been frozen. I could not resist - I know, I know, weak self-discipline. It is an example of succumbing to film GAS (Gear Acquisition Syndrome).

The first roll I exposed at an exposure index of EI=20. But when the film came back from North Coast Photographic, the frames were much too thin. However, I managed to save about half of the pictures via scanning. The second roll I shot at EI=12, and this one was much better. So, in no particular order, here are some examples of the famous but long-expired Ektar 25, color shifts, warts and all. These are all tripod-mounted exposures. Click any frame to expand. Comments welcome.

Louisiana

Bridge over Judd Bayou, Tensas National Wildlife Refuge, Louisiana (80mm ƒ/2.8 Planar-CB lens)

This is one of my favorite recent photographs. The light, foliage, and setting were just right. This is the end of the road for cars, well within the forest west of the Tensas River. Unfortunately, this area was cut in World War II, so the forest is not old growth, and the loggers destroyed what may have been the last USA habitat for the Ivory-billed Woodpecker. 

Vicksburg and Redwood

Former CCC Camp near Union Ave., Vicksburg National Military Park

King Davis Church, Glass Road, Vicksburg (80mm Planar-CB lens, polarizer)

Shed near abandoned cement silos, Rte 3, Redwood (80mm ƒ/2.8 Planar-CB lens, ½ ƒ/5.6)

Remnants at cement silo site, Rte 3, Redwood (50mm ƒ/4 Distagon lens)

Crushing mill, Rte 3, Redwood (50mm ƒ/4 Distagon lens, 1 sec. ƒ/8)

I have photographed this large metal object before. I am not sure what it once crushed or ground. The deep water pit may have been for cooling water or flushing the material out of the device. Now it is a perfect habitat for water snakes. This is just east of Rte 3 across the street from the old cement silos. 

Where is my food? Happy wet cows, Ball Road, Redwood

Rosedown Road, Vicksburg (80mm ƒ/2.8 Planar-CB lens, ¼ ƒ/4.05)

This is the view looking downhill from Confederate Avenue. These architecturally-boring houses have been here since before the mid-1980s. 

Eagle Lake Area

Jones Lake, near Laney Lake Road, off Rte. 465 (50mm Distagon, ¼ ƒ/11)

Jones Lake, near Laney Lake Road, off 465 (50mm Distagon, ¼ ƒ/11)

Snow in Vicksburg

Adams Street, view north (80mm Planar-CB lens)

Ready to go, Washington Street

Kansas City Southern rail yard from Levee Street

104 Locust Street (50mm ƒ/4 Distagon lens)

106 Locust Street (unoccupied)

201 Locust Street (unoccupied)

Yes, once in awhile, we get a snowstorm in Vicksburg. It changes the entire look of the landscape and is too good to resist capturing with film. The overcast sky and soft light was perfect for this Ektar 25 film.

Locust Street is in the north part of town below Fort Hill. A local dude stopped in his car and told me how the neighborhood was vibrant 20 years ago, with houses on every lot. Now at least half of the lots are grass or have abandoned houses.

Summary

Once again, I am impressed that a 25-year-old color film will still work, albeit with color shifts and minor errors in the emulsion. This film shows it amazing resolution when used with the best optics and careful technique (which means a tripod). But I have no more 120-size Ektar 25 and am unlikely to ever buy any. As I concluded before (but obviously did not follow my own advice): this is the end, no more. There is one roll of 35mm Ektar 25 in the freezer, which I will save it for a special occasion.

Update June 2021: A friend found two rolls of Ektar 25 in his mother's freezer. It looks as if I will be able to enjoy Ektar 25 again.

Expired Film Treasure: 135-size Kodak Panatomic-X (Abandoned Films 05)

Introduction

Oh, oh, trouble. A fellow on eBay advertised a brick of Kodak Panatomic-X film in 135 size (for regular 35mm cameras) that he said had been frozen. Long-term readers know that I have been using my dwindling stash of 120-size Panatomic-X for the last few years with great success (please click the link). Many photographers on the web claim to miss it. And now I could try some of this classic film in my 35mm cameras? This was too good to resist; I bought six rolls and loaded a camera. 

Eastman Kodak introduced Panatomic in 1933. It was designed to be an extremely fine grain film, which meant it could be enlarged for large prints and still retain details. The early version was on nitrate base, but around 1937, Kodak reformulated it on safety base, renaming it Panatomic-X. Sadly, Kodak discontinued this well-loved product around 1988 or 1989, claiming that TMax 100 could serve as a substitute. Maybe this is true, but many photographers regretted the loss of the older film. Used with top-grade lenses and careful technique (that means a tripod), the detail in a Panatomic-X negative is remarkable, even in this age of high-megapixel digital cameras.

There is always a risk with using expired film, but slow speed black and white emulsions usually age well with minimal fog problems. If the films have been refrigerated or frozen, they typically are completely usable. Long-term readers may recall that I had great results with 1960s GAF Verapan film packs that had been frozen for 50 years. Color film is much more susceptible to color shifts and other issues, but if you find some old black and white film, by all means try it.

Here are scenes from in and around Vicksburg, Mississippi, from my new/old Panatomic-X film. Judge for yourself if you like the look or tonality. I resized to 1600 pixels on the long dimension. Click a picture to enlarge it. Please comment if you have some observations.

Levee Street

Former cotton compress, Levee Street (35mm ƒ/3.5 Super-Takumar lens, yellow filter, ¼ ƒ/11.5, overcast with drizzle)

Former tank farm, Levee Street (28mm ƒ/3.5 SMC Takumar lens, yellow-green filter, ⅛ ƒ/8)

Tugs on Yazoo Canal (28mm ƒ/3.5 SMC Takumar lens, yellow-green filter, ⅛ ƒ/8)

Levee Street has remnants of Vicksburg's industrial infrastructure. There is a lot of barge traffic on the Yazoo Canal. The old tank farm in the photograph above has been unused for at least three decades, but in late 2020 I saw that one of the tanks had been removed and the piping had been cleaned and painted. These photographs are from an overcast day with occasional drizzle.

KCS rail yard, Levee St. (Leica IIIC, 50mm ƒ/2 Jupiter-8 lens, yellow filter, 1/20 ƒ/11)

Second Street

This stucco-clad house on the corner of Second and National Streets has been uninhabited for three decades, but it is not abandoned. Someone painted the exterior not long ago. A neighbor came over when I was photographing and said the sheriff pays him to mow the grass. The old Plymouth and pickup truck have been in the carport for decades. Status: unknown.

Yazoo Street

Yazoo Street (35mm ƒ/3.5 Super-Takumar lens, 1/30 ƒ/4.0, hand-held)

Yazoo Street runs south from Army-Navy Drive past the City workshops and dead ends almost under the North Frontage Road bridge. Decades ago, you could see more houses in this quiet corner of town, but now only this one house remains. The air was misty, accounting for the glow in the tree canopy.

Clay Street

Adolph Rose Antiques, 717 Clay Street (Leica M2, 35mm ƒ/2 Summicron lens, 1 sec. exposure)

Thank you, Malcolm and Karen, for letting me take some photographs in the interesting Adolph Rose Antiques. 

Lot behind 1220 Washington Street (Leica M2, 25mm ƒ/4 Color-Skopar lens, ¼ sec. ƒ/8.0½)

Lower Clay Street, near the Yazoo Canal, was once lined with commercial buildings and warehouses. A few still exist. Just west of Washington Street, an alley gives access to the back lots of some of the old commercial buildings. 

Washington Street

 

2016 Washington Street (35 mm ƒ/2 Summicron lens, yellow filter, 1/125 ƒ/2.8½)

This forlorn building is one of the few commercial buildings remaining just south of downtown. Notice the brickwork on the right unit, evidence of fine construction a century ago. 

Rifle Range Road

Abandoned (or forgotten) timber rail cars (55mm ƒ/1.8 Super-Takumar lens)

These rail cars are parked on the tracks next to Halcros Chemical, just south of Rifle Range Road. Status: unknown.

US 61 South

Church, 3922 US 61 South, Vicksburg (Leica 50mm Summicron-DR lens, yellow-green filter)

Natchez

C&M Crawfish, US 98, Natchez (25mm ƒ/4 Color-Skopar lens)

This is another former gas station on US 98 a few miles northeast of Natchez. I liked the light shining on the cracked driveway. 

Jackson

Pump house at Mississippi River Basin Model, Buddy Butts Park, Jackson (25mm ƒ/4 Color-Skopar lens)

This is a pump house at the US Army Corps of Engineers' Mississippi River Basin Model, the largest hydraulic model of a watershed ever built. The site has been neglected for decades and is finally being cleaned by the Friends of the Mississippi River Basin Model non-profit organization. I have written about the model many times; please use the search button to find older posts.

Conclusions

This is another pleasant surprise! This long-expired Panatomic-X film appears to be totally viable. 

I cannot recommend one way or the other if you should seek out rolls of Panatomic-X. But if you find a stash in a relative's house or closet, go for it. I suggest you expose it at EI=20, making this largely a tripod film. It certainly is not as convenient to use as Fuji Acros or Kodak TMax 100, but the Panatomic-X has a different look (Sorry, I cannot describe it any differently). 

This is another example of the sophistication and precision of photographic film manufacture that was achieved more than a half century ago. Don't let anyone tell you that film is primitive or obsolete. 

My friend, Mike, from Photography & Vintage Film Cameras in Albuquerque shot one of these rolls and also got excellent results. Click the link for his interesting blog.

This is no. 5 of my irregular series on Abandoned Films ("Films from the Dead").

Expired Film Treasure: 135-size GAF Versapan Black and White Film (Abandoned Films 04)

 

Background

Dear Readers, this will be a continuation of my irregular series about discontinued photographic films ("Film from the Dead"). It sounds very photo-geeky, but don't worry, there will be urban decay examples and even some "pretty" pictures. 

I have written about older films before. Long-term readers may remember that in spring of 2020, my friend gave me a cooler full of GAF Versapan 4×5" film packs. He had stored them in freezers since the 1960s. They proved to be completely viable, and I liked the results so much, I looked for other sizes of Versapan film on eBay. Amazingly, a fellow listed three rolls of 135 size (regular 35mm) with 1974 expiration, which he claimed had been frozen. Well, that was too good to resist, so I bought them. 

Some of you old-timers may remember when GAF sold many types of film in the United States (I am not sure about foreign distribution). The black and white emulsions were well-regarded, and I do not know why they stopped production of consumer products in the 1970s. This was 30 years before the digital tsunami overwhelmed the film companies, so digital is not a culprit here. GAF stands for General Aniline & Film Co., an old-line film company from Binghamton, New York. The history of this company is complicated and was intertwined with ANSCO and Agfa. Read a more detailed history on Mike Eckman's excellent review of an ANSCO Super Regent camera. 

Technical Notes

I loaded my first roll of Versapan in a Pentax Spotmatic II camera at exposure index (EI) of 100 and used part of the roll around Vicksburg. Then I exposed the second half in my Leica M2 camera. I sent the roll to Northeast Photographic in Bath, Maine, to develop in Xtol developer. Xtol is an amazingly effective developer and appears to work well with almost any black and white emulsion. The negatives displayed high base fog, which is common for old film, but plenty of density and detail. For my second roll, I exposed at EI=64 in a Vito BL camera.

I scanned the negatives with a Plustek 7600i scanner. The Silverfast Ai scanning software did not have a Versapan profile (obviously), but with some experimenting, I selected the profile for Kodak BW400CN film. This was surprising because BW400CN was a chromogenic film (C-41 development used for color print films), but regardless, I liked the way it handled the Versapan. But for some frames, the Kodak Plus-X profile looked better. 

Vicksburg

Clay Street view west to the Yazoo Canal (50mm ƒ/1.4 SMC Takumar lens, 1/125 ƒ/5.6½)

Back of 1220 Washington Street (24mm ƒ/3.5 SMC Takumar lens)

Ergon Refinery, Haining Road, Port of Vicksburg (55mm ƒ/1.8 Super-Takumar lens)

Tracks under I-20 bridge (135mm ƒ/3.5 SMC Takumar lens, 1/30 ƒ/5.6½, yellow-green filter)

Smith's Appliances, Magnolia Road (35mm ƒ/2.0 Summicron-M lens)

Smith's Appliances is full of interesting automobile and filling station memorabilia. Thank you Mr. Smith for generously letting me take pictures inside. This was a 1-sec exposure with the Leica camera placed on a shelf.

Bamboo grove, Confederate Avenue, Vicksburg National Military Park (50mm Summicron lens)

Bridge over Stouts Bayou, Letitia Street (Vito BL camera, 1/30 ƒ/5.6)

Collapsing church, Glass Road (Vito BL camera, 1/30 ƒ/11, yellow filter)

Edwards

Abandoned trailer, US 80 approx. 1 mile east of Edwards (35mm ƒ/2.0 Summicron-M lens) 

East of Edwards, US 80 is the frontage road just south of I-20. I do not know if this was the alignment of 80 originally or if the old road bed was subsumed by the interstate. West of Edwards, 80 is the original 1920s roadway.

Utica

Burks Gro, Utica (Vito BL camera)

Delta and Waverly, Louisiana

Silos off Levee Road south of Delta, Louisiana (50mm ƒ/2.0 Summicron-DR lens, orange filter)

Farm shed on LA 577 south of Waverly, Louisiana (Vito BL camera, 1 sec. ƒ/5.6)

Port Gibson and Yokena

Cottage on Ingleside Karnac Ferry Road, Port Gibson (Voigtländer Vito BL camera)

Alexander Road, Yokena (Voigtländer Vito BL camera)

The woods north of Port Gibson have some interesting old cottages and grungy trailers off the winding roads. I need to return to explore some more.

Avon

Abandoned farm, Riverside Road, Avon, Mississippi

Conclusions

This was a pleasant surprise! Amazingly, this Versapan still works and looks great. I love the tonality for my type of pictures. It shows that 50-year old black and white film that has been cool-stored can be used years after its expiration date. One roll of Versapan is left in my freezer - on hold for a future project.

These ancient Versapans were definitely more grainy than Fuji Acros or even contemporary Kodak Tri-X. Versapan looks like an old-school mid-speed film, like Plus-X. Well, no wonder, it is 50 years old. It gave many of my pictures a gritty press photography look, which I like for urban decay. Looking at the original TIFF files carefully, I can see many tiny white spots in the negatives. I think they are not bubbles from development but rather deterioration of the emulsion. Resized at 1600 pixels to show here on the web, the spots are invisible. 

It is fun to experiment with old films, but you need some assurance on how they were stored. 

The next article will be on Kodak Panatomic-X film in 135 size.  

Appendix

Please click the link for the data sheet that came with the GAF Versapan film. They list the film speed as ASA 125/22 DIN. Unfortunately, it does not provide any development times for contemporary film developers.