1950s Optical Excellence: Kodak Retina IIa Camera

Kodak Retina IIa, made in West Germany from 1951-1954

Background

The Kodak Retina was a highly-respected camera in the 1950s and 1960s. I never used one, but several friends said the lenses and output were excellent. So, in one of my occasional GAS (Gear Acquisition Syndrome) episodes, I started looking on the infamous eBay (now known as ePrey). Amazingly, some bargains in film equipment are still to be found there, but you need to be patient and look at the descriptions carefully. In early March (2022) this handsome little Retina model IIa (Type 016) came from a US vendor for all of $37, including shipping. It also included a medium yellow filter and a case. $37? How is this possible?

Retina Cameras

The most famous Retinas were folding cameras. This means the lens would pivot or fold into the body to make the unit more portable. You click a button to release the front door, and it swings open and shifts the lens into position. Before WWII and through the 1950s, folders were popular because they were compact. Medium format models tended to have problems with lens alignment, but 35mm models were smaller and more rigid. Zeiss Ikon, Agfa, Voigtländer, Certo, and other companies made various models. The finest may have been Voigtländer's Vito III with its superb 50mm Ultron lens, one of the best 50s of the mid-20th century. But Kodak sold the largest number of folders.

By the mid-1950s, solid body cameras became the dominant design because the lens could be mounted more precisely and remain aligned over time. 

Kodak made these superb little Retina cameras at their Nagel-werke subsidiary in Stuttgart, Germany. For reasons that I never understood, the mighty Eastman Kodak Company was unable to successfully make higher-end 35mm cameras in the USA. They made millions of snapshooter-level cameras for casual photographers, and their large-format lenses were well-respected, but precision 35mm cameras for enthusiasts eluded them. 

Dr. August Nagel himself designed the original Retina in 1934. It held Kodak's 35mm metal film cassette, the same format that we still use today. Various Retinas of increasing sophistication followed for the next 35 years. 

The models are confusing, and a Wikipedia article and retinarescue.com list the varieties of the post-war models in more detail than I can:

1. I series. 1945-1960. Viewfinder folding cameras with ƒ/3.5 to ƒ/2 lenses.
2. II series. 1946-1958. Nagel-werke added a rangefinder to improve focussing. My IIa is in this group and has a superb 50mm ƒ/2 Schneider Xenon lens.
3. III series. 1954-1960. The most sophisticated models with both a selenium light meter and rangefinder. Most of the selenium meters have failed by now.
   • The IIIc models allowed the front optical group to be exchanged with 35mm and 80mm groups. It was clumsy but worked. 
   • The IIIC (large C) models had an improved viewfinder and also accepted the interchangeable front lens elements. 
4. S series. Rigid bodies, 1958-1966. The IIIS used interchangeable lenses with the DKL (or Deckel) mount. They needed the S series lenses with a focus cam for the rangefinder. Beautiful cameras but very complicated internally
5. Retina Reflex. 1957-1967. Totally different leaf shutter bodies. The Type 025 could use the same lens elements as the IIIc series above, while the later Reflex S used the DKL lenses. These did not successfully compete with Japanese reflex cameras in the 1960s. When working, they were excellent optically.
6. Retinette series. These were lower cost with Reomar triplet lenses. Some of there bodies were almost identical to Retina bodies. 

Retina IIa with front panel closed. The lens and shutter are protected.

Coated Schneider-Kreuznach 50mm ƒ/2 Xenon lens (6 elements), approx. 1952-1953. Filter size: 29.5mm

Shutter with range 1 sec to 1/500 sec. The distance scale is in feet for the US market.

Film guide and spools - all precision machining

My IIa has a 6-element Schneider Xenon lens, a unit focus 6-element design. Unit focus means the entire lens moves forward and back as you focus. This lens is coated, as indicated by the blue tinge and the red arrow on the label. I assume this was a post-war computation, but the early-1950s would have been before the designers used computers for lens design. Rodenstock also supplied lenses for Retinas, usually the models sold in Europe. Notice the precision labels, metalwork, and mounting of the shutter and focus scale.

The filter size is 29.5 mm screw-in. Genuine German Kodak filters are thin enough to remain mounted when the lid is closed. Why do the most modern 50mm Über-lenses for mirrorless cameras need 67 mm or even larger filters? 

More Information

You can find many reviews of Retinas on the web. They are popular with their current owners. I am surprised I do not see them in use. Of course, one rarely sees film cameras at all in use, but someone is buying them as well as film. 

Cameraquest states that the IIa is his favorite model.

Photography & Vintage Cameras also prefers the IIa to other Retina models. 

My friend, Jim Grey, loved his IIa but then let it go, which he now regrets (he will probably buy another one...). He also demonstrated the excellent optics of a IIc model. 

Mike Eckman dot com wrote a detailed review of the IIa and a summary of the Kodak company's association with its German subsidiary. He has reviewed other Retina models, as well.

Chris Sherlock in New Zealand is the reigning expert.

Photo Thinking also loves the IIa.

Random Camera wrote a good review of all German folders, with emphasis on the Retinas. He liked the IIa, too.

Photojottings described the superb and sophisticated Retina IIIC, the one with auxiliary lenses.

All My Cameras liked the II (Type 014), the predecessor to my IIa. 

Is this Retina camera any good?

Well, that is the big question, of course. How is it optically? Here are some Kodak Gold 200 photographs from a recent trip to the Pacific Northwest. Click a frame to see 1600 pixels on the long dimension. You can judge for yourself, and I welcome comments, criticisms, insults, anything.

Olympia, Washington

Port of Olympia (next to the Dancing Goats® Coffee Tasting Room!) 

Swantown Marina, Port of Olympia

Thurston County Food Bank, 220 Thurston Ave., NE, Olympia

The Food Bank serves hundreds in need in the Olympia area with food and other essentials. 

Frog Pond Grocery in the historic South Capitol area (1/250 ƒ/5.6)

Olympia is a nice little city at the south end of Puget Sound. You will see more Olympia photographs in the future. 

Southwest Washington

Driving through rural Washington, interesting photo topics popped up and said, "Photograph me."

I am in the Danger Zone, Rte. 101, Skokomish (1/250 f/8)

Fixer-upper hotel, 311 Main Street, Pe Ell, Washington (1/250 ƒ/11)

Room with a view, Park Avenue, Aberdeen (the building really is curved; 1/100 ƒ/5.6½)

Aberdeen has a wealth of delicious grunginess. It is on my return list.

Astoria, Oregon

Great blue heron, Columbia River, Astoria, Oregon

Summary

This little Kodak Retina is a jewel of 1950s Germany precision manufacturing and optical excellence. I certainly can't complain about the lens resolution or body rigidity. Imagine the skill of the technicians who assembled these cameras on workbenches. 

On mine, the rangefinder was cloudy and a bit out of alignment. I sent it to Paul Barden in Corvallis, Oregon, for a thorough cleaning and adjustment. After seven decades, I need a cleaning and adjustment, too! Mr. Barden said the camera was in good condition and minor fungus in the rear group cleaned off without etching the coating. The rangefinder is rather squinty and is not as brilliant and clear as one in a Leica M, but what do you expect?

The leather case was seriously stinky, but I washed it and re-glued the lining to the outer shell. It works well, although normally I am not a user of camera cases. I also fixed four "Zeiss bumps", bumps where rivets under the leather build up a blob of tarnish.

These Retinas are still somewhat inexpensive on the 'Bay. When will they become the next trendy in-thing for film photographers? Buy before the prices go up, and enjoy.

Update July 2022: The cleaned and overhauled the IIa is home. Now I need to make time to use it. Here are photographs of Houston, Texas, in November of 2022.

 

 

4×5" Treasure: Kodak Super-XX film (Abandoned Films 09)

Dear readers, I thought my experiments with discontinued films had come to an end when I used a roll of 120-size Gold 100 film in Louisiana in 2021 and then some 35mm Kodak BW400CN in Jackson and North Carolina. Oops, I forgot my box of 4×5" Kodak Super-XX film in the freezer. From Wikipedia:

Kodak's standard high-speed film from 1940 to 1954, when Tri-X was introduced in smaller formats. Discontinued before 1960 in roll-film formats, but sheet film was available until 1992. Originally 100, later 200 iso when safety factor was reduced. Relatively coarse grain. Very long, almost perfectly straight-line characteristic curve, great latitude made it ideal for variable developments, both longer and shorter, water-bath development, special compensating formulas.

Tri-X replaced replaced XX (three Xes rather than two, get it?), although the two overlapped for many years. Many photographers loved Super-XX because of its smooth contrast and subtle grey tones. Kodak still makes a version of Super-XX for cinematography. Some companies repackage it in 35mm cassettes for 35mm photographers, but I have not tried the roll film version.

A treasure of expired film from the freezer

My box had been frozen for decades. It was in the freezer of a dear friend who passed away two years ago.  I had never used Super-XX before and wanted to try it. Here is a small selection of my initial test photographs. 

Neuman Store, Canada Cross Road, Utica (135mm ƒ/5.6 Caltar-S II lens, 1/8 ƒ/32)

Parking lot, Levee Street, Vicksburg (135mm ƒ/5.6 Caltar-S II lens, orange filter, 1/2 ƒ/22)

Kansas City Southern rail yard, Vicksburg, 6/7/21 (240mm ƒ/9 G-Claron lens, deep yellow filter, 1/4 ƒ/45)

Porch, 1211 Monroe Street, Vicksburg (90 mm ƒ/6.8 Angulon lens, 1/2 ƒ/22.5)

BelAir Plaza, Hwy 80, Jackson (135mm ƒ/5.6 Caltar-S II lens, yellow filter, 1/15 ƒ/22)

These negatives were thin. I exposed them at EI-64 and possibly I need to allow another stop of light (EI=32). It is also possibly that the lab underdeveloped them these frames. I will show more examples in some future articles. Also, I will load film holders and try again as the spring advances.  

The Wide View in Seattle (Hasselblad XPan 02)

Beer Bust, 14th Street, Seattle

Seattle is a beautiful city nestled between Puget Sound and Lake Washington, with stunning views of Puget Sound and the Olympic Mountains to the west and the Cascades to the east. The city is hilly because of the glacial drumlins, remnants of the glaciers that covered this area during the ice age. 

In the late-1800s, Seattle was a bustling supply station for the Alaska gold miners. The famous (infamous) seamstresses, of which there were thousands, served the clothing and "other" needs of the miners and sailors. Seattle grew into a major timber, ship-building, and shipping city.

The economy grew, and during much of the 20th century, Seattle was a Boeing city, making many of the commercial aircraft used throughout the world. But in 1971, trouble came to Seattle. The US Senate and House of Representatives voted to cancel any further development of Boeing's supersonic transport, originally intended to be a competitor to the European Concorde. Boeing fired thousands of engineers and technicians. The city sank into depression. People joked how the last person out could turn off the lights. I recall that the downtown in the 1970s had the seedy look of an old American city, with tired buildings, dirt, and closed shops.  

When I returned to Seattle for a short assignment in 2004, the economy had turned around. Was this the same city? Seattle had become a tech Mecca, with Microsoft and numerous other computer and electronics firms in Bellevue, just across Lake Washington from the city. Traffic was snarled and dense, all day long. Glass office buildings filled downtown. Housing was expensive even on 2004 standards (and a purchase then would be considered an astonishing investment when you look at today's housing prices). New money parked their Ferraris and Porsche at their lakeside cottages. 

Here are a few photographs of Seattle that I took in 2004 with a Hasselblad XPan panoramic camera, using its 45mm lens. In the previous article, I described the remarkable XPan. Click any picture to see more detail.

Where did all those office towers come from? View south towards downtown Seattle. I-5 is on the left.

South Lake Union district with Space needle in the center

The 184 m-tall Space Needle is an icon for the city.  It was built for the Century 21 Exposition and has remained Seattle's most popular tourist attraction ever since. Elvis even made love (sang) to Joan O'Brien in the needle-top restaurant in "It Happened at the World's Fair" (1963). The movie was a real stinker, but the 1962 views of the Exposition are very interesting. 

The area in the foreground is south of Lake Union. During most of the 20th century, it was known for warehouses, industry, and manufacturing. Now it is trendy, with loft apartments, coffee shops, and condos. Why do I always miss these trends and fail to buy a warehouse or two?

Queen Anne Hill and Lake Union in 2004

If you are really rich (or lucky), you can live on Queen Anne Hill and see Puget Sound to the west, Seattle and the distant Mount Rainier to the south, and Lake Union to the east. It is a bit crowded, and house lots are squashed together, but there is a nice sense of community, with local stores and restaurants. In the early 1900s, a funicular streetcar ascended Queen Anne Avenue. In the photograph above, the snow-capped Olympic Mountains are in the far left of the scene.

Queen Anne Avenue without the funicular (2021 digital file)

Kerry Park, Queen Anne Hill, Seattle (2021 digital file)

Of course you would like to live on Queen Anne Hill if you had this view.

Lake Union, Seattle

Lake Union is a freshwater lake within the city of Seattle. In the mid-20th century, it was rimmed by industrial companies, shipyards, NOAA's ocean survey fleet, and some residences. Today it is a technology hub and trendy center for restaurants and clubs. On a warm afternoon, you will see kayakers, seaplanes, bicyclists, sail boats, and ducks - all having a good time. 

This ends our short look at Seattle. Make time to visit the Pacific Northwest, walk around Seattle, take photographs, eat fish, and drink craft beer.

Some day, I will scan my 1970s negatives of Seattle. Standby.

Vinny the Voigtländer Vito BL does Jackson (Abandoned Films 08a)

Introduction

Mr. Vinny, my little Voigtländer Vito BL camera, shares shelf space with a bunch of other cameras. He does not get out nearly often enough. Although well over 60, Vinnie is still a sturdy, well-built little fellow (I wish I could say the same for me). He has a rigid body and a 50mm ƒ/3.5 Color-Skopar lens. This is a unit-focus 4-element lens, Voigtländer’s masterful 1949 revision of the classic Tessar formula. This may be one of the best of these post-war 4-element lenses, and, of course, it was was fully-coated. The refined lens and the precision of the entire system contributes to Vinnie’s excellent optical output.

Last October (2021), I heard Vinny say, "Come on, take me to the big city." I loaded a roll of Kodak BW400CN film and took Vinnie to Jackson. 

BW400CN Film

BW400CN was a C-41 monochrome film. It was intended to be used by photographers who wanted convenient black and white prints from any store or photo shop with a C-41 processing machine. Kodak discontinued it in 2014.

I have mixed feelings about the BW. Sometimes, the tonality was very pleasing and the results looked good; other times, the dark areas were muddy and nasty. Even though Kodak claimed that it was extra fine grain, I found it to be surprisingly grainy and it often looked gritty. But that sometimes worked for me because I frequent gritty places. Regardless, I had three rolls left to use. I exposed them at EI=320 but probably should have given more exposure. This group of Jackson pictures is from the first roll, which may have degraded with time. It was X-rayed at least once during a trip to Asia, which may account for some loss of sensitivity and fog.

If you want a current film that can be processed in C-41 chemicals, Ilford still sells its XP-2 in 135 and 120 sizes.

East Jackson

Junior Achievement of Mississippi, High Street, Jackson

This is the abandoned Junior Achievement building at the very east end of High Street, just below the Pearl River levee. The organization educated young people in business and economic issues, taught them financial literacy, and prepared them for work and careers. However, Junior Achievement of Mississippi failed in the 2009 recession and left its building behind.

Bayou at High Street, Jackson (1/300 ƒ/11, green filter)

This is a typical bayou, or stream. This one separates Junior Achievement beyond the thicket to the left from the BMW automobile dealer off to the right. This bayou may be too small to support any alligators, but I avoid wandering down in the brush and muck.

Morris Ice Company, 652 S. Commerce Street, Jackson (yellow filter)

Morris Ice Company, 652 S. Commerce Street, Jackson

The former Morris Ice Company is an interesting time capsule of early 20th century industry. Ice was critical in the hot southern summers for hospitals, food preservation, brewing, food shipment, and keeping your martini chilled. Mr. Pickering, who was planning to redevelop the old factory, let me photograph inside in 2019. The Covid must have disrupted his plans because I have not seen any changes there since 2019. But a company that builds wood canoes still rents part of the space.

South State Street, view north (1/300 ƒ/11, yellow filter)

Dot Com Motors, 1011 S. State Street, Jackson (1/300 ƒ/11, yellow filter)

State Street is a major north-south street running through the heart of Jackson, The southern part of State is pretty grungy, with closed car dealers, tire shops, and warehouses. The Corvette in the first photograph has been perched on its post for at least three decades. A former fast food restaurant once hosted Dot Com Motors. I supposed it wanted to be modern.

West Jackson

Tarrymore Motel, Hwy 80 west, Jackson

Former Coca Cola bottling plant, 1421 Hwy 80 west, Jackson (1/125 ƒ/16-22)

During the post World War II era, Highway US 80 west was a thriving industrial and commercial area. Old-timers recall sophisticated restaurants and motels, and major companies established factories there. 

Today, Hwy 80 is a wasteland of closed hotels, empty factories (like the Coca Cola bottling plant in the photograph above), low-end fast food restaurants, payday loan shops, used car dealers, and abandoned warehouses. Homeless people have occupied old hotels and stripped the fittings. I am baffled and have no explanation for the decay. But this is not unique to Jackson; many other American cities have experienced the same hollowing out and decay of their infrastructure. 

Long-term readers may remember that I have photographed on Hwy 80 before. It gets worse as the years pass. 

4986 Hwy 80 (west of Metrocenter Mall)

Summary

Vinny enjoyed his outing to the big city of Jackson. His Prontor shutter is accurate, and his little 4-element Color-Skopar lens is highly capable, sharp, and free from obvious flare. He demonstrates top quality German precision manufacturing and has aged well (better than I have!). Thank you for sharing his excursion.

The Kodak BW400CN film worked out well for these frames. It is grainy, but that is fine for some topics. The film has been discontinued, and I recommend you readers not bother trying to find any. Use Kodak Tri-X or Fuji Acros instead. I will post more photographs from this last group of BW400CN rolls in the future.

 

Appendix A, Filters

Voigtländer filters are confusing to buy because the company used a numerical code to describe their various types. The table below summarizes the filters available in the 1950s and 1960s. A label such as 301/32 meant type 301 filter (light yellow) in the 32mm size. Some of their lenses used filters that pushed on, but others were threaded in various sizes. For the smaller lenses on Vito cameras, an alternative is to buy a 32mm Series VI adapter and mount Series VI filters. These are inexpensive but somewhat inconvenient in the field. The genuine Voigtländer filters are elegant, coated, and compact. Focar filters were for magnification, i.e., diopters.

 

Voigtländer Filters
Name	Type	Factor	Code
G1	Light yellow	1.5	301/32
G2	Med. Yellow	2	302/32
Gr	Light green	4	306/32
Or	Orange	5	308/32
Uv	Haze		317/32
85C or A	Color correction		318/32
SF	Skylight		325/32
Focar 1			303/32
Focar 2			304/32
Focar 0	f = 2m		342
Focar A	f = 1m		343
Focar B	f = 0.5m		344
Focar C	f = 0.5m		345
Focar D	f = 0.15m		348
Hood			310/32
Note: /xx means lens diameter. 32 is push-on.

Treasure: a Real Camera Store in Carrboro, North Carolina

Southeastern Camera, Carrboro, North Carolina

For all of you film photographers, here is a treasure in Carrboro, North Carolina: Southeastern Camera. Walk in, and a visual delight of cameras, film, tripods, bags, photographic detritus, and stuff awaits you. 

Old timers like me remember when every town and city had at least one camera store. Some were well-equipped, while others mostly provided film and print processing. But regardless, you could step into one and buy film and, often, some sort of hardware. The digital tsunami of the 2000-2010 era eliminated most of these stores. Internet commerce, and especially eBay (ePrey), killed off most of the survivors. Typically, only major cities like New York or Los Angeles had enough customer base for physical camera stores to survive. 

Bodies and lenses? Just rummage and select.

Broken body for parts or repair? Just look around.

Some of these probably work

I saw a large number of classic 1970s bodies, like Pentax Spotmatics and Minoltas, in the bins. Many of these probably work but may need adjustment.

Off-brand zoom lenses. Some may be all right, but many were poor even when new.

In the 1970s and 1980s, various companies sold millions of zoom lenses, often covering 80 to 200mm in focal length. Many were mediocre optical quality. Amateurs often bought one of these in a kit along with their body, prime focal length lens from the camera manufacturer, braided banjo-style neck strap ("for comfort"), and, of course, "protection" filters for those "valuable camera lenses." The protection filter scam has lingered into the digital era. They are aimed at those rugged photographers who riding camels in the Sahara Desert or crossing the Antarctic on snowmobiles, taking pictures all the way.

Enlargers and film scanners.

In the early 2000s, photographers scrapped millions of optical darkroom enlargers. Now that are popular again. Nikon, Minolta, Hasselblad and others made film scanners in the early 2000s. They were discontinued and are now old, unreliable, and unrepairable electronic devices. The units in good operating condition sell for serious $$$s.

Film, real film!

Southeastern stocks all types of film, some of which is in a refrigerated case. I assume some of the customers are students at nearby University of North Carolina in Chapel Hill. 

Sample photograph from the 35mm Leitz Summaron lens (Kodak BW400CN film)

When I stopped by in late-October, Southeastern had a beautiful little Leitz 35mm Summaron lens in thread mount for my Leica IIIC. It was $450, and I reluctantly (barely) passed. They had at least one Hasselblad, many Nikons, and a functioning Rollie 3003. I found a brand new Nikon cable release with the wide tip that fits my Leica, so I gave them some commerce. 

Summary: friendly employees and great stock. It's great to see a traditional camera store again. (Thank you SE Camera for letting me take some photographs in your store).

From the Archives: Small Towns in Mississippi, Fort Adams

Fort Adams is a former river town in Wilkinson County at the southwest corner of Mississippi, near the Louisiana border. I have only been there once and want to return. That might be an interesting day trip, but it is a haul from Vicksburg. These photographs are from a short stopover in 1986. I was on the way to New Orleans and had read about Fort Adams somewhere. Sure enough, it was at the end of the road, at the end of the world. 

Up until at least 1864, Fort Adams was a Mississippi River port, but the river channel shifted away, leaving the town far from the river. Today, the town serves hunters and fisherman from nearby hunting camps. The Gro in the photograph above was busy midday.

Notice how the two buildings above were mirror images of each other. But the white building had narrower clapboards that faced the porch. The white unit was once a gas station because the concrete footing for the pumps is still in front.

This little store is another matching wood frame building. 

These photographs are all 4×5" Agfapan 400 frames from my Tachihara wood field camera with a 180mm ƒ/5.6 Caltar II-N lens. Click any picture to see details at 1600 pixels on the long dimension.

Standby for more photographs from the archives as I sort through decades of negatives.