Sunday, May 15, 2022

Decaying Rapidly: Oil Mill of Port Gibson, Mississippi

Oil Mill, Anthony Street (4×5" Fuji Astia film, 135mm Schneider Xenar lens and too-small hood)

In late April (2022), a friend and I drove to Port Gibson, in Claiborne County, to look for interesting photo topics. We had both been to the unused oil mill on Anthony Street before and taken pictures there. But this visit, we were both amazed how the brush, poison ivy, and trees have overtaken the site and engulfed machines. Today, you can barely see through the fence, which supports luxuriant poison ivy growth. The jungle is taking over, as per many of the Life after People episodes. Here are some 2012 photographs from when the site was more visible. At that time, the gates were secure and I could not enter.

 Tachihara 4×5" camera, 135mm ƒ/3.5 Schneider Xenar lens, Fuji Astia film
Mill from corner of Anthony and Vanderhaven Streets (Fuji Astia film)

The Mississippi Cotton Oil mill may have been one of the first oil mills in the United States, with the original brick buildings dating to 1882. Preservation in Mississippi discussed the site in a short 2012 article. In the 1800s, cotton seed arrived by railroad. The rail line ran from the town of Grand Gulf to the depot in Port Gibson, but the tracks are now gone. I do not know when mill operations stopped. 

In February of 2012, I read an article in the Vicksburg Post about the mill, inspiring me to drive south to look at the site.


Disassembly of unit on Anthony Street

On that day, a crew of workers were disassembling machines on the north side of Anthony Street (the side nearest to Bayou Pierre. One of them said the machinery would be shipped to an oil company in Nigeria.


This is the view west along Anthony Street

Intact in 2012
Freshly collapsed approx. 2020 (Ilford Pan-F, Hasselblad 501CM, 50mm ƒ/4 Distagon lens, 1/8 ƒ/11.5)

The front part of this building has collapsed. The brick unit to the rear looks like it is still mostly intact.


Vandeventer Street is rough, just horrifying. Many of these shotgun houses have disappeared. 

Port Gibson has some interesting photographic topics:

The digital photographs above are from my Panasonic G1 µ4/3 camera. This was a very capable 12-mpixel camera, which I used in USA, Europe, and Nepal. Standby for some Hasselblad XPan panoramas in the future.

Sunday, May 8, 2022

The Fan Store of Hanoi

 

 Fan repair shop on Hàng Bồ, Hanoi

One afternoon, my wife and I were walking down Hàng Bồ in Hanoi's Old Quarter, and we came across this amazing little corner store full of fans. The old gent who ran the shop generously let us look around. I would not be surprised if some of his fans and parts date back to the Indochine Française era. He might have dated back to the French era, too.


Walk up and down the tangle of streets, and the French influence on the architecture is all around you in the form of mouldering buildings, some with impossibly ornate decorative elements. As noted in the StarTribune, "The past lives on in the tree-lined avenues, grand villas and sidewalk society of the Paris of Vietnam."


Well, possibly the wiring lacks a bit of the elegance that the French might have preferred. But the internet worked.


What to do after visiting the fan shop and the Hanoi Hilton? Select one of the hundreds of small restaurants or snack shops and eat lunch. The cook will stir-fry your fish and vegetables on the table right in front of you. It does not get much better than this. 

In Season 5 of Bizarre Foods, Andrew Zimmern dined at a restaurant where you can choose your own snake, and they skin it for you right there. We missed that place. 


An afternoon at Tạ Hiện, Hanoi
Snacks and a WiFi signal at Nhà Chung, Hanoi

Cafe society Hanoi style. My back could not handle the low chairs and tables, but the youngsters seemed unfazed.

Hanoi is a fascinating and fun destination. The city is thriving. It looks much better than many mid-continent US cities. The people are energetic and busy with small shops, repairs, banks, restaurants, and restoration projects. Go there.

If you want to see an epic and beautifully-filmed movie about the war for independence in colonial Vietnam, watch "Indochine" (1992, in French), starring Catherine Deneuve. 

And if you want to read how we slipped into war in a post-French Vietnam, read Graham Green's The Quiet American. Mr. Pyle is the naive young American who thinks he can bring "democracy" to Vietnam by backing a certain general. “He was impregnably armored by his good intentions and his ignorance.” The 2003 movie version stars Michael Caine.

I took these photographs with a Fuji X-E1 digital camera. I do not use it often, but when I revive older files, both jpeg or RAW, I am pleased with the optical quality and the uniform performance of the Fuji lenses. 

Sunday, May 1, 2022

More 1960s Excellence: The Canon 50mm ƒ/1.8 Leica Thread Mount (ltm) lens


The 1960s was a decade of amazing innovation and creativity for the Japanese optical companies. They sold equipment equal or superior to many of the German offerings at the time and eventually dominated sales in the USA. 

Long-term readers may remember that I bought a Canon 50mm ƒ/1.4 ltm lens in 2019. It was superb optically but was a big cylinder that blocked too much of the viewfinder of my little Leica IIIC. I reluctantly sold it and looked for one of the smaller ƒ-stop Canon lenses. 

As I noted in the earlier article, Canon mounted their early post-war lenses in heavy chrome mounts. I wanted one of the lighter weight mid-1960s versions. Problem: many (most?) of these 50mm black barrel ƒ/1.8 lenses suffer from the infamous hazy or etched inner elements. No one has a solid answer why this happens, but the haze was likely caused by gas from the lubricants used in the aperture mechanism. Many of the 1.8 lenses are totally ruined and cannot be cleaned, but once in awhile, one shows up on the infamous 'Bay with a clear interior. 


There's a fungus among us
Precise engraving; brass and aluminum helical mount

I bought one of the 1.8 lenses with clear glass but minor fungus. The Japanese vendor was honest and the price was right. I have used fungus before. The 35mm ƒ/3.5 Leitz Summaron lens that I bought in Buenos Aires in 1982 was a fungus farm. A technician cleaned off the inner coating to remove the fungus, and I proceeded to use the lens for another 15 years. No issues at all, and barely any flare problems. As usual, I wish I had kept that lens.

Here are some initial examples from my Canon 50mm ƒ/1.8 lens in and around Vicksburg, Mississippi on Fuji Acros film. 


2917 Drummond Street (empty for years)
Kansas City Southern rail yard, Levee Street (1/60 ƒ/4.0½)
Have a seat, Valley Street (1/60 ƒ/5.6)
Stouts Bayou footbridge at Avenue A
Stouts Bayou from Letitia Street
Need a mask? Letitia Street
Morgan Lane (1/100 ƒ/5.6, yellow-green filter)
Alma Street, Vicksburg (1/60 ƒ/8)
1920s or 1930s cottage, 2613 Alma Street, Vicksburg (1/60 ƒ/8.0½)

With Vicksburg's hilly terrain, many older homes have serious steps.

Bowmar Avenue house undergoing endless renovation (1/200 ƒ/8, yellow-green filter) 

Conclusions


This is a nice lens optically and mechanically. I have no complaints. Oops, one issue: this lens uses 40mm filters, an odd size (while dozens of German and Soviet lenses used 40.5mm). With an adapter, I can use Series VI filters. The correct Canon screw-in filters would be more convenient and faster in the field but are seriously expensive from the Japanese sellers. All flaws in the photos above are those of the photographer's. I have sent the lens to Don Goldberg (DAG Camera) for cleaning and checking. When it is back, I will use it regularly, along with my 1960s Soviet Jupiter-8 lens and my 1949 Leitz Summitar. (Yes, I know, I have far too many cameras and lenses....)

Update July 2022:  The little Canon lens is back from its cleaning. Now to make time to use the little Leica IIIC.

Sunday, April 24, 2022

4×5" Treasure: Kodak Super-XX film (Abandoned Films 09)

Dear readers, I thought my experiments with discontinued films had come to an end when I used a roll of 120-size Gold 100 film in Louisiana in 2021 and then some 35mm Kodak BW400CN in Jackson and North Carolina. Oops, I forgot my box of 4×5" Kodak Super-XX film in the freezer. From Wikipedia:

Kodak's standard high-speed film from 1940 to 1954, when Tri-X was introduced in smaller formats. Discontinued before 1960 in roll-film formats, but sheet film was available until 1992. Originally 100, later 200 iso when safety factor was reduced. Relatively coarse grain. Very long, almost perfectly straight-line characteristic curve, great latitude made it ideal for variable developments, both longer and shorter, water-bath development, special compensating formulas.

Tri-X replaced replaced XX (three Xes rather than two, get it?), although the two overlapped for many years. Many photographers loved Super-XX because of its smooth contrast and subtle grey tones. Kodak still makes a version of Super-XX for cinematography. Some companies repackage it in 35mm cassettes for 35mm photographers, but I have not tried the roll film version.

A treasure of expired film from the freezer

My box had been frozen for decades. It was in the freezer of a dear friend who passed away two years ago.  I had never used Super-XX before and wanted to try it. Here is a small selection of my initial test photographs. 

Neuman Store, Canada Cross Road, Utica (135mm ƒ/5.6 Caltar-S II lens, 1/8 ƒ/32)
Parking lot, Levee Street, Vicksburg (135mm ƒ/5.6 Caltar-S II lens, orange filter, 1/2 ƒ/22)
Kansas City Southern rail yard, Vicksburg, 6/7/21 (240mm ƒ/9 G-Claron lens, deep yellow filter, 1/4 ƒ/45)
Porch, 1211 Monroe Street, Vicksburg (90 mm ƒ/6.8 Angulon lens, 1/2 ƒ/22.5)
BelAir Plaza, Hwy 80, Jackson (135mm ƒ/5.6 Caltar-S II lens, yellow filter, 1/15 ƒ/22)

These negatives were thin. I exposed them at EI-64 and possibly I need to allow another stop of light (EI=32). It is also possibly that the lab underdeveloped them these frames. I will show more examples in some future articles. Also, I will load film holders and try again as the spring advances.  

Sunday, April 17, 2022

The Wide View in Seattle (Hasselblad XPan 02)

Beer Bust, 14th Street, Seattle

Seattle is a beautiful city nestled between Puget Sound and Lake Washington, with stunning views of Puget Sound and the Olympic Mountains to the west and the Cascades to the east. The city is hilly because of the glacial drumlins, remnants of the glaciers that covered this area during the ice age. 

In the late-1800s, Seattle was a bustling supply station for the Alaska gold miners. The famous (infamous) seamstresses, of which there were thousands, served the clothing and "other" needs of the miners and sailors. Seattle grew into a major timber, ship-building, and shipping city.

The economy grew, and during much of the 20th century, Seattle was a Boeing city, making many of the commercial aircraft used throughout the world. But in 1971, trouble came to Seattle. The US Senate and House of Representatives voted to cancel any further development of Boeing's supersonic transport, originally intended to be a competitor to the European Concorde. Boeing fired thousands of engineers and technicians. The city sank into depression. People joked how the last person out could turn off the lights. I recall that the downtown in the 1970s had the seedy look of an old American city, with tired buildings, dirt, and closed shops.  

When I returned to Seattle for a short assignment in 2004, the economy had turned around. Was this the same city? Seattle had become a tech Mecca, with Microsoft and numerous other computer and electronics firms in Bellevue, just across Lake Washington from the city. Traffic was snarled and dense, all day long. Glass office buildings filled downtown. Housing was expensive even on 2004 standards (and a purchase then would be considered an astonishing investment when you look at today's housing prices). New money parked their Ferraris and Porsche at their lakeside cottages. 

Here are a few photographs of Seattle that I took in 2004 with a Hasselblad XPan panoramic camera, using its 45mm lens. In the previous article, I described the remarkable XPan. Click any picture to see more detail.

Where did all those office towers come from? View south towards downtown Seattle. I-5 is on the left.

South Lake Union district with Space needle in the center

The 184 m-tall Space Needle is an icon for the city.  It was built for the Century 21 Exposition and has remained Seattle's most popular tourist attraction ever since. Elvis even made love (sang) to Joan O'Brien in the needle-top restaurant in "It Happened at the World's Fair" (1963). The movie was a real stinker, but the 1962 views of the Exposition are very interesting. 

The area in the foreground is south of Lake Union. During most of the 20th century, it was known for warehouses, industry, and manufacturing. Now it is trendy, with loft apartments, coffee shops, and condos. Why do I always miss these trends and fail to buy a warehouse or two?

Queen Anne Hill and Lake Union in 2004

If you are really rich (or lucky), you can live on Queen Anne Hill and see Puget Sound to the west, Seattle and the distant Mount Rainier to the south, and Lake Union to the east. It is a bit crowded, and house lots are squashed together, but there is a nice sense of community, with local stores and restaurants. In the early 1900s, a funicular streetcar ascended Queen Anne Avenue. In the photograph above, the snow-capped Olympic Mountains are in the far left of the scene.

Queen Anne Avenue without the funicular (2021 digital file)
Kerry Park, Queen Anne Hill, Seattle (2021 digital file)

Of course you would like to live on Queen Anne Hill if you had this view.

Lake Union, Seattle

Lake Union is a freshwater lake within the city of Seattle. In the mid-20th century, it was rimmed by industrial companies, shipyards, NOAA's ocean survey fleet, and some residences. Today it is a technology hub and trendy center for restaurants and clubs. On a warm afternoon, you will see kayakers, seaplanes, bicyclists, sail boats, and ducks - all having a good time. 

This ends our short look at Seattle. Make time to visit the Pacific Northwest, walk around Seattle, take photographs, eat fish, and drink craft beer.

Some day, I will scan my 1970s negatives of Seattle. Standby.

Sunday, April 10, 2022

The Wide View in Western Washington (Hasselblad XPan 01)

Panoramic Cameras


For years I experimented with panoramas. In the past, I took a series of photographs (usually horizontal) with a normal camera and included about 25 percent overlap on each frame. Then I mounted prints on a long board and made a physical panorama. This worked best with 50mm or longer lenses because they did not suffer from distortion or light fall-off at the edges. 

More recently, I have scanned the negatives and merged them electronically using Adobe Photoshop. The software is amazingly effective, and often you barely see the junctions where the negatives overlap at all. The quality of the merge depends on whether the lens displays darkening or unsharp areas at the edge of each frame. Regular readers may remember panoramas from Lower Manhattan and Logan Airport in Boston (click the links).

For a century, camera makers invented various types of cameras that  exposed a wide piece of film. That way, you did not need to combine separate pieces of film or glue prints on a board.

There are three main types of panoramic cameras:

  1. Stationary lens wide body. The camera body holds a wide piece of film and mounts a lens with sufficient coverage to expose the entire frame. Some examples include Former and Schwing's 7×17 and even 12×20 inch banquet cameras. Can you imagine the size of the latter monster? Mid-century, it was more common to use 6×12 and 6×17 bodies that held 120 film. Some of the best are the gorgeous Linhof models. The disadvantage of these wide bodies is that objects at the sides of the frames become elongated. Think of a round ball that becomes stretched along the axis of the film. That is why most photographers do not use wide angle lenses for group portraits - people at the edge look wide. 
  2. Rotating or swing lens cameras. These are ingenious machines. The lens is on a motorized pivot. The film back is curved, and as the lens moves, it paints the image on the film. With this design, objects at the edge do not become elongated. 
  3. 360º rotation camera. The entire camera rotates through a circle while the film moves at the same speed past the lens. One example is the famous Swiss Roundshot. These provide amazing panoramas from mountain tops or cityscapes from towers. 

An excellent introduction to this type of photography is: Meechem, Joseph,1990. Panoramic Photography, Amphoto, New York, 144p. 


Hasselblad XPan camera with 45mm ƒ/4 lens and center filter

Lens Options


Two other methods let you create panoramas with an ordinary camera.
  1. An anamorphic lens compresses the image in one direction while leaving the other unchanged. These were developed for cinematography when wide-screen movies became popular (think of Cinemascope). The film remained the normal size. At the cinema, an opposite (or anti-) anamorphic projection lens recreated the wide view that had been filmed on the set or in nature. These lenses were originally spectacularly expensive, but some Chinese companies are selling new version. 
  2. A shift lens can be mounted on any 35mm camera. Take one picture with the lens shifted full to the left, then a second frame full to the right, and merge the frames with Photoshop. I still have an Olympus OM 35mm ƒ/2.8 shift lens. I need to buy an inexpensive body and put the lens back into use.

The Hasselblad XPan


Between 1998 and 2006, Fujifilm made a spectacular camera, the TX-1 (and updated it with TX-2). Hasselblad marketed them in the USA and Canada as the XPan and XPan-2. This camera looks like a modern rangefinder body but it is wider. The film opening is 24×65 mm, in contrast to the normal 35mm camera. which exposes only 24×36 mm. Fuji made three superb lenses, 30mm, 45mm, and 90mm. The 30mm and 45mm lenses had optional center filters to even the exposure across the frame.With the recent revival in film photography, TX-1s and XPans are highly coveted and seriously expensive (a 3-lens kit complete with the center filters is a third or half the price of a new car).

Willapa Bay and Grays Harbor, Washington


The coast of Washington has two large estuaries or rias facing the Pacific Ocean. The southern one is Willapa Bay. Grays Harbor (no apostrophe in the name) is a few miles to the north. 

In 2004, I spent a few months working in Seattle on an erosion study of Willapa Bay. A friend offered to fly me to the coast, and I rented an XPan from Glazers Camera. He had a perfect airplane for the trip because the window opened (or maybe it had no window, I can't remember).

Mouth of Willapa Bay, view west to the Pacific Ocean

Willapa Bay faces the Pacific Ocean. Most of the bay is protected from the open ocean by the Long Beach Peninsula, a long sand spit composed of sediment brought down to the ocean by the Colombia River. The mouth of Willapa Bay has been very dynamic and has migrated north more than a kilometer in a century. This northward migration threatened the formerly-protected shellfish grounds used by the Shoalwater Bay Tribe and threatened their homes. 

In 1866, President Andrew Johnson created the 334-acre Shoalwater Reserve for the Willapa Bay Chinook people under the Treaty of Olympia. During the 1990s and 2000s, the village occupied by the tribe (lower right in the photograph above) suffered wave action and threat of severe erosion. The US Army Corps of Engineers conducted a study of hydrodynamics, sediment movement, and geology to evaluate if they could protect the village. If you are interested, Appendix 1, Engineering Analysis and Design of the 2009 study titled, "Shoalwater Bay Shoreline Erosion, Washington, FLOOD AND COASTAL STORM DAMAGE REDUCTION, Shoalwater Bay Indian Reservation" describes the data and analyses used in the study. 

Heading north, Grays Harbor is another large estuary with a dangerous Pacific Ocean mouth. This bay was historically important for the fur trade, fishing, and the timber industry. 


Timber yard, Aberdeen

Grays Harbor's largest city is Aberdeen, located at the east end of the bay at the mouth of the Chehalis River. During the early 20th century, Aberdeen was the world's largest timber port. Much of the timber today is shipped to Asia.

Olympia



Washington State capitol, Olympia


Olympia, in Thurston County, is the capitol of Washington State. The marble dome of Capitol building is said to be the fifth highest masonry dome in the world. This a nice mid-size city, without the congestion and frenetic pace of Seattle, which is about two hours to the northeast. Olympia has a famous Farmers' Market, where you can indulge your wishes for a gastronomic overload of locally-sourced healthy vegetables and fruits. 

Tacoma


Tacoma is an industrial city at the south end of Puget Sound, about an hour south of Seattle. In the 1970s, Tacoma had major steel and paper mills. When the wind blew from the south, we smelled it in Seattle and called it "Aroma of Tacoma." Today, Tacoma has gentrified but remains a major port handling timber, bulk cargoes, petroleum products, and automobiles.   


Tacoma harbor, view west
Fisherman cottage, Tacoma (look out for the tsunami)

What a nice place for a cottage: view of the sea, clang on the buoys, swish of the waves, salty/briny smell of the intertidal flats. But when the Cascadia subduction zone finally has a big slip, the tsunami will rush into Puget Sound and wash away this little cottage. 

Browns Point, NE Tacoma

Browns Point has some nice residences on the bluff top and along the base. I do not know about geotechnical issues for the residents at the top with a view. Still, it would be nice.

Port of Tacoma

Want a car? Take you pick, all the finest from Japan and Germany.

Stand by for panoramas from Seattle in a future article. Please click any photograph to expand it.